Rammstein - Live aus Berlin

August. 31,1999      
Rating:
9.1
Trailer Synopsis Cast

The Rammstein - Live aus Berlin DVD is a compilation of two live concerts filmed at Berlin's open-air Parkbühne ("park stage") Wuhlheide in August 1998. The DVD offers 17 of the band's songs, most of which are found on the two CD albums "Sehnsucht" and "Herzeleid." The show itself is a very entertaining performance with plenty of the usual stunts, pyrotechnics, and lighting effects you'd expect from an industrial metal band.

Till Lindemann as  Himself
Oliver Riedel as  Himself
Paul Landers as  Himself
Richard Kruspe as  Himself
Christoph Schneider as  Himself
Christian Lorenz as  Himself

Similar titles

Kolya
Kolya
After a fictitious marriage with a Russian emigrant, Cellisten Louka, a Czech man, must suddenly take responsibility for her son. However, it’s not long before the communication barrier is broken between the two new family members.
Kolya 1996
Almost Famous
Prime Video
Almost Famous
In 1973, 15-year-old William Miller's unabashed love of music and aspiration to become a rock journalist lands him an assignment from Rolling Stone magazine to interview and tour with the up-and-coming band, Stillwater.
Almost Famous 2000
Blown Away
Prime Video
Blown Away
Blown Away tells the story of Jimmy Dove, who works for the Boston bomb squad. Shortly after Dove leaves the force, his partner is killed by a bomb that Dove thinks might have been made by someone he knows.
Blown Away 1994
Antoine and Colette
Antoine and Colette
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Antoine and Colette 1962
Danny Collins
Prime Video
Danny Collins
An ageing hard-living 1970s rock star decides to change his life when he discovers a 40-year-old undelivered letter written to him by John Lennon.
Danny Collins 2015
9 Songs
9 Songs
Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.
9 Songs 2004
Walk the Line
Prime Video
Walk the Line
A chronicle of country music legend Johnny Cash's life, from his early days on an Arkansas cotton farm to his rise to fame with Sun Records in Memphis, where he recorded alongside Elvis Presley, Jerry Lee Lewis and Carl Perkins.
Walk the Line 2005
iHeartRadio Jingle Ball 2016
iHeartRadio Jingle Ball 2016
Elvis Duran hosts this concert from Madison Square Garden. Among those scheduled to perform are Justin Bieber, Ariana Grande, Fifth Harmony, Diplo, Charlie Puth, Lukas Graham, DNCE and Niall Horan.
iHeartRadio Jingle Ball 2016 2016
Bob Dylan - Dont Look Back
Max
Bob Dylan - Dont Look Back
In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.
Bob Dylan - Dont Look Back 1967
Niger: Magic and Ecstasy in the Sahel
Niger: Magic and Ecstasy in the Sahel
A celebration of life in the Sahel region of Africa, this film showcases many of Niger’s venerable music styles. Tuareg Electric Guitar trance rock, Bori cult dance ceremonies, Fulani Folk, and Roadhouse Gospel Rave-ups are some of the segments included in this latest "Folk Cinema" classic from Sublime Frequencies! Filmed in December of 2004 on location in Niger, Hisham Mayet delivers a spontaneous, raw, and inspiring collection of images, music, and ceremony (again with a single camera presentation) from a nation mired in poverty and continual post-colonial disappointment. Quoting from Mayet’s liner notes: "This is not music as commodity, this is music as survival. There is a saying in Niger that goes, "when we die we know we are going to heaven because we already live in Hell" well I think its more like the purgatory that we all live in and they sure have managed to transcend with an incredible natural resource: Music. Dig it!"
Niger: Magic and Ecstasy in the Sahel 2005

Reviews

ThiefHott
1999/08/31

Too much of everything

... more
Jeanskynebu
1999/09/01

the audience applauded

... more
BootDigest
1999/09/02

Such a frustrating disappointment

... more
Dana
1999/09/03

An old-fashioned movie made with new-fashioned finesse.

... more
X80s
1999/09/04

...or flogging an (almost) dead horse?Controversial Industrial band Rammstein proved with this video that a lot of effects can make up for lacks in songwriting - while "Herzeleid", their first album, was like a blow of fresh kerosene to the German Independent scene, "Sehnsucht" only copied the formula of harsh guitars and electronic rhythms close to Dancefloor, trying to add one up by even more drastic lyrics.Nonetheless, Rammstein became a kind of cult on both sides of the ocean, due to the lyrics (because they were understood...or not, depending on the location), due to their image of the strict and strong German which brought them sometimes dangerously close to the right-wing scene (which they aren't), due to the media hysteria around them.Lots of pyrotechnics and the exalted show of frontman Till Lindemann do actually guarantee a lot of entertainment, and if you are new to the phenomenon Rammstein, you will be fascinated. If you strip the concert down to the pure performance, you'll notice soon that the songs doesn't differ much from the studio recordings, and the overkill on effects is also killing any spontaneous creativity since everything must be timed on the spot (or it's Grilled German tonight).Well, I do have enjoyed all three albums ("Mutter" was released in 2001) of Rammstein though there is a notable decline in quality and creativity from the first to the last, but a good concert is a bit more than torching down the stage (for me).6/10

... more
kevman91
1999/09/05

During their 2001 tour sweep through North America, Rammstein played a festival show near San Antonio, TX known as "The Fire and the Fury". Those two words alone summarize what most of the U.S. is missing out on! Simply put, there isn't a hard rock or heavy metal band on American soil that can even compare.Rammstein's musicianship far surpasses most hard rock acts of the last few decades. The music carries pulsing bass rythms with the searing fury of guitar chords, laced with pounding drums and intense synthesizer sounds. All are mixed to perfection to form a unique and almost deadly fury of thrashing rock that is Rammstein.Rammstein's German vocals and pyrotechnic show only serve to enhance the overall experience of the fury that is their sound. The shame is that most Americans are missing out on one of the best hard rocks shows ever to take the stage.Rammstein garnered some success in early 1998 with the single "Du Hast". Yet Rammstein is so much more than a one single band. "Du Hast" isn't even Rammstein's best song, despite its popularity.

... more
Netti84
1999/09/06

If you haven't seen this you haven't lived! Six men - one stage - thousands of fans - pure power! This is the best concert I have ever seen. Especially the performance of "Wilder Wein" - without e-guitars - is just great! Rammstein is not one of these bands which don't have anything else but a good manager. They know what they want, you can see it in their show. And their songs are so powerful - you will love them even if you don't understand the lyrics. (But, believe me: the lyrics are the best!)

... more
trey_wolf_42
1999/09/07

Get the CD instead. The show is tame, and the editing sucks. The crowd gets way too much screen time, as does Till Lindemann. The cameras spend more time on the same kid shaking his head around in the same way (which leads me to believe it's the exact same shot) than they do during Richard Kruspe's solo in Weisses Fleisch. The scenes change so quickly it's impossible to tell where the camera is pointed, and the replays are simply redundant. Not worth the tape it's recorded on.

... more