Very best movie i ever watch

Highly Overrated But Still Good

everything you have heard about this movie is true.

Beautiful, moving film.

The same year, 1940, that former silent Our Ganger Mary Kornman made her last film appearance in Monogram's On the Spot, her series co-star from the same period, in fact one of the original members of which he was the first picked, Ernie "Sunshine Sammy" Morrison, appeared in his first films since leaving Our Gang sixteen years previous of which this one marked his first appearance in an East Side Kids feature entry-from the same studio as the one I mentioned concerning Mary's final movie-as Scruno, the only black member of this particular gang. His character here displays some of the unfortunate stereotypes of his race such as his loving watermelon, wanting to go back to the plantation, mockingly getting called "boy" while being ordered by one of the gang, and getting scared quite a bit though that last characteristic does provide some funny lines and a funny scream from him. As for the rest of the picture, well, there's quite a few good scares and leading players Leo Gorcey and Bobby Jordan provides some laughs as well. So on that note, I say give Boys of the City a shot of you're curious about one of the original Our Gang members as he looked and acted as an adult.

I never thought I would say it, but this Gorcey and gang entry had me wishing for the buffoonery of Huntz Hall. That would at least have livened up some of the byplay. Except for a few clever malaprops, the only "humor" comes from Scruno's crudely racial gags. Otherwise, the gang trails after Jordan and Gorcey in pretty unimaginative fashion. Director Lewis may have been a brilliant helmsman of noir, but he doesn't seem comfortable with low-grade humor. That may be because the screenplay loads too much familiar plot into an hour's run-time, which Lewis then has to coordinate. Anyway, as others point out, Urecal's performance as the witchy housekeeper is worthy of an A-feature, making the 60-minutes almost worthwhile. All in all, if you think you've seen the spooky plot done better before, you probably have, (Spooks on the Loose {1941}, Ghosts Run Wild {1943}).

The East Side Kids had a couple of films going by "Spooks Run Wild" and "Ghosts on the Loose", but this one seems even better suited to a ghost story than the other two. It's got some atmospheric creepy sets, a long dungeon like room, and someone even dons the white sheets unlike the aforementioned films. What hampers the story though is some really shoddy writing and a make it up as you go sensibility that just about kills any interest in the story once it's under way. For me, this was not one of the better East Side Kids efforts.It starts out with a familiar premise; get the boys out of the city to keep them out of trouble, under the watchful eye of Danny's (Bobby Jordan) big brother Knuckles (Dave O'Brien). The core group this time out includes Muggs (Leo Gorcey) and Scruno (Sunshine Sammy Morrison), with a little help from Peewee (Donald Haines) and Skinny (Frankie Burke). Burke looks every bit the young Jimmy Cagney here, maybe even more so than he did as the young Rocky Sullivan in "Angels With Dirty Faces".If you're not used to it, the racial connotations to Scruno's character get a workout in the film to the point of embarrassment. In the bouncy car ride to the country, he complains of getting bruised 'black and blue'; at Briarcliff Manor, he's the only one served a huge slice of watermelon and he fairly dives right into it. Scruno takes it all in stride as in all of his appearances, also making the most of the bug eyed stereotype whenever something remotely scary might happen.The surprise of the film for me was Minerva Urecal, she's really got the sinister housekeeper act nailed in this outing. The next time you see Cloris Leachman in "Young Frankenstein", she's doing Minerva's Agatha character from this film, I would bet on it.Once things get going, the film gets some mileage out of the old sliding bookcase trick and the occasional sound of sinister organ music. The murder mystery itself is handled a bit sloppy, especially when the unknown character under the Manor turns out to be from the District Attorney's office. The revelation that Judge Parker's bodyguard was a member of the Maury Gang who wanted him rubbed out seemed a bit curious after the fact. Didn't anyone have an idea what Maury's guys might have looked like? Best line of the film this time around goes to Leo Gorcey - "Say, what's the Thin Man got that I ain't got?"

Cheap sets. B-list performers and some typical-for-the-era (but nonetheless annoying) racial stereotypes fail to distinguish this tale of embezzlement and murder set at a creepy country mansion. Leo Gorcey and the gang provide the comic relief, which -- except for the cigar scene -- is not particularly funny. Unless, that is, you get a kick out of things like watching Ernest "Sunshine Sammy" Morrison get pop-eyed over graveyards and spooks, or listening to him extol the virtues of a big slice of watermelon.Though Minerva Urecal did a fairly good job as a sort of cut-rate Mrs. Danvers, I'd only recommend this one to rabid Gorcey fans and B-movie antiquarians.