Good story, Not enough for a whole film

Good movie but grossly overrated

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

Worth seeing just to witness how winsome it is.

"The Fall of the House of Usher" is definitely my favorite story by the great American write Edgar Allan Poe due to its legitimate creepiness and heavy atmosphere. With this 15 minute long stop motion animated short film, the master filmmaker Jan Svankmajer attempts to translate Poe's beautifully atmospheric writing to the language of cinema, and does so with much success.I would like to note that the animation in this film is fantastic, as it is in all of Svankmajer's works. You can tell that a lot of effort was put into the stop motion, and it looks absolutely spectacular and adds to the eeriness of the short.Other than the animation and haunting atmosphere, this short is really just a reading of the original Poe story. None of the characters appear on screen, and there is only one narrator. It works quite well, but I do admit that more creativity could have been inserted into the project. However, I'm not necessarily complaining, because the animation and moodiness of this film are enough for me to highly recommend it.

This version of "The Fall of the House of Usher" is amazingly strange--which shouldn't be much of a surprise since it's by the surrealist stop-motion filmmaker, Jan Svankmajer. Only he would make such an odd film. Think about it--the Poe story with absolutely no actors in it whatsoever! Instead, there is a narrator while all kids of weird things occur in a very old home which looks abandoned. You'll see closeups of walls, lumps of clay that mold themselves and a coffin that drags itself to an interment. None of it makes any sense--though that is exactly the point in a surrealist film. But, because it is so strange and difficult to approach, I can't see this art film appealing to most--just lovers of Svankmajer's work and people who like artsy-fartsy stuff. As for me, I can respect what he did, but I certainly didn't enjoy it very much.

Typically adaptations of literature in this style do not operate well--where the original text is overlaid in voice over against images, either the words clash with the imagery or reinforce it too much, making the experience of either watching or reading redundant. Instead of populating the house with Usher, his sister, and his friend, however, Svankmajer lets the elements, space, and furniture speak of its own characterization while a very good reading of the short story plays over some of Svankmajer's signature stop motion animation. It has been a while since I've read the short story, but from my memory of it this is the text in exactness and entirety, so that's really good. The storm and the abode are satisfyingly Gothic, and a really good graphic match between animated clay and a tree's roots are but one of many examples of the muddy and hazy quality of all of the imagery in this movie which weighs down with its dark Romantic tone. Svankmajer at least managed to hit the spirit of the story, if not the character's faces.--PolarisDiB

For sixteen minutes Czech animator and filmmaker Jan Svankmajer does his job well with getting a real terror and doom and gloom and deconstruction of the house of Usher, one of those quintessential spots of horror of Poe. In just watching the images go by and the stop-motion utilized in creative and unexpected ways involving the house and walls and pools of water and mud, it's amazing work. But the problem for me was in the actual translation of the story itself. Perhaps it's being only most familiar with English, so with the DVD subtitles going by at a quick clip that it's hard to keep up with keeping an eye on all of these dark visions put on the screen. That there's also a complete lack of any actors (unless one counts a sole raven among the cast) is also a deterrent since the story features all of these characters decomposing along with the damned house itself. It's an expressionist experiment, somewhat reminiscent of parts of Last Year at Marienbad, but it's only successful in part because of the director's dedication to the imagery. It's great pictures put to a so-so execution of "story" if there is much of one at all; maybe I'll learn Czech one say and it'll appear better.