A tale of murder in small-town Kansas. When Jimmy is lured away from his abusive family by a traveling sideshow carnival, he encounters Sandra, one of the main attractions. The happiness they find together causes them to confront the darkness in their lives
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Reviews
That was an excellent one.
People are voting emotionally.
This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.
This film is so real. It treats its characters with so much care and sensitivity.
This movie was a complete waste of time. Absolutely nothing is right about it. Awful script, awful acting, awful costumes, awful directing. Where do I begin? The script is completely incoherent filled with characters never explained or connected to the central story in any way. You do, however, get tons of ridiculously bad dialog and a movie filled with every cliché you could ever think of. If this is supposed to be set in the 1950s, there is absolutely no excuse for many of the things in this movie. Nike tennis shoes abound, people in modern day dress, modern hair styles on the ladies, very modern decorations (table lamps, etc). Completely lazy and incompetent direction. How do this not get nominated for any Razzies? Forget the little brother's physical abuse. The worst abuse will be you sitting through this piece of garbage.
This film had an enormous amount of potential as a drama/murder mystery, but the two ends do not meet. Firecraker would easily leave any viewer asking what the point of this film was, and I don't blame them. It asks far too much of the viewer for interpretation, and quite frankly it doesn't seem intentional.I really enjoyed some parts of Firecracker. There were moments that were truly gripping and sent chills down my spine. But most of that was counteracted by incredibly poor acting. Don't get me wrong - Jak Kendall was brilliant, and Mike Patton was as vibrant as his music (perhaps too much). Yet others like Karen Black and Amy Kelly are almost laughable at points. I can only blame it on amateurish direction, and it's a shame, because these people can do better.Despite that, there's a lot to appreciate here. The editing, cinematography and colors of the film are brilliant and beautiful. Yet the story, while gripping at its core, is presented in such a hollow form that the whole package really falls flat.I would regretfully not recommend this film to anyone. It is at more time painful to watch than captivating. And that is truly unfortunate. This story should definitely be re-visited with better direction. The art of this film and good storytelling could co-exist to create something truly brilliant - but this is not it.And upon further review, I think it is worth noting that almost all 10/10 reviews on this film are from accounts that were made solely to put a positive face on this movie and were probably done by those involved with the movie. If you don't believe me, click on their accounts and you will see that this is the only film they've reviewed.
I don't ever do comments but this movie was so bad I had to. It annoyed me from the beginning with a horrible slow-mo long shot of a guy running and then never got better. I can't believe so many people made high remarks about this movie. I guess if you like incest gay rape or female castration or enjoy watching a midget strip you might like it and that wasn't even the worst part. Mike Patton and Karen Black play duel roles, I believe to save money, but the key to playing duel roles is that you have to be different characters and I don't think they got the memo. Patton is awful, Black is a little better, but it's like you're watching two crappy stories play out at the same time with the same characters. The edits seemed to be made by college students, the symbolism was poor, the character development was awful and every person in the film was one dimensional. The kicker was that the police couldn't follow the obvious in your face clues that a 4th grader could pick up on, they had to turn to a crazy lady that lived in a field next to a tree that she hung bottles on. My vote for the worst movie of the year, close to all time. There is so much more I could dissect but I don't have enough space.
"Firecracker" is a film that I can't stop thinking about. Maybe I'm over analyzing it. The film is based on true events of a murder that took place in Kansas in the early 1960's. Jimmy is a shy and sensitive musician who is constantly abused by his older alcoholic brother and misunderstood by his religious fanatic mother. He meets a carnival singer, Sandra who also faces sexual abuse by Frank,the leader of the carnival freak show. After Jimmy commits a murder, which is more of an act of self defense; he dreams of running away to join the carnival with Sandra. Jimmy's world is filmed in black and white and Sandra's in eye-popping "Wizard of Oz" like color. Actress Karen Black gives an amazing performance as both Sandra and Jimmy's mom. Mike Patton of the band "Faith no More" plays both Jimmy's abusive brother David and the villainous carnival leader. Since Mike Patton plays the abuser in both roles, Jimmy and Sandra's lives are a mirror reflection of each other. Both Jimmy and Sandra dream of escaping their own personal prison. Jimmy dreams of the carnival and Sandra dreams of regular society. There is no escape for either of them, since both environments are as equally cruel. They feel trapped, and their lives seem to be a metaphor for sexual abuse.Some parts of the film are left unexplained. Example is the mysterious schizophrenic girl who lives under a tree with glass bottles that hang from the branches. She seems to be a psychic in some manners. I've never seen a bottle tree in an American film before, it looks like something straight out of a Czech film or Easter European magic realist drama. Although some very small flaws, the film still works as a bleak and haunting surrealist portrait of middle America, Not to mention all the cool circus freaks like "the Enigma", with his body covered in blue tattooed puzzle pieces. This is definitely not a film for everyone, but for those who enjoy bizarre and challenging directors like David Lynch, Todd Solondz, Fellini and Jodorowsky. Even if you can't get into the sad story, it's still visually breathtaking. Just don't forget to have a box of tissues ready for this film to help soak up all the tears. I'm still haunted by the films strong and sometimes disturbing imagery.