Simply A Masterpiece

Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

An old-fashioned movie made with new-fashioned finesse.

Bill Martin (Dick Foran) is a man who is one step ahead of his creditors when he inherits something odd--a castle on a lonely island in the Caribbean. He decides to use this to his advantage and offers to take people on a treasure hunting expedition there...if they can afford the fare on his boat. However, once there it becomes obvious that there's already a treasure hunter there...and they seem willing to kill the boat load of people if necessary. As for the visitors, they are a motley crew...with everyone from a wanted man to a cousin wanting to buy the mansion to another crook! What's to come of all this?This is a slick little B-mystery film from Universal...and the studio was excellent at making these wonderful atmospheric cheap pictures. While never brilliant in any way, it is reasonably well made and entertaining.By the way, Foran's sidekick in the film is Fuzzy Knight...and fortunately Knight does NOT use his stuttering schtick at all in the movie...thank goodness!

Horror Island was obviously made on a shoestring budget to accompany some bigger Universal film. I wasn't surprised it took only twelve days to shoot. In spite of this, however, Horror Island is an entertaining little flick that never really has time to get boring. The first half of the film is the best; and this is mostly thanks to Dick Foran. He plays a 'wheeling and dealing' businessman who has a lot of creditors on his back. This leads him to begin offering trips to a haunted island where his punters can look for buried treasure. After getting together a party of people through various means, they set off to the island...and the film goes downhill from there. There's some subplot about a mysterious phantom wanting the treasure for himself; but it seems like the writer didn't really know what to do once we get to the main bulk of the film and a lot of the early momentum is lost. Still, the film is always at least amusing and at only sixty minutes, there's not enough time for it to outstay its welcome. The whole thing is rather jokey and silly and I'm not surprised it hasn't endured as one of Universal's classics. Still, it's worth a look if you have an hour to spare.

Horror Island (1941) *** (out of 4) Shockingly effective "B" thriller from Universal perfectly blends the mystery, horror and comedy genres. A con man (Dick Foran) takes a group of people to an island for a treasure hunt but soon a crazed madman starts killing them one by one. I was really shocked at how much I enjoyed this film considering how many of these types of films I've seen. The movie runs at lightening speed, which isn't the norm and all the jokes work wonderfully well. Foran makes for a good and charming leading man and the supporting cast does fine work as well. Unlike others in its genre, I didn't catch onto who the killer was either.

I had first known about this through a still in the Halliwell Film Guide, though the noted late critic usually dismissed similar programmers: it turned out to be a fun horror comedy (from a story by Curt Siodmak) whose 60-minute length zips by – providing plenty of characters (even if the gangster-on-the-lam and his moll don't really work here), action, old-fashioned thrills (a caped maniac after hidden loot is loose in a remote castle), chuckles – and a surprise villain; the film is a shade overbalanced by the comedy, but the typical Universal atmosphere (and a few of its more notable sets!) are certainly present throughout. It also features a good second-tier cast: likable Dick Foran and cute Peggy Moran – re-united after the superior THE MUMMY'S HAND (1940) – are the leads and they're ably supported by the likes of Leo Carrillo, Fuzzy Knight, Hobart Cavanaugh and Walter Catlett; however, it's Lewis Howard who steals the film as Moran's chronically tired companion – even though he's absent through most of the second half! Michael Elliott had rated this a *** and I almost did myself – but, in the long run, I don't think the film has quite the same draw as even some of the lesser titles in the Universal monster cycle; still, for an 'old dark house' type of film – of which the studio did their fair share – it's well up to par. Incidentally, I had acquired another copy of this on DVD-R last year, but the disc froze several times during playback and I had to give up after a while; I'm glad I caught up with it eventually, as the film deserves to have a legitimate DVD release along with some of the other rare/lesser-known Universal horrors, like MAN-MADE MONSTER (1941) – which I've never watched! – and NIGHT MONSTER (1942).