If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

Paul Mazursky gave us three fine films: Blume in Love, Harry & Tonto and Moscow On the Hudson, and a host of lesser works that we can still enjoy. I can't think of many American directors of the last half-century with a record like his. Blume In Love is obviously influenced by Truffaut's Jules and Jim, but is funnier, faster and not indebted to literary models as Truffaut's film was.The triangle of Blume, Nina and Elmo works so well because of Kris Kristofferson's easy charm and rock star charisma. The story would have foundered on Blume's obsessiveness and Nina's Puritan desire to do good ("I haven't done much for the farmworkers, but I boycott the supermarkets") had Elmo not been around to keep things light. The story he tells of the bust in Franklin, Tenn. is wonderfully funny, although a little scary, and the trio's singing Chester the Goat is a delight.I became a George Segal fan when I first saw this movie, and I can't help but lament the lack of intelligence and depth in today's actors when I see what he does with this difficult character. Marsha Mason is his equal in talent, playing Arlene, Blume's vulnerable lover who knows her days are numbered. The smaller roles are ably filled, particularly Shelley Winters as the woman whose husband left her.

I don't really feel like writing this up, but I'll spend a few moments doing just that. Mazursky can be one of the most painfully self-indulgent filmmakers of the last 30 years, though admittedly I love a few of his films (especially HARRY AND TONTO). But more of his films are chores to get through, and pretentious ones at that. BLUME IN LOVE comes nowhere near the tedium that marks ALEX IN WONDERLAND as one of the worst studio films of the '70s, but it's still pretty lousy. Yeah, George Segal is great, and Kris Kristofferson and Susan Anspach hold up well...and actually Marsha Mason is pretty impressive, but, well, that's about it. The story is flimsy, the screenplay is mediocre...there's just not too much going on.Thematically, the film is rich and it's interesting to see that Stanley Kubrick featured it in EYES WIDE SHUT (look close - Alice is watching it on television while she talks to Bill on the phone), especially considering the slight similarities between the protagonists of the two films...but who knows if Kubrick featured it for this reason or because he knew Mazursky from way back when (Paul appears in Stanley's first film, FEAR AND DESIRE).BLUME IN LOVE could've been great, but Mazursky...well, it's another one of his "almost-good" films...I really think the majority of his work fails from half-assed screenplays and poor pre-planning (how else can you account for the aforementioned ALEX IN WONDERLAND)? And, oh yeah, there's that little matter of his phony art film sensibility. Stop trying so hard, Paul, you really don't need to include Fellini and Jeanne Moreau in your films (ALEX...) to show us you're above the Hollywood bulls**t. Frankly, sometimes a little Hollywood bulls**t (like a story) can work wonders.

"Blume In Love" (1973) begins in Venice, Italy as Blume (George Segal) talks about how this most romantic place changes the way couples think of sex and love while they are visiting. As the movie pushes along Blume talks about his divorce from his ex-wife Nina Blume (Susan Anspach) and his regret from having an extra-marital affair. We also see images of Nina and Blume's honeymoon to Venice. But now Blume is back in Venice on his own after Nina had asked him to leave for a couple of weeks so she could work things out. The rest of the movie contains flashbacks of before and after the divorce.I have seen one other film by Paul Mazursky [Bob & Carol & Ted & Alice (1969)], which was a film that dealt with two couples experimenting in sexual freedom. "Blume In Love" is about a divorce-lawyer named Blume (Segal) who suffers from impotence and despair after he is divorced from his beloved Nina (Anspach). He "can not live without her" he exclaims, and "would rather die if he can't have her back." And dying is something Blume doesn't want, so he has to win her back. He eventually wins her back in an ending that is either ambivalent to the viewer, joyous or they are repulsed by it as was the reviewer before me. It was a very romantic and happy ending, but it was far from realistic"Blume In Love" is a well-directed film by writer and director Paul Mazursky. The performances by Susan Anspach, George Segal and Kris Kristofferson as Elmo are all wonderful. Kris Kristofferson's Elmo is a very likeable character. His easy-going, laid back "Nothin' To It" look on life is a sharp contrast to the emotional conflict between Nina and Blume. Elmo is a traveling musician who moves in with Nina after she divorces Blume. He enjoys playing his music and having a good time. Blume ends up liking him too, and uses him as a reason to come and visit Nina to win her back.In the end this was a story about a man desperately trying to win his ex-wife back. He will do everything possible to do so. Along the way we follow him through his despair and sometimes we laugh at it and sometimes we cry.Directed and written by Paul Mazursky. (Mazursky himself plays Segal's law partner.)

I have enjoyed Paul Mazursky's direction on a few occasions, notably in Harry and Tonto. I like his work in Blume in Love as well, but am close to being disgusted with the repulsive ending. George Segal plays Blume, an obnoxious ex-husband of Susan Anspach. He has an overactive libido that gets him in trouble in this film in more ways than one. He spends the majority of the movie pining over the loss of his wife while comprehending why he can't perform sexually the way he wants to. The end of the story really got my goat (and yes, there is another goat in this picture I won't comment on here). Rape is no laughing matter, committed by anyone no matter what the situation. This film made light of the whole occurrence, and made Kris Kristofferson (Anspach's live-in boyfriend) look like a putz. To top it all off, the film ends happily, with the wrong people (immorally) getting back together. I would have been more content if the film stayed on its obsessive keel, maybe even if it went into a screwball comedy. Unfortunately, it traverses into absurdity and non-sensical behavior. I enjoyed the first half of this, had a bit of a titter or two, but was most displeased in Blume in Love's finish. Rating: Two stars.