Good movie but grossly overrated

best movie i've ever seen.

This story has more twists and turns than a second-rate soap opera.

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

A plot that doesn't sustain any of its premises, and, some artificial, trivial, and, rather unnecessary assemblage of so called 'controversial' situations, we can hardly bare enough to care, before even completing to watch just the first half of this disjointed film. Here, we are never even close to an auteur film's atmosphere, or that of a Lynch's type of 'narrative construction',rather, we are closer to the likes of some lurid tale, confusingly and quickly put together,and, bragging some pretentiousness! And, this is unintentionally(i hope!)carrying the responsibility to cheat even more audiences over the meanings of a truly inspired,and, inspiring, highly artistic, personal piece of film work, with, in this case, whatever preposterous mix of Gay sub culture and wrecked psychological over tones, you may regret trying to follow in the lousy developments,and, dialog, infesting this movie and its lack of firm direction or basic film rules,featuring just some acting that drags performances into almost juvenile portrays,bringing most players down to such a misleading, unfocused state where indicated acting may just come as handy,as it is indeed,the over all,general confusion, and, profane misinterpretation of the failed intents of this production! I can be making excuses for low budgeting,technical difficulties, and, all the detriments that Independent Cinema must unarguably face today to even make it to the completion of a project,but, i cannot making excuses when to hide the lack of identity, and, real personal vision of products, such as this one,someone would use the name "Lynch" as, just an excuse to sell some slow moving, undefined material, as artistically challenging, because that, "Pornography"is not! I personally resented some of the "over heated","tweaked" sequences, written more like keeping in mind a conversation between raunchy costumers of some seedy sex house, rather than having in mind a film that would like to introduce us to a dark thriller with stylish tones! "Pornography"sadly kept reminding me of how transparent were becoming, all of a sudden, the radical but simply basic lines and substantial differences,within such a mess, and, instead,the electrifying, galvanizing experience someone could still get by watching(and,i would quite frankly recommend dearly "re-watching" many greater films, to all of those folks still having doubts on whether,this film has nothing merely even resembling the works of Lynch and of other talented filmmakers, or not, since we should all, at least, be able to understand, how hard it is to accomplish even just a mere impression of those contemporary masters' work, and, with such different creative ideas, cultural back ground's, talent,and,imagination, they must be working with!),something like "Lost Highway" or "Mulholland Drive",or even the out standing works of another great European director, whose name, someone even dared to make, when talking about "Pornography"! Especially unsuitable in this case,in fact, it was to read or hear cited by some, at the time of this film's premiere,the name of extraordinary director, Michelangelo Antonioni (well known in the US, especially,for the frenzy, the trend he established so unforgettably, with the mesmerizing mystery,and virtuoso script,and camera work,carrying his intense,unique "Blow Up"released by MGM back in 1967, when there was still someone truly caring for the cultural faith of this Country),who indeed made also a phenomenal movie about an unusual,unexplainable disappearance of a key character, bringing up events, eventually going much deeper inside the interiors,and "the reality", to the point of introducing,a completely new story,from the one the movie had originally started with! That glorious achievement "L'Avventura",was shot in Italy in early 1960,and,still gives incredible thought provoking thrills,and, many reasons for collective meditations over the never ending links between filmmaking,and representation of relationships, cheating, alienation, and, other social commentaries,including last,but, not least,a disease we all may experience and share at various levels today, called incommunicable feelings'despair. Again, quite frankly, after having watched such ineptitude,just the thought of such directors,and, subjects,feels out of place and utterly embarrassing, since Antonioni's,and, Lynch's works, in my opinion,should just not even be mentioned, when going through the motions of "Pornography", ultimately, becoming only just fine example of how lost and awry a movie project with, maybe even too many ambitions, considering the material's potentials, may so tragically turn out to be,at the end. I could also object that Lynch has never even edited a nonsense shot,like the many abominable ones we have gotta sit through here, but, at the contrary, how there's always plenty of heartfelt,visionary,meditative moments,and, insightful,layered content, able to introduce anyone into a new World, new experiences,and, philosophical journeys opening up new horizons to our lives and minds. But, why shall i even bother to go on? Would i be doing any good? I obviously don't have anything against daring, independent producers and directors,quite, at the contrary, love and try to route for, prize, and, always welcome all the works of new talented folks, even when not all completely accomplished, such as the films of P.T. Anderson,but, even those of Steve McQueen,John Cameron Mitchell,Van Sant,or of Todd Verow,and, Everett Lewis,for example,whose,movies are never less than compelling, but, always taking us through a creative,emotional,and spiritual journey of discovery! In fact, i have even bought and watched "Pornography",in its full entirety, before judging it so harshly! However, it did raise only one important moral question,and, that was just the absurd,but, painfully true misconception, today convincing many to believe, in good or bad faith, to be watching art films,instead of just boring, misguided,and tawdry attempts at exploitative, sporadic,utterly sensationalistic filmmaking.

