I like the storyline of this show,it attract me so much

It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

It’s sentimental, ridiculously long and only occasionally funny

Howard Hawks and RKO combine to make a MGM musical but fails as this musical lacks pow wow even though Busby Berkeley did some choreography.Janet Leigh plays Nancy Peterson who leaves her small home town of Pelican Falls to go to New York and make it big on Broadway. She bumps into three out of work showgirls who were on tour with a flop show and now try to get back to New York and they want to give their agent a piece of their mind for leaving them stranded.The sleazy agent is Lew (Eddie Bracken) who always ducking and diving. He promises a lot and delivers little. He wants to keep hold of his number one talent Dan Carter (Tony Martin) from quitting show business by promising him that he will get him a spot on a television show with musician Bob Crosby but it is more lies. Carter meets Peterson over a suitcase mix up and he teaches her not be taken in by shysters but he himself gets roped in by his agent's outlandish schemes.The film drags despite a few bright song and dance numbers from the showgirls. A lot of the songs are a dull and the deli store owners and their shtick is interminable.

After years of first reading of this movie in a Laurel & Hardy filmography book (They were supposed to appear in this but Stan's illness after Atoll K prevented it. They were replaced by Smith & Dale who I had never seen before.), I finally watched this on a DVD I checked out from the local library weeks ago. In summary, it was quite enjoyable on its own merits though it seemed a bit long during the last 30 minutes when a bit too many numbers were being performed. Still, I liked Tony Martin's singing, at least when he went for more pop tunes though I was amused when he performed "There's No Tomorrow" which would later become Elvis Presley's "It's Now or Never"! Also pretty entertained by Janet Leigh's singing and dancing. Interesting fact: One of Ms. Leigh's early films was a straight part in Words and Music which was supposed to be a bio of Rodgers & Hart where Mickey Rooney performed "Manhatten". Here it's performed by her and Martin with some added lyrics mentioning "South Pacific" which was a current musical by Rodgers & HAMMERSTEIN! She's not bad doing either singing or dancing which was choreographed by the legendary Busby Berkeley. The best dancing is by Ann Miller, of course, every time she spins and taps up a storm! Eddie Bracken and Gloria DeHaven are the comic couple and they're quite funny throughout. I also liked a funny number concerning Bob Crosby and his famous brother who appears as a mannequin but then comes to life at the end though we don't see if that actually was Bing by that point though it certainly looked like him from behind! As for Smith & Dale, well, I thought they were funny enough though part of me can understand why they didn't make too many movies during their lifetime. In summary, I mostly enjoyed Two Tickets to Broadway. P.S. That Indian number at the end is definitely not politically correct today!

Pelican Falls Vermont seems to have a pride that surpasses Broadway conventions. The town band seems to think that they can interrupt the Bob Crosby Show on television (without being stopped by security) to honor through their silly high school sing one of their own who just half an hour was ready to give up her dream for Broadway success. She's Janet Leigh, playing a former majorette named Nancy who just months before got a huge send-off from the same band and chorus who rhymed "Mary Martin" with "Kindergarden" and "Merman" (as in Ethel) with "German".Ironically, the composer of that song was Jule Styne who later wrote a few songs for Ms. Martin for "Peter Pan", and of course, wrote the music for Merman's final Broadway smash, "Gypsy". This Broadway of two male vaudeville performers (Smith and Dale) who run a delicatessen and argue like an old married couple has chorus girls returning from an out of town engagement on a show boat (which sunk) and a hotel for women in show business where the ladies act out a day in the city to the tune of Rodgers and Hart's "Manhattan" (which includes, ironically, new lyrics mentioning Rodgers and Hammerstein's "South Pacific"). Any comparison between this and even early 1950's Broadway reality as as close to life as Disney is.The musical numbers range from corny but fun ("The Worry Bird") to downright tacky ("Petrolium"). Ann Miller gets to do her traditional tap-and-twirl, while Gloria DeHaven is a bit less dainty than normal as the girlfriend of sleazy agent Eddie Bracken who lies to singer Tony Martin and the other girls about getting them a gig on the Bob Crosby television show. Barbara Lawrence, the fourth member of the team, has no other purpose than to fill out the female foursome. Pretty Technicolor is a major plus, although the television show finale, which would be black and white on the air, seems far too lavish for an early network variety show. Bob Crosby's spoof of brother Bing ("Let's Make Comparisons") is a wonderful novelty number, and a humorous acrobatic sketch is another highlight. Ironically, like the Russian ballet in "Bye Bye Birdie" (starring Ms. Leigh"), the acrobatic number is victim to foul play by Bracken so the group can get on the air without having to wait a week.

I hated this film when I first saw it, perhaps thanks to a truly embarrassing performance from Tony Martin (a good singer but not the world's greatest actor). Janet Leigh, Gloria de Haven, and Ann Miller want to make it big in show-business, and come through their vaudeville roots to stage a revue that they hope will be taken up by the Bob Crosby Show. There's some pretty good musical numbers along the way but the film creaks and drags badly in some sections (although the girls are consistently good). Crosby has a number all about 'brother Bing' which is fun. And there's a good support role from Eddie Bracken.On subsequent viewings I have warmed a bit more to 'Two Tickets to Broadway'. It isn't all bad and there are certainly musicals out there which are worse. But I still can't watch Tony Martin in a number in Indian dress without cringing ...