At fictitious Tait University in the Roaring '20s, co-ed and school librarian Connie Lane falls for football hero Tommy Marlowe. Unfortunately, he has his eye on gold-digging vamp Pat McClellan. Tommy's grades start to slip, which keeps him from playing in the big game. Connie eventually finds out Tommy really loves her and devises a plan to win him back and to get him back on the field.
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good back-story, and good acting
Expected more
Through painfully honest and emotional moments, the movie becomes irresistibly relatable
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
"Good News" is a musical comedy about life at Tait College in 1927. The script--by Comden and Green--features plenty of Roaring 20s patter, like "bee's knees". Its dance numbers also contain plenty of anachronistic swing dancing, to satisfy audiences of its time. Since the dancing is one of its best features, it gets no criticism from me.Filmed in Technicolor, it also displays some wonderful fashions, though some are not as nice as others. The songs, written by Henderson, Brown and DeSylva, are similarly uneven, but they include "The Best Things in Life Are Free", which gets the classy treatment of Mel Torme.The story centers around sorority girl Connie Lane (June Allyson) who--despite her best intuitions--develops a crush on BMOC Tommy Marlowe (Peter Lawford). Neither of them are spectacular singers, and they would not be my choices for these roles. The lensman must have used all the gauze in the set's first aid kit achieving the relentless soft focus for Allyson (who was age 30).The show is stolen by Joan McCracken, who plays Babe Doolittle--the vivacious ball of energy who leads the electrifying dance sequence for "Pass That Peace Pipe". She would have few acting credits in films. (She would also marry Bob Fosse)Despite one of June Allyson's weaker performances, this film has much to recommend it. June had plenty of other roles in which she shines.
The death of June Allyson this past week is reason enough to revisit one of her most important starring vehicles, this wholesome 1947 MGM college musical from the golly-gee-whiz school of entertainment. Based on a pre-Depression-era stage hit, it's all pretty ridiculous but very sincere with random moments of clever comedy thanks to the formidable team of Betty Comden and Adolph Green with their first screenplay effort. The thin plot involves exuberant co-eds at Tait College and two in particular, conscientious good girl Connie Lane and football hero Tommy Marlowe. The closest thing the film comes to drama is the risk Tommy faces in not being able to play in the big game if he cannot pass his French class, and you can guess who is the only who can tutor him. There is inevitably a snooty gold-digger out to steal Tommy from Connie under the assumption that he is an heir to a pickle fortune. And naturally, there are hijinks galore among the co-eds who have a more vested interest in the big game than their own studies.The trivial nature of the film is offset primarily by two things. First, there is Allyson, who exudes cornbelt, girl-next-door appeal effortlessly. With her froggy voice and twinkly smile, she shines as Connie despite the fact that she is not inordinately talented as either singer or dancer. As Tommy, Lawford is actually a better dancer than you would expect, but his character is such a flighty dullard that he comes across as rather silly. The second notable factor is a wonderful bouncing ball of a dancer named Joan McCracken, a Broadway performer who plays Connie's comic sidekick Babe Doolittle. Shamefully an obscure footnote now, she is the dynamic center of the energetic if somewhat politically incorrect "Pass the Peace Pipe" production number, a dazzling example of finely coordinated MGM choreography at its best. Another example of that craftsmanship is the final "Varsity Drag" number where dozens of dancers impressively replicate the moves of Allyson and Lawford in synchronized lockstep. This will definitely not suit everyone's taste, even lovers of MGM musicals, but it is a worthy tribute to Allyson's appeal and the kind of musical that would never be made again without some hint of cynicism.
Football is in the fall, at least nowadays it is. Prom is in the spring. So is graduation, at small colleges (I think).This movie had football, prom, and graduation, all in the spring. Then, to top it all off, Tommy said he was getting a degree in French LOL. Tommy came off as such a dunce, and I never really picked up on what his major was, anyway.I expected the women's hairstyles to be short bobs of the 1920s, and more Charleston dancing. These two points became lost when I decided to let myself get lost in the escapism and pure entertainment.All in all, I still like this movie, very much. I really like the singing of June and Peter, and feel that they had very nice voices. Hope they were not dubbed. At any rate, they were honest and heartfelt vocal renderings.June Allyson passed away several days ago (today is July 16, 2006), at age 88. In 'Good News', which I saw today for the third time, I figured I would melt in tears when she & Peter Lawford did the scene of 'The French Lesson'. That happened a little when I saw June in 'Little Women', shown 2 hours or so earlier, where Jo meets Laurie (June & Peter) late in the movie (I just saw the last part of it). I knew that I would be watching them again in 'Good News' a little later, because today was the June Allyson special presentation on TCM (7 of her movies).I do like the 'Varsity Drag' in 'Good News', and wish June had danced more in this movie. I did enjoy how she and Peter led all the other dancers in the huge finale, each leading their group in a large tight triangle. It was so neat.RIP June and Peter. We love you so. I am still melting in tears.12/10
Good News is one of my all time favorite MGM musicals.Great songs by wonderful performers.Ray McDonald in a part that shows his talent,Ray was one of the under exposed performers at MGM.June in one of her best performances ,its also one of her favorites.Peter miscast but does a good job.The first film directed by Charles Walters he went on to direct Easter Parade and many others.JoanMacCraken in one of the few films she made.Pat Marshall ,Mel Torme all add up to a great entertainment.When I met June Allyson I told her some scenes from the first version were shown .She wasn't aware there was an earlier one.I said Penny Singleton(the star) was no match for June Allyson.She chuckled at that. Gordon