To me, this movie is perfection.

Thanks for the memories!

It's easily one of the freshest, sharpest and most enjoyable films of this year.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

This fairly entertaining, surrealist musical fantasy is handled in a very curious style by director Christopher Miles. The surrealist dialogue scenes are put across perfectly straight with the director pointedly making himself as unobtrusive as possible. This stratagem throws the fantasy burden completely upon the actors, some of whom (particularly the normally reliable Richard Wattis) fail to bear up at all well. Fortunately the little-known Ronald Radd is absolutely excellent as the gang leader, while Ifield himself makes a surprisingly attractive straight man.By contrast, Miles (or maybe someone else) has directed the musical numbers in a vibrantly lively and exciting manner. The camera whirls and zooms in such a deliciously uninhibited fashion, it's amazing to me that "Up Jumped a Swagman" never became a cult favorite. Of course, right now the movie is completely forgotten. It's never been aired on television — which is good, because it wouldn't fit anyway; but letterboxed would be better than nothing.

This Zany British comedy stars Frank Ifield(originally from Coventry, England), as a guitar-twanging hopeful from Down Under, who forsaking the Australian music Scene,tries to get a productive audition with Lever, a London music Publisher, played by the laconic Richard Wattis, who is out to fleece his clients. Frank's crazy interest, is Billboard girl Suzy Kendall. Severally there are various twists that involve Ronald Radd and the delicious Annette Andre;the latter thankfully tested her acting talents in more substantial roles. There is so much slapstick in 'Up Jumped a Swagman', that this film relies on daub and dash scenes; any plot veneer is soon submerged in a welter of actor destruction and over the top hamming. Not a movie then, with a coherent story-line; rather 12 integrated song fillers by Frank Ifield, who bravely tries to hold the embattled structure together.

Poor Frank Ifield - in his one and only film appearance, he gets himself landed with this total load of tosh! No wonder his cinematic career was doomed before it even began, as this movie must have been some sort of curse. The whole thing is a slipshod, jumble of scenes which bear no semblance of continuity whatsoever. The story, if there is one, is so difficult to follow as to become downright irritating after a short while, and the film makes no sense at all. It's such a pity, in many ways, as Frank Ifield comes across as quite an engaging personality, with a more than pleasant singing voice. Unfortunately, he is totally hamstrung by the appalling material in a film that goes nowhere, not very fast. A big, big disappointment all round.

If you like Richard Wattis or Bryan Mosley(Alf Roberts), not forgetting the lovely Annette Andre(Pre Randall & Hopkirk (Deceased), then this film is for you.Suzy Kendall is good but she doesn't really appear as much as Annette A. Some surreal moments are well interspersed-a rare thing these days. If you like 'Smashing Time' or 'The Sandwich Man' then this is in a similar vein but very different at the same time.You have to see the film to know what I mean as it's a tricky one to describe. Frank Ifield is pretty striking and it's pretty obvious that this was intended to be his 'Good career move'up the showbiz ladder. Again, like the films I've compared this to we're in the 'No Longer Politically Correct' genre so you'll be VERY hard pressed to spy it on the box!!!!!!!! If you can get a copy of this you'll be impressed.Generally though, any film with Richard Wattis in seems to be a good bet!