Fantastic!

Don't listen to the negative reviews

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

"Palmy Days" opens with a teasing, sexy music number set at an ideal bakery where all the employees are young, beautiful, athletic and barely dressed women! It's as pre-code as it gets (the song is called "Bend down, sister" - and they sure do!), and Busby Berkeley's magical, psychedelic choreography is magnificent. This is followed by a hilarious comic segment with Eddie Cantor as a fake medium's assistant, messing up a seance. At this point, I was already prepared to declare "Palmy Days" better than "Whoopee!", Cantor's previous (and first) movie vehicle. But the rest of the movie does not stay on that level. This time, Cantor's comedy misses about as often as it hits, like in his terrible blackface routine or his "quacking" (which should have been a single-scene gag). Fortunately, there is another great, crazy Berkeley number near the end. Charlotte Greenwood is an energetic and physical partner for Cantor, and the largely unknown Barbara Weeks is about as beautiful as any other famous actress of her day. **1/2 out of 4.

This is fine but I didn't enjoy it as much as the previous years, Whoopee!, Eddie Cantor is still great but here some of the scenes no longer seem to work as they much have done back in the day. Also, spirited performance though she gives, Charlotte Greenwood, doesn't quite seem to shine as many other girls do. Indeed the rest of the girls, whether in factory working gear (backless and braless!), gymnastic wear or swimming gear (and seemingly nude(!)) look tremendous throughout. The Busby Berkeley are magical as ever and the songs fine. Its just that one or two of the comedy routines show their age and the protracted finale has not worn well. Have to say though, Mr Cantor amazes and must have been absolutely sensational at the time. Even now his contortions make one wince and his routine when appointed efficiency manager, really funny even now. He could certainly sing too, although we have to close one eye when he blacks up.

With "Whoopee" one of Samuel Goldwyn's biggest moneymakers, the follow up for Eddie Cantor, Busby Berkeley and the Goldwyn Girls didn't need to veer away from the tried and true formula. Unfortunately it was released in those dark "this is NOT a Musical" days. Even though it was filmed in black and white and at just over 70 minutes was pretty short for a major production, it had an eye catching opening performed by some of the most beautiful chorus girls around (Betty Grable leading the line). "Bend Down Sister" proved to be the hit of the movie and was sung by lanky Charlotte Greenwood as she instructs her bakery girls to be conscious of their figures - "don't go messing with French Dressing" and "Ham and eggs should always be outside looking in". The girls go into a typical Berkeley geometric formation with exercise sticks as props.Eddie Cantor plays Eddie Simpson, a bumbling assistant to a phoney fortune teller (Charles Middleton). Eddie has an odd habit of singing whenever he is nervous and that is happening a lot because he has just been installed as an efficiency expert at Clark's Bakery (the medium wants to hypnotise the owner to take control!!) There's lots of laughs - at one point Eddie (in his love happy state) breaks off a corner of the desk and as the boss fumes, Eddie blithly tells him that will now discourage people from sitting on the desk and wasting time. Eddie gets to like the job and wants to go straight. He breathes new life into the bakery - even though it has the best food and the prettiest girls, it has no pizazz - until Eddie puts on a floor show and in "blackface" sings "There's Nothing Too Good for My Baby" - ("Baby wants a limousine - I show her one in a magazine").The crooks learn of a $25,000 payroll that Eddie has been given charge of - this makes for a lot of comic situations, Eddie posing as a woman, having to go into the girl's change rooms and at the end having a swimming lesson with the girls as they swim "au natural" -pretty racy but good fun. He ends up taking the money out of the safe and baking it in a loaf of bread - then accused of theft he must find the loaf to clear his name. Charlotte Greenwood joins him as his comic romance - the "physical torturist" according to Eddie."Palmy Days" was intended as a straight comedy with one song, "Yes, Yes" but when Goldwyn saw it at a preview he ordered more songs. "Yes, Yes" is performed at Joan's (Barbara Weeks) engagement party - Eddie thinks he is the lucky man (in reality it is really colourless Paul Page) and sings the energetic "Yes, Yes" followed by another formation dance by the Bakery Girls ("Bend Down, Sister" was a more enjoyable, precise routine). In this dance there were hat boxes as steps and at the end the dancers hold up cards to become a train. Audiences were more intrigued with Eddie's "put put" antics - a weird quacking noise he made throughout the movie. When the movie was re-released in the 1940s George Raft (formerly billed 7th) replaced Greenwood's name from 2nd billing. It must have been puzzling to Raft's many fans to find he played a henchman - "Joe the Frog" with only a few mumbled lines.Highly Recommended.

At a time when musicals had fallen completely out of favor with the movie-going public, Eddie Cantor and Busby Berkeley were still able to bring smiles to faces and audiences into theaters with this 1931 pseudo-musical by offering a bankable star (Cantor) in a foolproof formula. The title refers to a ring of bogus spiritualists for which Cantor's character has served unwittingly as a front man. During the film Eddie falls repeatedly into some dangerous or embarrassing situation and by virtue of his own hyperactivity emerges victorious in each case.The film includes only three major song sequences, but they are all very well done, and coupled with Cantor's delivery they are infectious. Busby Berkeley opens the film with a musical number involving a gymnasium full of scantily clad Goldwyn Girls - supposedly employees of a surrealistic bakery where all the action takes place - in the aptly titled "Bend Down, Sister". The cast includes long and lanky Charlotte Greenwood, a regrettably forgotten character actress. She plays the physical fitness instructor who believes - thanks to the bogus spiritualists - that Cantor's character is her future husband. The chemistry between Greenwood and Cantor is priceless as she relentlessly pursues Eddie. Then there is George Raft as a hood who is out to get Eddie. Finally, there is Mr. Clark, the president of the bakery, who has confused Eddie for an efficiency expert. when he asks Eddie "How many girls do you think work here?", Eddie's answer is a very professional "About half". The whole thing is 77 minutes of enjoyable musical and comedic nonsense that I never get tired of and that could only have been possible pre-code.Singin in the Rain it isn't, but like that film it is sure to put a smile on your face every time you watch it.