Wow! Such a good movie.

A lot more amusing than I thought it would be.

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

This movie is supposedly based on Edgar Allen Poe, but aside from a cat and some people being entombed behind a wall, I'm not so sure. (And it also seems to involve ants, lots and lots of ants). It takes place at some kind of institute for sexy, delinquent, orphaned female mental patients. (I would gladly work as the unpaid janitor at one of these places, but they only seem to exist in the movies). The name actors in this movie are Robert Vaughn, Donald Pleasance, and John Carradine (in what would be his final film). You may question the judgment of these actors in appearing in this film, but when did any of these guys ever show any judgment? I would question the judgment of the producers in their choice of the female cast. The lead is Karen Witter, a former Playboy Playmate. Very few Playmates are known for their acting abilities and Witter is definitely NOT doing what she does best here. You could probably say the same thing about Ginger Lynn Allen, at that time in a hiatus period of her XXX porn career. But at least she has brief nude scenes (well, sort of) and is not very convincing, but still somewhat entertaining as the tough "queen bee" of the institution.The French director of this, Gerard Kinkoine, is also an interesting choice. He WAS technically a porn director, but he was one of the more talented "softcore" directors like Just Jaeckin, Jean Rollin, Walerian Borozyx, and Max Pecas rather than simply a hardcore hack. Almost all these European directors ended up working in off-Hollywood American co-productions like this at the end of their careers, but it was actually a step down for them (whereas for Ginger Allen it was a definite step-up from "servicing" the likes of Ron Jeremy and Jerry Butler).This is OK I guess overall. I probably won't sue to get the 90 minutes of my life back. . .

A woman goes to teach at the Ravenscroft Institute , finding that some secrets better stay buried....This movie has a pretty good cast which includes Donal Pleasence, Robert Vaughn, Nia Long , and even John Carradine. There are even early appearances by Arnold Vosloo (The Mummy),and William Butler ( NOTLD'90). Donald Pleasence is a very versatile actor, but is wasted in this movie. Carradine appears for only 10-15 seconds. The lead actress Karen Witter doesn't do anything at all , except for screaming. The plot is OK, but i expected more gore. Though, there is one good death scene, the movie lacks the intence, and is very boring at times. There's enough suspense, but its not compensated with enough action.I wasn't satisfied. Maybe someone will. 5/10

A woman leaves the Raven Croft Mental Facility, which for some reason is filled with only women who do not seem insane, but more like juvenile delinquents (played by women in their 20s and 30s, to be sure). Outside, she's attacked by a short person in a Ronald Reagan mask and pushed through a trapdoor down a very long chute. Mr. Reagan shows up at the bottom of the chute seconds later, suggesting he has his own chute nearby or an express elevator. It was lucky for him her escape route passed by his trapdoor anyway.The late Reagan is infamous for (among many other things!) being responsible for the closing of federally funded mental institutions, essentially kicking many patients out onto the streets. I wonder if this movie was trying to comment on that, in its own stupid way. The "Ronald Reagan Home for the Mentally Ill" in Airplane II may have been making a jab at the same thing. Anyway, a Reagan mask isn't really scary-looking. Even though it seems to be painted a solid color, suggesting the William Shatner mask in Halloween, it still looks like a caricature of Reagan, and thus, silly.The next day a young woman shows up at the facility to be a teacher. On the way she has a Psycho moment when a sunglasses-wearing cop (Vosloo, years before the Mummy!) finds her asleep in her car. At the institution, she has some odd hallucinations relating to people falling down the chute (which she's never seen) or being walled up behind bricks.And about those bricks - the killer walls people up behind a single row of red bricks which he does not appear to cement together. Even though he puts his prisoners in straitjackets, they could still simply push against the wall and have it fall down.Donald Pleasance has a character that is ridiculous and serves practically no purpose except to be weird. John Carradine shows up for all of about ten seconds. I understand in his later years people would film him doing something, before even having an idea of what to do with it, just so they could put him in their movie. Perhaps this fits in with that.Robert Vaughn looks, sounds, and dresses the same in this as in everything else I've seen him in. C'mon, an accent, some facial hair, and different haircut, do something to make your character superficially different! Or is it the director's fault?The movie is definitely not adapted directly from Poe. It suggests The Black Cat, The Premature Burial, The Fall of the House of Usher, The System of Doctor Tarr and Professor Fether among others, without really having much to do with any of them except superficially.

BURIED ALIVE was to be the last film made by John Carradine during his lifetime (the old actor would later come back from the grave to appear in a few more movies). Edgar Allan Poe's name is mentioned in the title, but don't believe the hype. For this is just another cheap horror exploitation flick (what more can you expect from producer Harry alan Towers, who churned out some of the worse movies ever?) Nevertheless, it's enjoyable enough if only for the performances. Robert Vaughn (TEENAGE CAVEMAN) plays the director of a school/madhouse. Donald Pleasance is once again typecast as one of its loony inhabitants. His French voice is not the same as in the HALLOWEEN series, but it's as much fun. And John Carradine appears shortly, wheelchair-bound, in what constitutes a fitting, if not flamboyant, last blast of weirdness. That's about all you get from an otherwise poor-looking film...