Don't listen to the negative reviews

An unexpected masterpiece

Admirable film.

In truth, there is barely enough story here to make a film.

Tonino Ricci strikes again! If I described Tonino as 'a poor man's Bruno Mattei' you'd know what I mean, right? And that certainly says something about Tonino Ricci (although I will add that Tonino doesn't steal footage from other films as far as I know). I've already watched Tonino's all-over-the-place-but-great 'Night of the Sharks', and his brain damaging action flick 'Days of Hell' (which is worth a look) and clawed my eyes out while waiting for something to happen in 'Encounters in the Deep'. Here, Tonino takes on the horror genre, throws in a mutated scientist and a mutated guinea pig, sets the film in England but films most of it in Spain. David Warbreck is an MI5 agent and Janet Agren is a buddy of the scientist now growling his way around England, and they're out to stop the guy before the government nuke the town where he's on the loose. Our mutated scientist turns periodically to tear people to pieces, well, at least that's what the cops tell us as we don't see much apart from some bloodied bodies. The (suspiciously Spanish looking) army turn up to lock down the town and the residents aren't happy. Can chain-smoking Warbreck and his nifty coat, and Agren and her nifty afro sort all this nonsense out? What do you think?Tonino Ricci films are a bit of a hard slog, and although parts of Panic are good (the mutated scientist was pretty groovy), other parts just drag and drag. I thought the film was almost over and then I realised it still had an hour to go. The shots of the obviously in a hangar but supposed to be flying army plane were hilarious, as was the usual sudden ending, but, as we're talking Tonino here, everything is filmed rather flat. It's okay if you're running out of Italian films to watch. I nearly forgot - the inter-cutting of English town footage with the army driving through a town in Spain was pretty funny too.

Eminent professor (Ricci) is transformed into a mutated monster following a scientific accident at a chemical laboratory where germ warfare agents are being covertly developed. When politicians learn of the breach, they enact "plan Q" to annihilate the town where the hideous man-beast is now stalking mostly buxom women to feed his insatiable appetite for blood. Special investigator (Warbeck) teams up with local Sergeant (Lifante) and the Professor's laboratory assistant (Agren) in a vain attempt to capture the beast, administer an antidote then convince the powers-that-be that the threat of contamination has been averted thus saving the town from imminent destruction. All in a night's work.Sort of a "Quartermass", "Incredible Melting Man" hybrid of Italo-Spanish origin, there's little suspense or intelligence about this gore fest. Ricci's make-up is certainly hideous (as described by others, similar to a pizza with the lot), and his limb-ripping rampage of mostly nude or near nude young women will both thrill and repulse various sectors of the audience. The scene in which he interrupts the canoodling couple has some tension, but it's ultimately inexplicable and so random as to be absurd. Kiwi David Warbeck plies his trade with admirable conviction, but it's wasted effort, while Swedish bombshell Agren's character looks to have been edited down to a mere supporting role.Buckets of blood, fiery explosions and complex conspiracies involving an array of characters whose purpose I couldn't determine, this B-grade horror has its moments, but loses momentum and drags its heels for the last thirty minutes to a disappointing conclusion.

When you've got a lead character in the person of an army captain named Kirk, this should give you some idea of how seriously to take this film. I don't recall in the film whether his first name was mentioned.David Warbeck is Captain Kirk and he's on a mission for the British Army which is in Panic mode in Panic. It seems that a certain scientist got badly exposed to some of his bacterial experiments and turns into a flesh eating fiend. Fortunately for the human race his experiments were in a small English town. Not so fortunate for the residents of said town where the army is seriously considering just euthanizing the place lest the spread grow. As it is they've quarantined the joint.Janet Agren plays the scientists assistant who would like to help her boss if possible. She's working on the antidote, but will Captain Kirk let her use it. He'd like to save the town, but he's not terribly concerned about the scientist.Panic is a strange Italian made film that was shot in England concerning an English subject and locale. Getting a couple of British players to do the film in David Warbeck and Janet Agren gave it a British veneer of sorts. Still it really doesn't rise beyond most slasher flicks.

Your standard "Frankenstein"esque mad scientist messing around with ill-advised covert bacteriological war experiments premise gets clumsily crossed with a similarly hackneyed crazed killer on the loose story with a dash of that old reliable standby of the deadly plague which could wipe out thousands of folks if it isn't nipped in the bud right away in this energetically cheesy and entertainingly slapdash grab-bag Italian sci-fi/horror thriller. An accident at a top secret government lab turns a professor into a hideously malformed, murderously deranged and seemingly indestructible humanoid beast with scraggly hair, an ugly, bloated, pus-oozing, skin-peeling boil-like face, superhuman strength, a horrid wheezy moan of a voice, and a decidedly antisocial sanguinary disposition. Worse yet, Mr. Unsightly Dementoid Freakshow has a highly lethal and contagious degenerative disease which forces anyone infected with said ailment to bag other people for their precious blood. Naturally, the ghastly mutant goes on a grisly killing spree in Great Britain, attacking a libidinous teenage couple doing just what you think in the back of a car, a lovely young blonde lady in the middle of taking a shower, the audience in a movie theater watching an asinine comedy, a plastered out of his skull drunk, and, best of all, even a priest (yes!). It's up to two-fisted man of action David Warbeck (who carries himself here with the same stolid austerity he brought to such Lucio Fulci flicks as "The Beyond" and "The Black Cat") and fetching femme doctor Janet ("Eaten Alive," "The Gates of Hell") Agren to stop the pitiably grotesque monster before things get disastrously out of hand. Sure, the basic plot is anything but original or inspired, but handy helpings of frequent violence, a grimly serious tone, Gionanni Bergamini's spirited direction, an unerringly fast and steady pace, and the wildly eventful narrative ensure that this baby remains a satisfyingly schlocky affair from start to finish just the same.