It's no definitive masterpiece but it's damn close.

This movie was so-so. It had it's moments, but wasn't the greatest.

It really made me laugh, but for some moments I was tearing up because I could relate so much.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

This is a thoughtful movie made outside the studio 'system'.If you're not paying attention, it appears to be a movie about mostly 20-somethings getting together for an annual holiday, with an undercurrent of emo angst (minus the makeup and hair color).If you are paying attention, you'll pick up on the undercurrents but it won't come together until after things turn sideways.McCaleb Burnett's Henry hosts the group of long-time friends, but he's been distracted by recent events and seems to have an ulterior motive.Richard Bekins makes the most of his brief screen time to establish his character (Walter) as the heavy.The rest of the ensemble cast is so transparent that the group of friends is comprised of archetypes instead of the stereotypes you would see in a lesser movie.Who does what and why does get explained, but you'll still have to pay attention to know just how they got away with it.

It is a rare thing where plot and actors are so delicately developed. I loved that one could only go with it, and piece by piece, until the actual end, the story revealed itself with well thought out timing. Just with a sentence every now and again you needed to piece it altogether. Just loved it. Clever, a rare commodity. The music supported scenery brilliantly. This is the sort of "undercover" thriller. Not for the impatient viewer, it's for those, who want to solve the puzzle, and you don't get disappointed. In the end you are just really are happy you have been part of it, touched about how deep the connections run, revealed with perfect timing.10 out 10 stars.

How We Got Away With It speaks volumes about this understated thriller/drama set between old friends getting together for their ritual "good time" weekend. The performers are all very charismatic and extremely well cast, and equally lead well under the directing of Jon Lindstrom. McCaleb Burnett as the lead holds the torch as the protagonist, responsible for a lot of things darker then just making sure his friends are having fun. His plan nearly falls apart when a cop, Jon Lindstrom, is on to him. The color work on the film works very well in leading the viewer into a new set of emotions, and setting the tone for the scenes. The story is so subtle, and rather than spoon-feeding the audience, it requires the viewer to stay engaged in order to full be rewarded at the end by understanding the full scope of the story. This is a breath of fresh air, when most films do all the work and the audience is required to do nothing. I am also glad to see this film take risks in regards to male nudity. This is a very good debut feature film, and I am excited to see what else Jon Lindstrom will be coming up with next.

Jon Lindstrom is an actor you might have seen over the years. He's been on several soap operas and has appeared on several shows. However, he and the rest of the cast have relatively small resumes in the entertainment business. And, that is what makes How We Got Away With It such an unusual film. Although Lindstrom is far from a recognizable face for most viewers, here he not only directed his first full-length film with this movie but he acted in it as well. Equally surprising is that both leading men in the film, McCaleb Burnett and Jeff Barry wrote the script--along with Lindstrom! These are some multi-talented guys, that's for sure.The film begins with Henry (Burnett) getting out of jail. Only later do you learn why he was there in the first place—and the entire film is that way. Things occur, you have no idea why, and then later you learn, bit by bit, what exactly occurred. It's like watching someone assembling a puzzle. At first you may have no idea what's happening—but hold tight, as eventually the big picture will be revealed. Back to Henry….he's out of jail and his sister doesn't come to pick him up. Where is Sarah? Well, soon he learns why he had this long walk as he soon finds her body hanging in the house. You assume this is Sarah… but you aren't sure. And, Henry does not phone the police but hides the body in the basement!Soon a bunch of old friends arrive for a reunion at Henry's house. Could Henry have hidden the body just so the reunion could come off without a hitch? Probably not….and the WHY he did this is something you'll just have to put on hold.Later, Henry involves his friend Will (Barry) in his plot. You see them dragging Sarah's body from the basement and then you later see them burying a body in Lake Ontario….and you assume they are the same body. But are they? What's happened? Why is blood discovered on the shore the next day and what about Walter….where has he disappeared to? The film is just chock full of questions and answers are very slow in coming.Despite the answers coming so slowly, this is a very good film. Much of it is because the acting is very believable and you really feel as if you are sitting there at the house watching the reunion you first-hand. These don't look like actors, but people…real people. Additionally, the pace and style is very nice and clearly NOT like a typical Hollywood production. Slow, well-paced and actually quite pretty despite some ugly things that occur in the film. If you are wondering where all this takes place, it's Rochester, New York and the biggest thing that shocked me about this is that several of the characters went swimming and they didn't freeze to death!! Rochester and Lake Ontario are very cold…even in the summer!So is this worth your time? Of course. But if you want explosions, huge budgets, glitzy acting and all the trappings of the usual cinema fare, this film probably is not for you. If you want a thoughtful and well made indie, then you'd have a hard time doing much better than this one.