I'll tell you why so serious

A waste of 90 minutes of my life

One of the worst ways to make a cult movie is to set out to make a cult movie.

The film never slows down or bores, plunging from one harrowing sequence to the next.

It's interesting to compare this precode era adaptation to the glossier seemingly bigger-budget production, 1951's "A Place in the Sun". People today will likely not remember the stars since so much of their work was done at 1930's Paramount and is never shown anymore. Practically all of the action is centered on working class girl Roberta (Sylvia Sidney) and Clyde Griffiths (Phillips Holmes), who wants what he wants when he wants it. Frances Dee as the rich girl Clyde falls for later in the film barely gets any lines at all as compared to Elizabeth Taylor in the corresponding part in the 1951 film. In fact the whole tale is spartanly told. Clyde's past is filled in more in this film, along with more about his mother and the fact that she realizes she failed Clyde by concentrating so much on her mission work and thus exposing Clyde to all of the darkness in life with none of the normal attention and happinesses that most children experience, thus making Clyde selfish and hungry for the good things in life. Clyde gets a break when he runs into the wealthy side of the family, gets a job in their factory, and ultimately works his way up to supervisor. But the family is more oblige toward him than noblesse, as they invite him up to visit them at their house - more for the sake of appearances than anything - and study him like a specimen rather than treat him like a guest. Through all of this, Clyde is stoic and unsurprised at their behavior. You get the feeling he'd do the same if he was in their place.Clyde selfishly but not maliciously pushes Roberta, one of the assembly line girls in his charge, into a relationship and ultimately into sharing a bed, and apparently this intimate relationship goes on some time until he meets a bigger better deal in the person of Sondra Finchley. Don't expect the sizzle and warmth of Montgomery Clift and Elizabeth Taylor here. Here Frances Dee and Philips Holme barely smolder, but that is probably intentional just to feed the impression that this guy truly can't love anybody. Here Roberta is an unlucky girl that you grow to like as you even meet her family at one point. In Place in the Sun Shelley Winter's rendition is that of a clawing nagging harpy, causing you to somewhat sympathize with Clyde. Here there can really be no sympathy for the guy - he really is a coward, always trying to get what he can out of life here and now, running from the consequences, lying to himself as well as everyone else.When the pregnant Roberta refuses to just disappear and insists on marriage, Clyde tears himself away from his summer vacation with his new socialite girlfriend long enough to plan a murder that will look like an accidental drowning. Does he want the good things in life enough to do even the foulest of deeds? Watch and find out. And you will find out, because what happens in the boat is clearly shown from beginning to end.One very interesting moment in this film not included in the remake: You see the jury deliberate and two jurors are tending toward voting not guilty. The other ten threaten the two holdouts, basically saying that they will find it impossible to make a living in that town if they "side with that murderer". In the production code era you would never be allowed to question the integrity of the criminal justice system in such a manner. This film is an interesting commentary on class consciousness centered on a wrong guy ultimately brought to accidental justice by an equally wrong criminal justice system. Highly recommended.

Its time this well acted and good story older little known gem to be released on DVD. I saw it on TV years ago but never saw it again. It was made in 1931 and the mores of the day are outdated, but the story and consequences could be the same today as they were then. The acting is well done with Phillips Holmes as the male star Clyde. Holmes died when he was only 35 in a plane collision, cutting short a promising life and film career. Sylvia Sydney plays the part of Clyde's very pretty girlfriend Roberta. Everything goes well till Roberta finds herself in a situation she doesn't want to be in and for sure, Clyde doesn't want her to be in. Clyde has big plans for his job, he is ambitious but also selfish. He begins to feel trapped and thinks what he can do to be free of the situation as he doesn't want to be held back. So he plans a solution which has sad consequences and doesn't work out the way he planned. The movie is close to Theodore Dresser's book of "An American Tragedy". The acting is well done by the two stars. I was surprised that a movie made in 1931 could be so good. It didn't seem out of date at all to me. In my view, the acting of the stars in the 1931 film and the movie itself is a lot better than the remake called "A Place in the Sun" with Clift Montgomery and Elizabeth Taylor.I think a lot of classic type film buffs would like this movie. I'd be the first to get it on DVD.

I finally got to see Theodore Dreiser's An American Tragedy (1931), with Phillips Holmes playing the young sociopath-murderer that Monty Clift played in the later A Place In the Sun (1951). This picture was directed by Josef von Sternberg.The print a friend loaned me was a real chore on the eyes, I am glad I didn't pay for this! I don't like her generally, but I must admit Sylvia Sidney did a good job as the thoughtless girl "Bert", which Shelley Winters more annoyingly played in the remake. Sylvia's part was much bigger and more sympathetic than the girl Phillips' character Clyde falls in love with later, here played by Frances Dee and in the remake by Elizabeth Taylor. In A Place in the Sun Elizabeth Taylor's part was very much expanded, but in this earlier version we're not even sure Clyde cares more about her than her money.Phillips played his part so emotionlessly that it was almost like he was in a trance. I kept thinking of the infamous Scott Peterson and his emotionlessness through his trial for murdering his pregnant wife. I think that was a deliberate choice on Phillips' part to play the role this way, but there were many times when he seemed very wooden to me and I wanted to see more passion or life or something! Overall I do think he was truer to the role though than Monty Clift's interpretation.I don't recall a mother character in A Place In The Sun, but here Clyde's mother is played well by Lucille La Verne, a popular character actress of the 30's. She runs a mission and spends more time saving souls than looking after her only boy, with the result that he grows up without a firm rudder to cling to when times get hard. So in that respect this earlier film version gives the audience more of a background into Clyde's childhood and environment which made him the sociopath he turned out to be. You know the character is in for it right at the beginning of the film, when he's indirectly involved with a hit and run accident of a child, and runs away rather than give details to the police. If you can see it, do so. I hope you obtain a better print than I did though! I wish TCM would play this film, maybe back to back one evening with the 1951 remake, so folks can compare versions.

Not having read the book, nor seen the Taylor remake, I had no bias when I watched this film the other night on French television. I almost turned it off after the first 20 minutes, it was slow to start and seemed to be going nowhere. However I stuck with it and it was worth it in the end. The court scene was too long and the histrionics of the defence and the prosecution over the top, but I found the characters believable and became involved in the fate of Clyde. Not a film I would want to keep as a classic, but definitly worth watching.