When a quiet group of pensioners learn that their homes are to be torn down to make way for a block of flats, they decide to take action. What starts as an attempt to discourage the developers soon escalates into wholesale murder of both the developers and the construction workers.
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an ambitious but ultimately ineffective debut endeavor.
It's easily one of the freshest, sharpest and most enjoyable films of this year.
It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
Unique example of mid-70's weird-beard horror, and as far as I'm aware 'Homebodies' stands tall to this day as the one and only octogenarian revenge drama. This singular horror concerns the plight of disgruntled wrinkles as they confront their callous, money grubbin' landlords with imaginatively murderous results. The films strap-line is a neat précis of all this zimmer-framed lunacy "A murder a day keeps the landlord away!" Director Yust manages to fashion a credible schlocker that achieves the impossible; that is, it manages to simultaneously tug at ones heart strings while a doddering old bint hurls some schmoe estate agent into a cement-y grave! Hats off to thee, Larry Yust, they REALLY don't make 'em like this anymore!
This one is truly original. A Cult film for the Geriatric crowd. It is good to see that I am not the only one who was impressed with this obscure film from when HBO was in its infancy (channel 6 anyone?) There are some very good actors associated with this project for anyone who was conscious in the 60's and 70's. From Ruth McDevitt to Ian Wolfe you have seen them before in many supporting roles, here you get to see them lead. The film almost has a strange aura similar to The Sentinel (1977) although without the supernatural aspects. Here we have a social satire which focuses on the geriatric crowd affirming their rights in the face of oppression. Coming out of the era of civil rights don't think this subject matter wasn't a projection of society in which many sub-cultures where finding ways to be empowered. This film takes that premise and twists it into some very humorous and macabre situations. The cement pouring scene is a memorable one which stands alongside any early giallo for inventiveness. Dated but still worth it if you can find it if cult is your thing.
Rewarding dose of moribund drollery has unscrupulous property developers evicting the elderly tenants of an apartment building, soon to be razed and replaced by more financially viable structures. When attempts to halt the project are met with staunch indifference, individuals involved with the building's imminent demolition are brutally murdered one-by-one in a variety of grisly ways. Good performances from a likable cast, and an off-kilter, deliciously morbid premise make HOMEBODIES a natural-born cult gem which should be an especially pleasant diversion for fans of HAROLD AND MAUDE, EATING RAOUL, and similar titles culled from the strange realm of diabolically humorous cinema.6.5/10
Senior citizens can be shrill, depressing, and very boring, so you might think a movie that casts old people as 'hit men' would be good for a few laughs. "Homebodies" tries but fails. It's just a silly film about greedy land developers trying to knock down the house of some stubborn old people, who in turn start picking off the workers in an attempt to stop construction. All the characters are annoying caricatures that'll be grating on your nerves after the first 15 minutes. Save yourself the trouble of searching out this movie and just go volunteer at a nursing home.3/10