Don't listen to the negative reviews

As Good As It Gets

A different way of telling a story

It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.

"The Way We Live Now" (2001) is a four-episode BBC miniseries directed by David Yates. The book is based on a novel written by Anthony Trollope (1815 - 1882). Trollope was a brilliant Victorian novelist, but, unlike his contemporary Charles Dickens, Trollope's name is not nearly as well known in the 21st Century. However, the BBC has produced several of his works, and they are worth seeing.This novel is Trollope's longest, and possibly his most complex. Someone has estimated that there are over 100 named characters, and subplots abound. However, all the plots and subplots involve Augustus Melmotte, a shady character with grandiose schemes. Melmotte has the uncanny ability to make people want to give him money. He wants the money because his goal in life is to be an English gentleman.If there had been a weak actor playing Augustus Melmotte, the whole movie would have fallen apart. This movie hung together because David Suchet played Melmotte so well. You'll have to see the film to know just how completely Suchet takes over the role of Melmotte.Most of the supporting cast was at the usual high BBC level. Matthew Macfadyen plays Sir Felix Carbury, the cad, very well. Paloma Baeza plays Hetta Carbury, his lovely sister who is everything Sir Felix is not. I think that the two weakest actors were Cillian Murphy as Paul Montague, and Miranda Otto as Mrs. Hurtle. Paul Montague is supposed to be the perfect Victorian hero. He's an engineer, and he isn't driven by greed. He's driven by the goal of designing and building the Mexican railroad. (The Mexican railroad is the starting point of Melmotte's rise to financial power.) The problem is that Murphy doesn't look or act the part. His character is not that different--in appearance or manner--from Sir Felix Carbury. They are supposed to be at opposite poles, but they aren't.Miranda Otto is an Australian actor who has been given the role of an American from Oregon. Otto has a strong Southern US accent, which doesn't work. It's certainly possible that Mrs. Hurtle was originally from the U.S. South, and moved to Oregon. However, her Southern accent doesn't sound right, and it's clear that she is struggling with it whenever she's on screen.As an interesting side note, Mr. Brehgert, a Jewish banker, is acted by Jim Carter, who plays Carson the butler on Downton Abbey. He's in love with an elegant Englishwoman, and his religion stands in the way of their marriage. His bank lends money to Melmotte. That's another subplot that revolves around the mysterious Augustus Melmotte.I enjoyed this miniseries, and I recommend it highly. Without Suchet it could have been a failure. With Suchet, it's a triumph. We saw it on the small screen at home, and it worked very well. (There are a few outdoor scenes that would work better in a theater, but most of them are fillers put into the movie to "open it up." The real plots take place indoors, and they work well on DVD.) Seek out this movie and watch it! You'll be glad you did.

Well, I finished watching the 2001 miniseries, written by Andrew Davies. A lot was altered from the book and since I wasn't the biggest fan of the book, you'd think I would love it, right? Wrong! I know Andrew Davies is famous for sexing up all his adaptations but this was ridiculous, even for him.I will admit, most of the actors were good with what they were given. The problem is, often I didn't like what they were given! Sir Felix as played by the lovely Matthew MacFadyen was portrayed as much more sympathetic as in the book and really isn't punished in the end. I think Davies was a little fond of the character, actually. His sister Hetta is unrecognizable from the book, being outspoken and free-spirited in the beginning- always giving her mother and brother a piece of her mind. I did find Hetta pretty boring for most of the book because she doesn't do much but it didn't really have any impact when she went against her family to be with Paul, since she was always so openly against them from the start! Mrs. Hurtle as played by Miranda Otto was horrible. The pitiful excuse for a Southern accent was grating to my ears. I found her character one of the most interesting in the book and still sympathetic, but not so in the mini. As for Paul Montague, they tried to make him a stronger character but I really didn't buy it from pretty boy Cillian Murphy. What were they thinking putting such an effeminate looking man in that part? I did like the casting of Lady Carbury, Roger Carbury, and Mr. Melmotte. The latter was very close to how I imagined him in the book. Shirley Henderson as her daughter, Marie, however, was just…bizarre, for lack of a better word.So yeah, I was really not happy with this adaptation.

