Great Film overall

This story has more twists and turns than a second-rate soap opera.

Exactly the movie you think it is, but not the movie you want it to be.

The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

(Flash Review)Love in the 19-teens was a different world. Normal lil' Susie has a glimmer in her eye for her neighbor William. They go out for soda and ice cream a few times and she is thinking this is my future husband. William is boneheaded with the ladies. He is afraid to move in for the kiss and is easily wooed away from Susie by other ladies while out with Susie. Susie does a lot of nice things for William, without him knowing, thus he never fully understands her true feelings. Will William get his act together or will he make a move for a girl of 'paint and powder' as they describe a non-genuine lady in that era? Cute little romantic tale from 1919. Emotions told well without words.

Lillian Gish stars as the title character in TRUE HEART SUSIE (1919), a bucolic romance directed by DW Griffith. Susie loves William (Robert Harron), but he doesn't fully commit himself to her. Susie makes sacrifices so that William can go to college and become successful. He comes back to town as a minister, and Susie expects that they will marry, but Bettina, a vibrant and modern city girl (Clarine Seymour) sets her sights on the hapless William.TRUE HEART SUSIE is a quite charming film, a portrait of a different era with different values. Susie typifies domesticity, constancy and self- sacrifice, simple country values. Bettina and her friends, the "paint and powder brigade", represent the city life – fast-paced and artificial, enticing men with "suggestive clothing" and heavy use of makeup to emphasize the physical and superficial. Susie becomes insecure because of her appearance and determines to entice William with the same "paint and powder" and flashy dress as Bettina, and her aunt says that she looks like a "Jezebel"! So Susie changes her clothes and goes back to her normal simple look. It's pretty obvious which side will win out in the end, but William and Bettina's marriage proves an unexpected roadblock for Susie. Griffith could lay it on thick with his title cards in many films, driving home the moral of the story with sledgehammer force, but in this film he is comparatively restrained.Lillian Gish again shows her acting prowess as Susie, a simple girl who shows herself to be very resourceful and self-sacrificing. Gish was one of the great screen beauties of her time, but she is quite convincing as the plain heroine. Gish is superbly expressive, nuanced and naturalistic, the only off moment being a bit of jumpiness that Griffith liked to induce in his leading ladies for some very strange reason. Robert Harron is also quite good as William, who is oblivious at first to Susie's affections, but then comes to realize his mistakes. Clarine Seymour is charismatic as the scheming Bettina, full of energy and mischief. Future Griffith leading lady Carol Dempster is effective in a small but important role as Bettina's best friend.Longtime Griffith cinematographer Billy Bitzer again shows his mastery of the camera. The film has a warm, tranquil feel throughout, taking advantage of the beautiful country scenery and using different tints for day, night, and indoor and outdoor scenes. Overall, TRUE HEART SUSIE is a charming film, a "small" film in Griffith's repertoire, but in its modest way, one of his most artistically successful. It features fine acting, a moving story, and it's lovely to look at. SCORE: 9/10

True Heart Susie is the best silent film I have ever seen. The story was a little far-fetched, but it was a cute romantic drama. The almost kissing scenes in the beginning of the film had everyone at the edge on had all the students on the edge of their seats. People shouted out "kiss her already." The awkwardness of the main characters was portrayed perfectly throughout the movie. The kissing scenes by the fence as he is about to leave for college and the scene by the tree at the beginning of the film are as awkward as the scene at the end when they finally kiss. The awkward kiss is a reference to their innocence and childhood crush on one another.The whole movie was an absolute master piece. The innocence portrayed by Lillian Gish was extraordinary. The close ups were amazing. Although it was a silent film, I could feel every emotion she felt by the small gestures in her face. I wanted cry when William proposed to Betty and punch her she was in Susie's house after the rain storm. The emotions were more believable than the plot itself due to the amazing acting. The few colors of the film added to the emotions of Susie. The yellow showed her jealousy of Betty. The blue during the rain storm represented her longing for William and the betrayal of the partying Betty.The plot of the film was adorable from beginning to end. I truly believe that both of the main actors were from the country. The values in the film were portrayed as old fashioned values. William went to college and studied religion and became the preacher of his home town. The women stayed at home and kept care of the house. Susie's best friend was a cow. The entire town was so quaint and added to the aesthetics of the film.

The second that William married Bettina I knew she'd have to die. I'm not being melodramatic just truthful this movie was made and takes place in the early 20th century; no one got divorced back then, the only way that marriage was going to break up was for either William or Bettina to die. I only hoped for Susie's sake that it would be Bettina. Although, with the careless fashion that William treated her love and sacrifices it might have been better for Susie, if William was the one to die. Susie believed that her happiness was directly related to William, this displays the mindset of the time that women need men to be happy, and is proved as the movies "happy ending" has Susie marrying William, and though it is no longer the mindset of the American public that a women needs a man to be happy, it is still a myth perpetrated by Hollywood as most films still contain this classic "happy ending". If William had died and was out of the picture Susie might have been able to live her life for herself, instead of for William. Throughout the movie every action Susie makes is directly related to William. Whether she's selling her cow to send him to school, or protecting his wife, all her choices are made with William in mind. We never see what Susie wants, besides of course, her desire to marry Williams, which might just have stemmed from a childhood crush; that would have passed if she had not made it her life goal to make sure William got everything he wanted. We learn very little about Bettina except that she's selfish and thinks only of herself, a direct opposite to Susie, who cares only for William and her Aunt. This comparison between Bettina and Susie is alluded to several times throughout the movie, each time with Susie coming out on top. I believe the director did this to keep us from bonding with Bettina, so we would not care when she died and resent Susie her happiness. All in all not a bad movie, pay special attention to the title cards they're hilarious.