The Age of Commercialism

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

The film never slows down or bores, plunging from one harrowing sequence to the next.

What this Universal production lacks in production values, it more than makes up for with sheer pizazz. Those Jivin' Jacks and Jills left me gasping for breath. There's enough sheer energy in their acrobatics to light up a city for a week. And don't forget the Andrews Sisters who do some pretty fancy steppin' themselves. In fact, this is a showcase for the threesome, topped off by a signature version of "Don't Sit Under The Apple Tree". Plus trumpeter James gets a lot of time with his band and even makes fun of himself with an army trumpet, (was that really Huntz Hall of the Bowery Boys holding James's sheet music and playing it straight for maybe the only time in his clownish career). Speaking of comedy acts, short homely Shemp Howard gets a featured role along with long tall Mary Wickes. Their little routines together are gems, especially the nightclub table between swinging doors. Add Joe E. Brown as Howard's rival and there's more mugging than you can count. Hard to believe that director Cline puts all these lively elements together in a single, smooth 68-minute package.Also, you can tell this was early in the war since the patriotic touches are in abundance, and everyone is eager to do his or her part, even slacker Dick Foran who finally comes around. A snappy dynamo like this musical should have been sent to the Axis in Tokyo and Berlin. Then they would have known there was no hope of winning a war against the sheer pep and energy of the American homefront. Anyhow, count this one as a genuine sleeper amongst low- budget, hep-cat musicals.

This is more of a musical revue with a slight edge of a plot, and truly enjoyable only when the Andrews Sisters are singing or some well known clowns are providing some dated but still humorous chuckles. Of course, when the Andrews Sisters get loose with "Don't Sit Under the Apple Tree" (with anybody else but me....), it almost tops their performance of "Boogie Woogie Bugle Boy" in Abbott and Costello's earlier "Buck Privates", of which this is obviously a low budget follow-up to. Ted Lewis leads the band, and performs "Me and My Shadow" (with a black dancer, of course...), while Shemp Howard and Mary Wickes provide the necessary amount of laughs simply by searching for a table in a nightclub to make this (barely) a passable time filler. Of course, Mary Wickes could flip pancakes and crack jokes in her deadpan manner and she'd steal the show.

Private buckaroo is not a western like the title suggests,its a wartime comedy musical made during world war two.in 1942.it features the singing sensations of the 40's;the Andrew sisters.and boasts a very good cast,Dick Foran(the mummy's hand,atomic submarine)Shemp Howard (of the three stooges)Harry James(big band leader)Joe E Lewis.and Huntz Hall(Bowery boys)and Donald O'Conner.i was confused by the title,i thought it was either a western.but i was wrong,its a very good movie from the otherwise monster producing universal.i enjoyed private buckaroo too bad its a really short movie at a little more than an hour.i believe this was the second movie on a double bill,but i may be wrong.thought the movie is way before my time,i have heard the Andrew sisters music before.the comedy is very vaudeville and the scenes with harry James trying to blow a bugle after hes drafted are hilarious. private buckaroo is played by;Dick Foran who had just finished the mummy's tomb at the same studio.he also has his flatfeet fixed so he can join the army.shemp Howard supplies the goof ball antics as a bumbling Sergeant.i enjoyed private buckaroo,I'm giving it the maximum 10 out of ten,call me crazy but i liked it.

At just over an hour, this film does not exceed its welcome, despite the acquired taste of the Andrews Sisters. Patti, Laverne and Maxene were perky and certainly had good voices, but their screen personalities are either OTT (Patti) or dull (the others). To carry a film, it just doesn't work.Elsewhere there's Harry James and his Music Makers; Harry gets drafted and the band go with him (even the one with a flat foot), and that's about all the plot is.There's a funny restaurant sketch, and some nice songs and music, and the film passes the time without making the viewer cringe. It is a typical flagwaver, a patriotic morale-booster.Oh, and it has a 16-year old Donald O'Connor, showing a flash of promise of what would come later, along with Peggy Ryan.