If you watch Masterpiece Theatre with any frequency, you will long since have noticed that the BBC, which provides Masterpiece Theatre with its best material, seems to have access to an inexhaustible supply of superior actors -- mostly, though not all, British stage performers and mostly British trained. "The Way We Live Now" gives more proof of how deep BBC's acting bench is. David Suchet, the star of this series is familiar to American audiences for his portrayal of the fussy and fastidious Belgian detective, Hercule Poirot, created by Agatha Christie. The character he plays here could not possibly be more different than Poirot. He is a crude, unethical financier who seems large physically though Suchet is on the small side. Supporting Suchet is a sizable cast of actors, most of whom are complete unknowns to American audiences. They are all good and several of them are excellent. Where were Helen Mirren and Judi Dench before they became stars in Hollywood? Learning and applying their craft in Britain. Perhaps it is the acting schools and the repertory companies that turn these actors out in such profusion. Perhaps it is the quantity and quality of theaters and stage companies that give them opportunities unavailable in the U.S. Whatever the reason, the overall strength of the cast is what distinguishes this British TV series as it generally distinguishes British-made films from their American counterparts. American films may be superior in other respects but not for acting that merges effortlessly into the role.

Another fine Sunday night filler from Andrew Davies and the BBC. Based on one of Anthony Trollope's later and less well known novels, this six -part story (300 minutes) covers the short but spectacular career in London of Augustus Melmott, financial fraudster extraordinaire. Melmott is a Victorian Robert Maxwell (the bouncing Czech), a promoter of huge ambitious business ventures with a flamboyant style that proves irresisitable even to the hard-nosed. Like Maxwell, he has a seat in the House of Commons. Some of the hard-nosed have their suspicions but go along for the ride anyway no doubt hoping to get something for themselves along the way.Trollope weaves the strands of the plot adroitly using the Carbury family as the central characters. Lady Carbury (Cheryl Campbell) is the widow of a baronet (minor aristocracy) and without the means to live in the appropriate style. Her son Felix (Matthew McFadyen) is a total waster, putting any money he gets on the card table, and losing it. Lady C is trying to palm her rather priggish daughter Hetta (Paloma Baeza) off onto her nephew Roger (Douglas Hogg), also a prig, who has inherited the family estates. Roger is interested but Hetta is not, as she fancies Paul Montague (Cillian Murphy), a railway engineer and friend of Roger's. Murphy works for Melmott's company (the board is stacked with peers and baronets, including Felix). The Central American railway is supposed to be building a railroad from the central west of the US to Mexico. The railroad route has been surveyed, but funnily enough construction keeps on being delayed even though enough money has been raised to at least start it. Where's the money Melmott? Some is syphoned into his daughter Marie's trust fund. Marie (Shirley Henderson) is courted by Felix, who is very interested in the money, though not so interested in Marie.To say more would spoil the story. The casting is splendid, except for Cillian Murphy as Paul whose pretty-boy looks are more appropriate for a Romeo than some who has been a civil engineer for some years and spent a lot of that time in the merciless Mexican sun. As his American mistress Mrs Hurtle, Miranda Otto, otherwise a capable actress, can't do the Deep South accent. It would have been better to re-write the part for an Australian. If it's any consolation, Meryl Streep can't do an Australian accent either – it comes out as cockney, as we saw in 'Evil Angels'.The star performance is without a doubt David Suchet's as Melmott. Though a small man, he dominates every scene he is in, with his deep loud voice and grand manner. Critics are silenced by a mixture of flattery, bluff and sometimes threat. In the finish we almost like him, despite the chaos he causes. It is truly the role David Suchet was born to play, one utterly different from his small fussy Belgian detective, Hercule Poirot. Shirley Henderson as Marie also stands out in this company of very accomplished acting. I haven't checked the novel, but there are one or two quite modern touches for which Trollope may have been responsible, such as Marie's (or was it Hetta's?) feminist speech towards the end. He may have got that from his mum, who had to support her family by novel-writing after her husband died, and did so quite successfully. In the 1870s we had railways, in the 2000s we had dot coms. The vehicles change but we still have fear and greed as dominant players in the markets. The title 'The Way We Live Now' is just as apt today, as we see the Enron, Arthur Andersen, Worldcom crashes in the US, and HIH, FAI and One-tel in Australia. It is interesting that this 1875 novel, with no high literary pretensions, pulp fiction in fact, should be so relevant today. A engrossing film adaption from the Eng Lit specialists.