Fantastic!

Excellent but underrated film

By the time the dramatic fireworks start popping off, each one feels earned.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Paul Naschy (born Jacinto Molina Alvarez) was a fixture in Spanish Horror-as far as actor's go, he was that countries Karloff. So when he died in late 2009, he left behind a vast array of work that has maintained a cult following-"Night of the Werewolf", "Blue Eyes of a Broken Doll", "Count Dracula's Great Love"-to name a few. While I mentioned his passing in my review of "Premutos", looking back, I should have written a review of one of his movies instead of that movie. So without further ado, here's a look at the Italian-Spanish production "The Hanging Woman", in which he played a hunchback.Serge Chekov (Stelvio Riso) is a swinging 70's kinda guy whose come to Scotland to gain an inheritance. In between sexing up the ladies, he runs into the hanging corpse of a lady. Soon, events revolving around a satanic coven, mad science, murder, zombies roaming the graveyard, and Igor (Naschy), who also happens to be a necrophiliac.Though Naschy only has a supporting role, "The Hanging Woman" is still quite a treat of 70's style Gothic Horror. In fact, much of the film is quite reminiscent of the 70's era Hammer output, with its emphasis on fog drenched atmosphere, Gothic locales and low key exploitation elements such as nudity and some minor gore. The movie itself is quite capably directed by capably directed by José Luis Merino, who offers a nice mix of eerie moments with ones that range from tasteless (Chekov's treatment of women, Igor's um...kinks) with ones that just outright daffy (the reason the dead are walking could have come from one of those old 1940's quickies.) That's part of what makes the whole thing so much fun-sure, it feels a bit familiar at times, but the familiarity helps the movie instead of hindering it. Also worthy of mention is the undertone of black humor that permeates the proceedings. While the movie would never be mistaken for a comedy, scenes involving characters such as a horny witch are clearly done with tongue planted firmly in cheek.Which brings me back to Naschy. While I mentioned he doesn't have a huge role, fans of his should still love this. Here, he manages to bring all kids of baggage with Igor-insecurity at one moment, to moments that bring forth revulsion the next-with ease. It's easy to see why folks such as myself hold him to such esteem, as he was able to take such characters and make them his own. Such a role and performance is a testament to his talents as an actor.If there are any problems, it would be that apart from the more eccentric characters (particularly Igor), nobody here is all that interesting. Chekov is just your typical chauvinistic jerk who doesn't have many redeeming qualities, whilst Doris (Dianik Zurakowska) is yet another damsel in distress character. A bit more thought into some of the characters would have helped.That out of the way, fans of Paul Naschy and European Horror fare will certainly find a lot to enjoy here. If that's your cup of tea, then check it out.

Hanging Woman, The (1973) ** 1/2 (out of 4) This Spanish horror film has been released under countless titles including TERROR OF THE LIVING DEAD, RETURN OF THE ZOMBIES and even Dracula, TERROR OF THE LIVING DEAD even though Dracula isn't even in the film. It's best known as THE HANGING WOMAN and that's the title on Troma's most recent release. In the film, a man (Serge Checkhov) arrives at a small Scotish village to collect an inheritance from his late uncle when he walks through a cemetery and comes across the body of a woman hanging from a tree. This sets off some strange events, which might be coming from a necrophiliac grave robber (Paul Naschy) but black magic and zombies are also included. I had always heard good things about this film and it turned out to be pretty good. There was plenty of bloody killings, sex scenes and wall-to-wall nudity that will certainly keep people glued to the film but there's also some great atmosphere and some nice performances as well. I think this film will work best if you go into it as a murder/mystery because its heart is in that genre with just the horror elements thrown in for market reasons. That's not to say the horror elements are watered down or just thrown in because they mix in with the mystery stuff quite well. We get several bloody killings including a decapitation and an early autopsy sequence that has plenty of organs being pulled out of a body. There are quite a few beautiful actresses willing to part with their clothes and we even get one of the most bizarre sex scenes in any Spanish film I've seen. I found Checkhov to be quite appealing and believable in the lead role. While the film has always been sold as a Naschy film, in truth he has very little to do here, although he certainly milks the role for all it's worth. The atmosphere is extremely thick from start to finish and the nice looking sets certainly add to this. Fans of the genre are going to find plenty to enjoy here even if everything really doesn't add up at the end. This here is certainly much better than Naschy's VENGEANCE OF THE ZOMBIES, which was released around the same time.

Entertaining little Spanish supernatural thriller that features Paul Nashcy in a pivotal supporting role. Serge Chekov (Stelvio Rosi) rushes to the country after his Uncle's untimely death. Immediately upon arrival, Serge stumbles upon the hanging body of his cousin by the graveyard. This makes the local police doubly suspicious of his appearance because, with his cousin's death, Serge is now the sole beneficiary of his Uncle's estate. This mystery in this one won't blow your mind open, but the film has enough mood to compensate. Director José Luis Merino gets a lot of use out of the atmospheric village he shoots in and some cool underground tunnels. There is also some great make-up for the dead in this film. On the DVD, Naschy is interviewed and states how he did an uncredited rewrite on the film, making his grave digger character more interesting. Anyone spoiled by the BCI Naschy discs will be disappointed in Troma's fullscreen transfer with only an English dub track option. On the plus side, this is apparently the longest cut of the film available.

I'm always suspicious of films with many titles. I invariably find myself musing as to why the film can be found under so many guises. Could it be that the film is absolutely awful, so its makers and distributors have re-named it and re-marketed it again and again in the hope of eventually finding an appreciative audience? This is such a film - a Euro horror zombie flick which has more alternative titles than cast members! The version I saw was entitled "Beyond The Living Dead", and most of the cast members were given nondescript pseudonyms on the credits. For instance, hero Stelvio Rosi was billed as Stanley Cooper, and principle female player Dyanik Zurakowska was billed as Vickie Nesbitt. It's not a particularly good film, but to whole-heartedly savage it would be a touch harsh as there are just a few interesting elements which drag it up above "awful" to somewhere in the "slightly-below-average" category.Serge Checkhov (Stelvio Rosi) arrives in an East European town (Skopje in Macedonia is hinted at) for the reading of his uncle's will. He soon discovers that he is to inherit his uncle's mansion, much to the annoyance of his cruel and ambitious aunt Nadia (Maria Pia Conte). Something creepy seems to be going on in town at the same time - his cousin is found hanged from a tree in the cemetery; necrophiliac grave-digger Igor (Paul Naschy) starts to act more outlandishly than usual; Aunt Nadia seduces and copulates with young Serge; a doctor residing in the house starts to show off his experiments to reanimate dead animals; and uncle's corpse occasionally goes missing as if it's got up and begun walking of its own accord. Gradually, Serge investigates and uncovers a plot that Baron Frankenstein himself would've been mighty proud of.Mainly the film is underwhelming. The solution to the mystery is revealed in a phony, heavy-handed scene which resembles the unmasking of the villain in a Scooby Doo cartoon. Sometimes the characters say and do such dumb things that you want to scream in despair. The performances are generally amateurish, and the film is thin on real terror. However, as I've indicated already, it escapes total damnation for a couple of reasons. Firstly, Naschy as the necrophiliac grave digger is hilarious and disturbing (at the same time) in all his scenes. Secondly, the location work is quite impressive. And thirdly, for some reason that I've never been able to figure out, the preposterous story is actually engrossing in a totally inexplicable way. Beyond The Living Dead - or whatever title you know it by - is undoubtedly a bad film, but at least it's ENTERTAININGLY bad.