Good concept, poorly executed.

It's entirely possible that sending the audience out feeling lousy was intentional

Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

A price winning movie?? What is going on in the film industry? This a depressing story with no point to it. A miserable and unhappy Russian bride, that should have no worry in the world since she lives like a princess, is unhappy in her relationship with a music producer. When she mets his son, she is slowly falling for him. Now that alone would be very strange enough, but we don't really find out what's the fascination with the son Michael. He is educated in the English language beyond the norm, even we are a tad confused if he is just a teacher or a professor, but we have no evidence for either, since the guy is not capable of holding any intelligent dialogues, be it for the lack of available words or him being simply stupid. After torturing myself through the movie, I was totally let down by the ending, where the main character is back to square one. Researching the lead actress on IMDb I found the following: She has been called the Russian Julia Roberts because of her stunning beauty. Wow! It never occurred to me that Mrs. Roberts has any kind of beauty, except of course one likes crooked legs, no hips and lips pumped with botox, but this Russian actress is definitely much uglier, if that is possible. If these women are considered attractive by some, how would one describe Juliet Binoche, Jessica Biel or Rosamund Pike? OK, sorry, I am getting of topic, but I never understood why recent directors take on topics like that. John Cassavetes has dealt with similar topics in the past and has done a fantastic job. But if one is not on that intellectual level, why bother.

"40 Shades of Blue" updates Tennessee Williams and puts his archetypal characters into the Memphis music scene. Rip Torn is like Big Daddy, here a legendary music producer (as bolstered by taking fictional credit for the classic soul songs of Bert Berns with local color provided by musical luminaries such as Jim Dickinson and Sid Selvidge) and his mannerisms recall Sam Phillips. As his son, Darren Burrows, in a hunky and magnetic return to public consciousness since TV's "Northern Exposure," recalls Brick, though here his brooding is Oedipal. Dina Korzun is a trophy girlfriend who depends on the kindness of strangers. In a mirror image of "Laurel Canyon," which also brought a prodigal son home to a legendary music producer parent with a younger lover, co-writer/director Ira Sachs well creates believable strained family interactions. All three interact so sweetly with the lovely toddler son that it becomes clear what warmth is missing among the adults. The production design and use of Memphis locales reinforce an industry town where Torn's "Alan James" is well-known, and a lived-in house that includes photos and portraits on the living room wall. We also see that his cohort impresarios (whose music is actually passé these days in Memphis, as shown in "Hustle & Flow" and Torn refers to in a speech that nostalgically recalls how classic soul music was a partnership between black and whites) are mostly surrounded by much younger women.Korzun's trophy girlfriend "Laura" is the most problematical, but it's not clear if it's the script or her acting. Sometimes she is clearly in "Lost in Translation" mode, as a Russian who has no connection to Memphis music and nothing to say to the people surrounding Torn and vice versa, and she wistfully notes that when she writes in English her handwriting looks like a child's.Sometimes her teen age babysitter has more gumption and insight than she does. The other characters are constantly asking her how she's doing and she gives a different lie each time. Other times she can speak forthrightly and stand up for her opinions, as when she insists to a friend that the father and son do not share looks or characteristics, or acknowledging that she is living better than anyone from her home. From the opening scene of her shopping in the cosmetics section of a department store as symbols of her putting on her game face, her character seems to be Sphinx-like, but Korzun does create a sympathetic portrait of a confused, trapped bird and your heart does go out to her poignant efforts to be her own woman.The film seems to build toward a confrontation that almost happens but doesn't quite, though that might mean that the characters have made a decision about their lives, as the son chooses not to be like his father, after several scenes where he did seem to be imitating his behavior. The lack of a climax may be realistic, but it doesn't make for effective drama.

Film-making with such an eye for detail and nuance is rarely to be seen in America and I'm overjoyed that the Sundance committee stepped forward to recognize it. Forty Shades of Blue is a fascinated witness to heartbreak and refuses all melodrama, all sentimentality in favor of fully lived characters that are shocking in their naturalism---the Russian actress in particular is astonishing but what is even more astonishing is the subtlety with which the director observes her. It is the most careful portrait of loneliness I have ever seen.Unlike most directors who point us in every frame at their star or their theme, Sachs--like Robert Altman--often points out details and people of the setting (Memphis) so that we are quite sure we're not seeing actors at all, and the effect is not the closed-room feel you would expect of a love triangle, but a place and time fixed forever by the lens. Ira Sachs has coaxed great performances from his actors, his hometown and the musicians who perform like a Greek chorus throughout. It's quite a masterpiece.

Just saw this movie in the Best of Fest for Sundance 05 and can honestly say I hated every minute of it. As I walked out the theater I wondered if the Sundance judges had pulled a joke on us since this was the supposed Best Drama picture this year... I heard many other disgruntled folks around me saying this was just agonizing to sit through which sums it up perfectly. Although Rip Torn did a great job, the other characters were just plain annoying and moved through this hollow storyline without motive or any indication of life. Even the final shot of the movie evoked some unintentional laughter from the restless audience. This would be great for those battling insomnia.