Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

It's an amazing and heartbreaking story.

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

Oh boy, oh boy! I should have been more careful when choosing what movie to watch. Truth to be said, I 'fell' for some excellent reviews of this film, and only 'post-factum' while trying to understand why I disliked it so much I discovered that all the people who on the Message Board who wrote rapturous messages of how great that film was wrote only one post each throughout all their membership 'carrier' at the IMDb and, besides, there's a suspiciously large amount of '10' votes which is very rare even for Oscar-awarded masterpieces that even though usually have the majority of good votes spread in the 8 to 10 range, but almost never only '10s'. Which inevitably lead me to the conclusion that most of the good votes for that film were fake. I believe that any film-maker should have enough self-respect rather than ask from his friends, colleagues, etc. and even voting by himself under different user names for the movie that he himself considers to be bad, otherwise, why should he bother to making such charade?Me and my wife were expecting some 'brainy' movie with interesting ideas, since we both love science fiction and interesting non- standard approach. That's why we also love David Lynch. It seems to me that the film maker tried to emulate David Lynch, but failed miserably, since despite good camera work the script was pretty amateurish and convoluted. Even two attractive lead actresses could not save the film, even though, as some consolation for the wasted time, it was pleasant to watch them. Some of the background music was clearly 'borrowed' from Pink Floyd's Shine on You Crazy Diamond. This being said, I want to wish James Kerwin success in his future endeavors. He haven't done any serious work so far so any beginning is not easy. Along with that I have just one request: please, no more fake reviews, OK? Have some self-respect, man!

To describe a film that is different from anything you've seen is difficult. Its style is seriously, consummately neo-noir, the subject matter seems to be that of the hard-boiled detective genre, but as the plot unfolds we realize that we are seeing speculative science fiction. The heroine, Hoyle, seems to be a private detective, a female incarnation of Philip Marlowe perhaps, and she is searching for both a man, who turns out to be her ex-boyfriend, and for a notebook containing metaphysical research by Nazi-era German scientists. Throughout her investigations she repeatedly encounters a haunting, doppelganger-like woman who first appears as a sultry nightclub singer, but turns out to be much more. To add to her confusion, Hoyle seems to be experiencing her life in disjointed pieces that are out of sequence and someone, perhaps herself, is trying to contact her from another time.Definitely not for the popular audience (if the first ten minutes don't grab you, this one isn't for you), Yesterday Was A Lie will appeal to those who are drawn to the off-beat, experimental auteur film, Gothic science fiction and/or neo-noir film making. The digital black-and-white does not really replicate the lush style of the 1940's, but instead creates it own atmosphere, its own intriguing and stylish world of fog-enshrouded half light. Every segment of the film is crafted with great care and photographed with great artistry; the writer-director James Kerwin has really created something quite wonderful. The stars, Kipleigh Brown as Hoye and Chase Masterson, who produced the film, bring it compellingly to life. (They are also two alluring gals.) Redolent of the original Outer Limits, the darkest of '40's film noirs, Humphrey Bogart, and a bit of Sapphire and Steel, it nevertheless stakes out its own unique territory. If you're not turned off by references to Jungian psychology, Dali surrealism, the poetry of T.S. Eliot, and speculations on alternative realities and the nature of time, let this film lead you into its dream world, but be warned, you will need to, and want to see this film several times.

I had been waiting for quite a while for Yesterday was a lie. Modern noir is rare and I hadn't seen anything of note since 2005's Brick. Despite going into the film with high hopes, Yesterday was a lie fell short of it's mark. Their seemed to be such an heavy emphasis on the stylistic elements of the classic noir film that it over did it. From the swanky Jazz to the high-contrast black and white, it all was just too much. This over-the-top noir style seemed to ease by about the halfway point of the film which helped. The character Hoyle, with her hair flowing out from under her Fadora wasn't believable. Hoyle along with the singer, played excellently by Chase Masterson, were easily confused since both were so close in appearance. Since this was a movie about moving backwards and forwards through time, one was left wondering if Hoyle and the Singer were meant to be the same person. Also, noir works when we see that point when the main character either makes a bad decision of has one thrust upon them. That is the turning point of a great story. This story didn't seem to have that. If it did, it was lost, relying on sexy women and dress to carry the day. Also this film missed the mark in great dialog. One usually hopes for those great comeback lines and expressions (that we all wished we had said) to carry these films. All and all the acting was fine but this film failed in the directing and editing. It was fun to see the effort but this fell short of it's mark.

This is not a movie to miss if you hear of it coming to a convention or festival near you. See it for free before you have to pay for it! There are many types of film fanatics that should love this movie. It can be compared to so many different types of films and film makers. All Sci-Fi fans should like the film because of the alternate realities/parallel universe themes. You will also notice the film takes on a very non-linear plot. For some, this is confusing. However, it only adds to the delight of watching this film. This non-linear film making reminds me of films by Quentin Tarantino. This film could certainly be one that can viewed multiple times and enjoyed over and over.This film was originally shot in color and then desaturated in post production. The black and white or "noir" aspect of the film adds its own personality. Color would not have worked for this film because it has a 1940-1950's "Bogart" theme to it. You see Hoyle play the part of the investigator playing the part of the crime detective so well. She plays it as a female; which no doubt, offers a refreshing way to see a detective role played.The convention I attended was the first Con for me. When I saw the Films listed I read more about this film and it looked very interesting. It met and beat all my expectations. I had the chance to meet Chase Masterson playing the Singer and Director James Kerwin. There was a great panel on the film and many questions were answered. Take a look at the cast and you will notice some familiar faces in the Sci-Fi family. If I could only see this film in the area again or buy a DVD I would! See it for free while you can!Have an open mind and see it at a convention or festival now!