This is the best-made gay film I've seen for years: the editing, acting, writing, creative camera angles, sound effects, mixed film stock, etc all had the sheen of a glossy blockbuster despite the tiny budget.I think the reason this has received rubbish reviews is because the trailer portrays this as a nonstop bonkfest. In fact it's a complicated psychological drama with elements of horror told in three separate but interlocked stories.The main thing to keep in mind is that it's about dreams and film and other virtual realities, so although it may not make perfect sense, like a dream it does have its own internal logic. Stop craving continuity. You even have to stop thinking all the characters are real, doing realistic things.I admit being confused by the end, but the movie was so well done I watched it again with the commentary and sussed some things that hadn't occurred to me. Ask yourself for instance whether the boyfriend in the second part actually exists and you'll start appreciating the complexities of the film.What I've decided is that the first act is the nearest thing to reality in the entire movie, showing the humdrum existence of being a sex worker, explaining the reasons why people find themselves in the industry and showing what it takes to join the 'real world'.Next, you've got a consumer of pornography who passes off his voyeurism as research. He starts off as an ordinary Joe with a perfect life and perfect boyfriend, but the key to his scenes is that little of what he says, sees or does can be relied upon.Finally, you've got a character living in the real world, but whose dreams are real as well. This enables him to experience the lives of other people, which initially he thinks is his own creative imagination and something he can exploit for profit, but later he sees the underbelly of the industry and recognises the intrusiveness of cameras.It requires concentration, so kudos to the team behind this for daring to arouse an audience's curiosity for a change.

David Kittredge has style - it is a style that inhabits a number of other really fine writers and directors as Christopher Nolan (Memento), David Lynch (Blue Velvet, Twin Peaks, Mulholland Drive etc), Claude Chabrol (Chloe), Alain Resnais (Last Year at Marienbad, etc). Good company, this, and it would seem that given some time to develop his technique and perhaps seek the assistance of some other script doctors he will likely become an important artist in film. In PORNOGRAPHY: A THRILLER he comes close, but it seems like the finished product was rushed to screen before the kinks were ironed out. There are three interweaving stories in this movie about the male pornography business. It begins with a well-known Los Angeles porn actor Mark Anton (Jared Gray) who is talked into a final film deal where he will make a large amount of money for a one night stand, but the one night stand seems to be a snuff film project with Mark interviewed in the dark by a crazed killer. Jump 14 years ahead to New York City and Michael (Matthew Montgomery) and his partner William (Walter Delmar) move into a large apartment in Brooklyn. Michael is doing research on a book on pornography and in the process receives strange photographs in the mail that lead to the discovery of the presence of evidence that video cameras had at one time been installed in their apartment, videos they come to discover show the 'snuff film' of Mark Anton! The discovery leas to dire consequences. The third story involves porn star Matt Stevens (Peter Scherer) who out of a dream state begins writing then directing and casting a film called 'The Mark Anton Story' in which Matt will play the role of Mark Anton! In the film his partner Jason (Walter Delmar) is a participant in the horror that follows and instead of a film about the death of Mark Anton no one is able to tell where reality stops and thriller starts. It is a classical dilemma for the audience of the conundrum 'What is real'? The cast is well trained and there are some cameos by Wyatt Fenner and Rasool J'Han that are particularly fine. Give David Kittredge some time and he may become an important figure in cinema!

This is an excellent, enticing and thought-provoking movie that doesn't infantilize and spoon-feed the audience like most of the assembly-line crap that is now coming out of the film industry. This movie gets right at the lizard brain, without apologies, and challenges the viewer--gay or heterosexual, male or female--to look at and tolerate the darker, naked aspects of the human condition. It breaks my heart and frustrates me to no end that that this film will likely not reach as broad an audience and receive the level of attention and acclaim it deserves--as it undoubtedly would if the porn industry depicted were heterosexual--because too many members of our society are still too fearful to explore different realms and find the underlying commonalities.