Best movie of this year hands down!

I like the storyline of this show,it attract me so much

I'll tell you why so serious

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Rita Hayworth was one of the busiest women in the business in the late thirties and forties. "Music in My Heart" is one of the five releases she participated in 1940. Her ascent into the stratosphere was obvious. Unfortunately, this movie, while pleasant, didn't quite show her at her best. Paired with Tony Martin, who was borrowed for this film, paid off because both leading stars make a nice couple.The film's weak plot can't hide its obvious faults, but the amazing cast that was assembled for this production make up for the silliness of the premise. We are asked to believe that Bob Gregory, an aspiring singer who has just made a last minute splash substituting for the star of a Broadway show, is going to be deported by Immigration. It shows how sadly dated the idea is judging by the massive influx of illegal immigrants to this country and nobody is sent home!Tony Martin had one of the most melodious voices of his generation. He has an excellent opportunity as he sings a few songs. His rendition of "Pulcinello", and "It's a Grey World", are wonderful examples of what he could do with his voice. He also cast a fine figure opposite the leading lady.The supporting cast does a great job in the picture. The sweet Edith Fellows, is seen as Mary, the loyal sister. Eric Blore, George Tobias and Alan Mowbray, make the film better by their contributions. Joseph Stanley directed.

Rita Hayworth stars in a film that would have been better served by having Ginger Rogers in it.Rita misses the boat and therefore an opportunity to wed wealthy boyfriend Alan Mowbray who has a contentious butler, played by the usual witty Eric Blore. In a taxi-cab mishap, she meets up with Tony Martin, who is about to be deported.The rest of the film is devoted to hiding Tony out from immigration authorities. George Tobias plays a Russian chef whose major claim to fame was that he was honored by the tsar for his blintzes!The gags are predictable and we can all guess what the plot shall bring. We needed Tony to be singing more. The film ends with him singing the title song. Hayworth has a one scene fling at dancing which is great but more of this was needed.

Music In My Heart was another step up the ladder in the career of Rita Hayworth to when she became the number one sex goddess of the American cinema. For this one, Harry Cohn borrowed Tony Martin from Darryl Zanuck at Fox for her leading man. The song writing team of Robert Wright and Chet Forrest wrote some nice songs for Martin, one of which, It's a Blue World was nominated for an Oscar in 1940. Tony Martin is an actor/understudy who gets his first break on Broadway just as he's being deported. In full costume as a Ruritanian guardsman, he jumps in a cab. The cab is racing to the Hudson river pier when it collides with another cab in a fender bender. Who should be in that cab, but Rita Hayworth (Martin, you lucky dog). She's racing to the pier to be with Alan Mowbray, a millionaire she's planning to marry.I think everyone can guess the rest. That's what it was like in Hollywood back then, silly plots, but oh so charmingly presented.The supporting cast was pretty good for a B film. Alan Mowbray and Eric Blore as the millionaire and his factotum butler have some very funny moments. So does George Tobias as a phony Russian aristocrat.In his joint memoirs with wife Cyd Charisse, Martin describes a hilarious incident while shooting this. Martin has a song Punchinello to sing to an organ grinder's monkey named same. The monkey had a mind of his own and started up to the roof of the sound stage and wouldn't come down. Martin says Harry Cohn went into an apoplectic rage over this and got no sympathy from his human employees who enjoyed seeing this monkey make a monkey out of Cohn while costing him thousands of dollars while cast and crew sat around getting paid by the hour.A nice enjoyable film and a step up in the career ladder of Margaret Carmen Cansino.

This has to be one of the most underrated of Rita's films, yet is up there with the best. A very short runtime of just 69 minutes, it still manages to dish up a delightful 'boy meets girl' tale - when their cabs collide, of course changing both their destinies. A simple little musical, it gives Rita just the one dance, which is not photographed all that well, but shows what will be in years to come. Any Rita fans out there, you will thoroughly enjoy this I guarantee it. I almost didn't buy it when I had the chance due to not being able to find reviews anywhere, so I feel I have to write this to save someone else from passing it up!