The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

Michael (Chad Willett) had been taking care of his ailing and dying mother for years, preventing him from working elsewhere. The two couldn't afford other care and Michael wanted to stay with his mother anyway, due to longterm abuse by the father (Terry O'Quinn), no longer around. Now, with his mother deceased, Michael wonders what to do with himself. Happily, a job in a nursing home opens up near him, fitting his skills in patient care. Also, Michael has submitted an application for a major college scholarship. Perhaps, at some near point, Michael can get married to his longtime, beautiful girlfriend, Faye (Marguerite Moreau). Not so fast, alas. One, Faye gets accepted to UCLA medical school, a long distance away from Nevada. Two, and more importantly, Faye's father asks Michael to exit her life, feeling he is not good enough for his little gal. Huh. In the meanwhile, Michael makes friends with a lonely resident, Esther (Vanessa Redgrave), whose will to live is not strong. She has a locket and a tale of lost love in her head, you see. But, Michael succeeds in gaining her trust and affection. The handsome nurse's aid even begins a search for E's former, near-fiancé. Yet, because Faye leaves to go to school and their future is uncertain, Michael accepts a New Year's Eve outing with fellow worker Alice. This young lady is the daughter of the owner and she is being groomed for a leadership position. However, although at times she seems friendly, Michael is aghast to find her abusing a patient, Henry (Brock Peters). All too soon, Michael is framed for murder, instead, for this abuse, as Henry dies soon after. Michael tells his court-appointed attorney that he is innocent. But, wait kind of future awaits this seemingly fine man?This is a lovely film, made with care by the high-standard folks at Hallmark. The cast, including the superb Redgrave and Mary McConnell as the nursing home director, gives the movie a powerful asset, for the story has almost too many matters to lay out. These include spousal abuse, nursing home situations, lost loves, murder, and the more. It's almost too much to fit into one flick! That said, the setting is quite lovely and the direction keeps the tale from becoming totally derailed. Those who like Hallmark films should find this new addition to the Hall of Fame offerings.

The movie opens at the time Michael Keddington is caring for his mother but she eventually passes away, leaving Michael despondent. Taken cue from a doctor-friend's advice, he applies for work at the nursing home. There, he is assigned to take care of Esther and a fledging friendship arise that later becomes a strong bond between them until the end. There were a lot of favorite parts from the movie but the ones that stood out were: Michael and Esther scenes. To me, those scenes touched me in various levels especially when Esther tells him that she believes in him during his court trial period (Michael felt all parts of his life was tumbling down ie: he broke up with his gf and his scholarship was retracted) when no one else seem to believe that he didn't kill Henry (one of the Nursing home's residents). Esther was also instrumental in leading Faye back to Michael's side. The movie also tells of forgiveness and healing.

chad willet and vanessa redgrave are authentic and genuine in this masterpiece which i've seen thrice and gotten tears in my eyes every time - and i am not usually sentimental. the powerful emotions of trust, love, kindness, betrayal are skillfully portrayed and i will be watching this movie over and again over the years.

At the start of the movie a man is caring for his dying mother. We later find out his father was a drunk who left them. After the mother dies, the man goes to work in an elegant nursing home and meets Esther, a bitter elderly woman played convincingly by Vanessa Redgrave. Both of them help each other resolve problems from their pasts. In Esther's case, a man named Thomas went to war without knowing how she felt about him. Both ended up marrying other spouses and the romance that could have been was not allowed to happen. The man sees Esther's and Thomas' pictures in a locket and tries to find Thomas. Meanwhile, the man ends up losing his girlfriend when she goes away to school, and her father wants him to stay away from her so she will complete her education. Esther also persuades the man to confront his father. The movie gets quite interesting after the man dates a co-worker who ends up causing trouble for him; she only works at the home because of family connections, and does not have the real concern for people her job would require. A pleasant family movie with some adult situations but no sex or bad language and only hints of and discussions about violence.