Very disappointing...

Memorable, crazy movie

I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

1933's "The Devil's in Love" was yet another Fox entry in the French Foreign Legion adventures so popular at the time. Major Bertram (Robert H. Barrat) has just transferred his best doctor, Andre Morand (Victor Jory), to an outpost that means certain death, then ends up poisoned after taking some medication. Andre is quickly convicted of murder, but his good friend, Capt. Jean Fabien (David Manners), ensures his escape to Port Zamba, where he resumes his practice under the name Paul Vernay, gaining time to prove himself innocent before Chief of Police Radak (C. Henry Gordon) can find him. Both Victor Jory and Bela Lugosi (as well as C. Henry Gordon) had previously appeared in a 1930 Legion feature at Fox, "Renegades" (Jory's film debut), and had another connection for the same studio: Lugosi had played the fortune teller Tarneverro in 1931's Charlie Chan feature "The Black Camel," while in the 1941 remake "Charlie Chan in Rio," Jory played the role, now called Alfredo Marana. David Manners, from "Dracula" and "The Death Kiss," would work with Lugosi once more in 1934's "The Black Cat," while Loretta Young would actually work with Boris Karloff this same year, in "The House of Rothschild." Lugosi found steady employment at Fox prior to Dracula, but this one-shot return went unnoticed at the time; inexplicably, he receives no on-screen credit (for the last time), though it's clearly a showy part that served him well (about five minutes screen time). Wearing a bushy moustache and clad in military uniform, Bela's smug and confident prosecutor actually wins his case. Other impressive performances are essayed by J. Carrol Naish and Akim Tamiroff.

Funny to see as the non-French people see the Legion Etrangère;generally in the French movies ,the hero has done something very wrong and takes refuge there;to be honest,it was the same in "Beau Geste" .Here ,the hero is unfairly charged with murder and sentenced to death and he takes refuge in civilian life.William (Wilhem) Dieterle has a good knowledge of the French popular culture ;after all he did the best version of "Notre Dame De Paris" (The hunchback of Notre Dame ,1939)not to mention his Madame Du Barrry and his Pasteur biopics.Here in the fort,we can hear the Legion classic "As-Tu Vu la Casquette Du Père Bugeaud?" which I used to sing in nursery school (or is it my grandma who taught me the song?);the native brats sing "Cadet Rousselle" in English ;the hero's name is Morand ,the same as Pierre Benoit's legionnaire in "L'Atlantide" which was transferred to the screen several times ,even in the silent age.The rebels who attack the fort are given the same treatment as those in Ford 's "lost patrol" (1934)or Julien Duvivier's "La Bandera" (1935):they are bastards,period.The movie is too short and the ending is rather implausible,but it is quite entertaining and it's always a joy to see Loretta Young as the comforter angel.

Victor Jory, a French Foreign Legion medic unjustly charged with murdering a superior officer, escapes the firing squad with the aid of best pal David Manners. He finds sanctuary in Loretta Young's mission and falls in love with her, not knowing that just a few months ago she was in Paris and met and became engaged to... David Manners! Other implausibilities and co-inky-dinks dot this sub-Hemingway nonsense, which also features the alleged comic relief of Herbert Mundin and Vivienne Osborne as Jory's old flame -- an independent-minded, self-sacrificing, and thoroughly admirable Bad Woman who makes the Latin Quarter of whatever North African outpost this is supposed to be look infinitely more fun than the virtuous surroundings of Young's mission. Young, required only to look pretty and play holier-than-thou, does so competently, and the director, William (still billed as "Wilhelm" at this point in his career) Dieterle, was always good for some striking compositions. It's also interesting to see Jory, usually in supporting and/or villainous roles, attempt a Gary Cooper-type hero. He's a little stolid and you're never aware of anything much going on in his head, but that would be asking a lot of a character drawn this broadly. An amiable time-waster with a pointless title, and it's fun to watch the audacious turns of plot and twists of fate pile up.

"The Devil's in Love" is a very interesting movie, and fans of old movies consider this a gem. A good cast and a compelling plot are highlights. This could have been just another story of intrigue in the Foreign Legion, but Bela Lugosi gives a stand-out performance as the Military Prosecutor. Although Bela had a small role (remember the famous quote: "There are no small parts, only small actors") it was a key role and pivotal to the story. The scene Bela is in is actually fairly lengthy. Whereas Bela's name is absent from the main credits, Bela's performance did not go unnoticed by his growing number of fans-- who were now becoming, pardon the pun, Legion.