Surprisingly incoherent and boring

Save your money for something good and enjoyable

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

An old-fashioned movie made with new-fashioned finesse.

Claudette Colbert is superb an any role, especially when she plays a mother. All of the actors in this movie are first rate and do an outstanding job. I've always wondered if this film had any bad sentiment as it had the mom not wanting the son to go to the war --- which was an unpopular view at the time. Really enjoyed Orson Welles in a supporting role. Devil's advocate here: can a wife really not recognize her husband despite 20 years and cosmetic surgery?

Directed by Irving Pichel, based on Gwen Bristow's story with a Lenore J. Coffee screenplay, this heart tugging drama stars Claudette Colbert, Orson Welles (who gives the film's best, a most credible, acting performance), George Brent, Lucile Watson, Richard Long, Natalie Wood, and Ian Wolfe, among others.It's November 11, 1918 and "the Great War" has just ended. Factory owner Charles Hamilton, his nephew Larry (Brent), his assistant Norton (Wolfe) and all his other employees are celebrating. One of their newer employees, Elizabeth MacDonald (Colbert), is especially happy because, as she tells Larry, it means her young lieutenant husband will be coming home soon. Larry tells her he had wanted to enlist, but was told his family's factory was equally important to the war effort and was sent home.A month or more later, as she's preparing their home for Christmas and awaiting her husband John Andrew MacDonald's arrival, Elizabeth receives a telegram saying that he had been killed in action. She recalls the shock of learning of her husband's decision to join the conflict, because John (Welles) wanted to be part of making the new world. However, it is then learned that MacDonald is not dead, just horribly maimed and wounded, listed as an unknown lieutenant on the German hospital's records. Refusing to give his identity and asking to be killed, John is cared for by the kind Dr. Ludwig (John Wengraf), who tries to console the lieutenant, insisting that helping the soldier will make him a better doctor.Dr. Ludwig guesses that his patient is married and tells him that his wife has probably received word that he is dead, that she would certainly rather know that he was alive in order to lovingly help him to recover. But John refuses to give his name, determined to die or at least let his young wife have a happy life without having to worry about a physically broken man like him.In Baltimore, after Elizabeth had read the telegram, she returns to work late and collapses, causing Larry to take her to his home where his sister Jessica (Watson) can care for her. They learn she is pregnant, whereupon she lives at the Hamilton's home through April, when she gives birth, and beyond while Larry's love grows for her and her son, John Andrew "junior". Larry proposes and though Elizabeth makes it clear that there will never be another love for her like John, she accepts. They agree to call the infant Drew from now on.Flashing forward many years to 1939, Drew (the recognizable Richard Long, in his screen debut) is almost twenty-one, and we learn the Hamilton's have another son Brian (Sonny Howe) as well. The war in Europe causes the bearded chemist Erik Kessler (Welles), who walks deliberately with the aid of a cane, to seek a visa to work abroad. He and his five year old "daughter" Margaret (Wood) get permission to leave for the United States where Kessler (coincidentally) is hired to work at the Hamilton factory by Larry.One day, Kessler is asked to bring some papers to the Hamilton's estate where he sees, and recognizes, Elizabeth, though she doesn't recognize him (he also speaks with an accent). After he is introduced to their sons, the former John Andrew MacDonald "senior" suspects that Drew is his son, and has quite a discussion about the world and the current conflict with him. Back at his apartment, "MacDonald" confirms his suspicions regarding Drew by reading his last letter from Elizabeth.Kessler was invited by Elizabeth to visit again with Margaret. When they do, during dinner with the rest of the Hamiltons, Drew receives a phone-call. He is excited to hear that one of his fraternity brothers, Pudge, at the University of Maryland has decided to go to Canada to become a flier for the Royal Air Force, which needs as many pilots as they can get. Thinking of her former husband, Elizabeth is instantly upset and makes it clear that Drew will not be following his friend.After dinner, Larry feels the need to explain his wife's emotional outburst to Kessler. He says that her overreaction was due to the fact that Elizabeth had a husband that was killed in World War I. That Drew, though he thinks Larry is his father, is really her ex- husband's son and that she's afraid the same fate will befall Drew, as it did his father. Learning of Kessler's prior conversation with her son, Elizabeth then asks the symbolically German Kessler not to come to their house again. Then there is a bang, and a tearful Margaret comes running into the room frightened. Kessler comforts her while he tells Larry and Elizabeth that the girl is really the daughter of a brave doctor named Ludwig. That he took it upon himself to raise her when Ludwig was killed for refusing to obey the Nazis.Wood (in her first credited role) is delightful as the youngster who, not only cries well at the shock of the fireworks but, is shown to be quite wise for her age. After hearing the story, Elizabeth apologizes to Kessler but he and Margaret don't visit the Hamiltons again.Unfortunately, this film which begins with such promise becomes less enthralling as the melodrama plays out, making it merely very good when it could have been great. Naturally, Drew wants to join Pudge by enlisting, for the same reasons that his father wanted to join that conflict, but his mother is staunchly against it even though Larry tries to intercede. Drew's attempt to leave before he turns 21 plays out in a way that again involves Kessler, whose true identity Elizabeth had begun to suspect. This enables another heartfelt conversation between John Andrew "junior" and the former John Andrew "senior" as well as another between Elizabeth and her ex-husband. After these, however, the ending feels a bit rushed and too pat in both story- lines.

Touching weeper about a man (Orson Welles) who goes off to fight in WWI, leaving his wife (Claudette Colbert) behind. Colbert is told he was killed in action but, in fact, he survived but was badly disfigured. He allows his wife to believe he is dead so that she can move on with her life. Decades later, Colbert is married to another man (George Brent). The son she was carrying when she believed Welles had died is now grown and believes Brent to be his natural father. Welles arrives in America to work with Brent, not knowing he is married to Colbert. Welles also brings along his adopted daughter (a very adorable Natalie Wood). It's a good movie of its kind with a trio of great leads and some impressive support from Wood in her first sizable role. It's also directed by Irving Pichel, an actor-turned-director who was quite underrated as both.

Tomorrow Is Forever finds Orson Welles and Claudette Colbert as a pair of young marrieds during World War I when Orson announces he's enlisted in the American Expeditionary Force. The young wife sees her gallant young husband off to war, not knowing that she's pregnant. When he's reported missing in action, Claudette's all at sea. Fortunately she's got a most sympathetic boss who has an eye for her in any event. Claudette marries George Brent and they raise the son she has by Welles and they also have a son of their own.Although as the romantic young husband John MacDonald, Welles doesn't quite cut it, as Erik Kessler, the German refugee who in reality is John MacDonald, Welles just shines. With a heavy beard, makeup, a German accent and a shambling gait courtesy of the last war, Welles totally succeeds in recreating himself on the screen. He's so totally different you can't blame Claudette for not recognizing him, I could barely. On the eve of World War II, Brent who is now a big time industrialist meets Welles who is now in his Kessler persona. He brings him home and while there's something eerily familiar to Claudette he becomes an adjunct family member.Watching Tomorrow Is Forever I have no doubt that director Irving Pichel gave Welles total command of his character. Most likely Welles even directed some of the scenes he was involved with.Orson Welles throughout his life appeared in a lot of garbage using his actor's salary to continue financing his own projects. Though he's a bit weak as the young husband, as the old refugee chemist it's a brilliant characterization. Orson gets good support from Claudette Colbert, George Brent and the rest of the cast.Too bad he didn't get to do the whole film, direct as well as act.