Pretty good movie overall. First half was nothing special but it got better as it went along.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

The film never slows down or bores, plunging from one harrowing sequence to the next.

I've had this movie on my radar for awhile, because it has Jennifer Westfeldt in it and I'm a huge fan of hers and want to make sure I see everything she's ever done (I know, I'm a pathetic groupie). Somewhat surprisingly, she's actually not the best thing about this film, and I think she's a little wasted in it (like they told her not to overdo it and she's a little muted). But Paul Schneider is terrific, and overall it's a really funny, charming movie. It's definitely low budget, which is not a problem at all for me, because the writing is sharp and the actors do a great job. I've always thought that independently-produced romantic comedies are always better than the Hollywood ones, because they're always funnier and more romantic. This film is more evidence for my theory. The idea of being totally honest to run someone off is reminiscent of How to Lose a Guy in 10 Days, but the concept is used to better effect in this movie and doesn't feel nearly as stilted as it did in Kate Hudson's film. The movie doesn't go quite where you think it's going either (at least not where I thought it was going) which is a bonus, and it has great kissing, another bonus. Definitely worth watching if you like movies that are smart and a little offbeat.

Owen (Paul Schneider) is an erstwhile writer who lives in Los Angeles. He loves the city but he is having trouble on two fronts. One, his work is mainly "ghost writing" sensational crimes, like the exploits of a set of homicidal twins. At present, he is working on the biography of a former astronaut (Fred Willard). And, second, Owen is having trouble in the romance department, too. He is still in love with his ex, Eileen, when an earthquake shakes the town, scaring everyone. But, to add insult to injury, Owen's former flame tells him that the quake has led her to conclude that any reconciliation between them is out of the question. Mightily depressed, Owen decides to burn every bridge in LaLa Land and move east. Thus, in short order, he says goodbye to his great pal, Allison (Poppy Montgomery) and her girlfriend (Tori Spelling), gives up his apartment and smokes a reefer right in front of his old AA group. He also sells his car. But, when he arrives at the airport to fly to New Jersey and begin his new life, wouldn't you know, a pretty woman, Val (Jennifer Westfeldt) is there, kissing a man goodbye. Since she is a friend of Eileen's, he strikes up a conversation when they are alone. It is there he learns that she has broken up with her boyfriend (one last kiss for good measure, it seems) and is available. Owen likes what he sees and so does Val. Yet, how can return to the city of Angels when he has just given the town the raspberry? Nevertheless, Owen u-turns and bunks with Allison while his relationship with Val is beginning. Since time is of the essence, Owen puts Val to the "test", trying to see if she will find a problem with his worst habits. What will be ahead for these two? This was such a delightful romantic comedy! It has zest, imagination, and humor in abundance. It also has a very capable cast, with Schneider, Montgomery, Willard, Spelling, Westfeldt, and everyone else doing great work. Quite nice as well are the sets, costumes, and production values. Most importantly, the writing and direction are downright wonderful, far above the norm in tinseltown. If you adore funny tales of love, get this one without delay. It wrote the book on "how to have a fun night in"!

this is one of the worst films i've ever seen. to me, it represents the worst aspects of the movie "business". it's a product. not brand name at that. it's the grocery chain generic version of laundry soap or pop corn or a cheap version of a scouring pad/sponge. in order to sustain an industry you have to have product and this is pure product. OK, i've seen worse. at least they try to make a statement about finding love and the hoops we jump through but it contradicts itself time and time again until the characters stand for nothing. personally, i don't relate to any of them or care for them any more than i would poor schmucks caught in the wrong line in a grocery. and their plight seems to me no more serious than that. i give it four yawns. fortunately i was learning my new cell phone so it wasn't a total was of time. (sarcasm on) and how is it that Paul Schneider hasn't gone on to stardom. sarcasm off). this film is as replaceable as a piston rod.

In what proves to be a most enjoyable viewing experience, this new filmmaker (Jordan Hawley) does more than provide diverting fodder. He cleverly documents the struggle between one's expectations and one's reality, the desire to achieve dreams imagined in youth - idyllic family life in New England - and the need to appreciate what you have - a charming existence in Los Angeles.Paul Schneider's performance is remarkable, while not necessarily surprising (see his brief turn in "The Family Stone.") His embodiment of Owen, the clever and reflective protagonist, gives us plenty to appreciate and even more to laugh about.Los Angeles is rarely portrayed in this positive a light so effectively. Without becoming too sentimental, the filmmaker shows the people of Los Angeles what they could be seeing everyday, if they would open their eyes and quit bitching.