Absolutely the worst movie.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Among the widely divergent IMDb reviews of this film, I'm inclined toward the positive. Having missed seeing the credits, I thought I'd come upon an obscure but worthy MGM musical (Kennon Wynn was an MGM player, Ann Miller about to become one, the set's, choreography, musical arrangements were MGM caliber, so maybe they borrowed Evyln Keyes from Columbia. . .) Well in fact it was a Columbia picture. The witty, fast paced dialog was better than that in most 1940's MGM musicals. The arty, sexy, and unusual choreography by Eugene Loring (Nick Castle is co-credited) is very similar to what he did in "Yolanda and the Thief" with Astaire and company at MGM the year before. Evyln Keyes does an excellent job giving a Roz Russell performance with just the right comic tone, zest, facility with fast paced comic repartee. Keenon Wynn is the weak link, he's no Carry Grant, and seems to me loud, obnoxious, and hard to take. Ann Miller is genuinely sexy in this film, something I never thought she was at MGM.

You need energy to keep up with "The Front Page" and "His Girl Friday," from which "Thrill of Brazil" stole the story. You need a frontal lobotomy to sit through TOB.I don't like manic movies. The Marx Brothers always give me headaches. For me, pacing is important and "Thrill of Brazil" has none. You are never allowed to take a deep breath and regroup, but are kept listening to the hue and cry of dialogue, singing and dancing.The music is eminently forgettable, with little charm and less enjoyment. After seeing the fourth, or was it fifth, dancing number with the same rhythm, same costumes, same dance steps... well, ho-hum.I wish I could say something - ANYTHING - nice about this movie. The actors had a hard row to hoe and, unfortunately, didn't acquit themselves well. Keenan Wynn was just plain loud. There was no charm to his portrayal, no attractiveness to his character. He was so oily and slimy and underhanded, I wished for someone to shoot him within the first 20 minutes.I wouldn't waste your time. I'm sorry I wasted mine.1 out of 10 only because there was no 0.

Non stop puns. That and a whole lot of song and dance, tap dancing, and verbal sparring are what we get in "Thrill of Brazil." All in good natured fun, Steve (Keenan Wynn, Annie get your Gun ) and John ( Allyn Joslyn) are fighting over Vicki (Evelyn Keyes, Gone with the Wind, many others). Meanwhile, Ann Miller is caught up in the whirlwind as Linda Lorens, tries to sing and dance her way through the her entertainment numbers. Also some great music from Enric Madriguera and his orchestra, as well as Tito Guízar, all of whom actually did perform and record in public at the time. This film might have been even more hokey if the music and dance weren't so good. Filmed after the war, so the mood is very upbeat and happy. Ann Miller had been making movies for 10 years by now, but she still has the look and demeanor of a young, rookie, but this could just be good acting on her part. Interesting scene where Vicki captures some of the local downtown market scenes and fights in pencil drawings, to be used in their nightclub act later. Several sight gags have a vaudevillian feel, but it all works. Although she was a major starlet in her own right, Evelyn Keyes is also known for her marriages to the bigshots Artie Shaw, John Huston, Charles Vidor. Also look for Ludwig, played by the always funny Felix Bressart, who had made "Shop around the Corner" with J Stewart. Bressart and Wynn had just made "Without Love" together in 1945.

The script of this film appears to have been a re-write and musical version of "His Girl Friday", which pre-dated "Thrill of Brazil" by six years. Instead of a newspaper, the backdrop is a nightclub owned by the lead character.Basically, boy wants girl back, "befriends" her fiancé, hires short thug to steal fiancé's wallet, takes counterfeit money from thug, and gives fiancé the fake money, all the while trying to keep girl involved in a new show at the club. Girl thinks boy gave up on her, re-formats and makes show a success, fiancé is arrested with counterfeit bills, girl realizes boy still loves her, girl breaks down in romantic reconciliation with boy and declares intent to return wallet to fiancé and to return fiancé to hometown.Oh yeah, boy also gives job to dumb schlep to keep quiet about finding the wallet, which results in discussion about schlep's wife. About the only original concept is the music and its rather insulting portrayal of Brazilians.Other than that, Ann Miller's dancing is great, and Keenan Wynn succeeds in propping up the story line as the oily impresario.