A woman and her lover murder her husband, a doctor. Soon, however, strange things start happening, and they wonder if they really killed him, or if he is coming back from the dead to haunt them.
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Reviews
Awesome Movie
The film makes a home in your brain and the only cure is to see it again.
The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
The acting is good, and the firecracker script has some excellent ideas.
Generally speaking, I love this type of film: slow, Gothic, ghosts, mystery and horror but this one is just OK - not nearly as good as I thought it would be. I'm extra shocked because Barbara Steele is in the film - and I like her a lot.Dr. John Hichcock is in a wheelchair is married to the lovely Margaret. Margaret and Dr. Charles Livingstone are having an affair and Dr. Hichcock knows it. Dr. Hichcock also knows he's being poisoned and even asks his personal doctor, Dr. Charles Livingstone, to give him the antidote. One day Dr. Livingstone and Margaret decides they want John dead so Charles refuses to give John the antidote after his daily poisoning. Margaret and Charles are now happy until they see the "ghost" of John. Is it John's ghost or is John still alive? It's s-l-o-w-l-y paced until the ending. As I said earlier, I like slow films but this one is just OK - and extremely slow.4/10
An adulterous wife (Barbara Steele) impatiently awaits the demise of her moribund husband to inherit his wealth and mansion. Her dalliance with his personal doctor, virtually in plain sight, eventually tempt them both to bring about his premature death. Unfortunately, things soon start going bump in the night and their now public relationship rather quickly disintegrates as they become consumed by greed, guilt and suspicion. The whole sorry affair is ended abruptly by another murder and the inevitable plot-twist this genre seems to demand.Although I respect Freda and his pioneering greatness for Italian horror cinema, I found this rather poor quality suspense film pretty slow and predictable. The story is so transparent, I had worked out all the plot details within the first 15 minutes! Visually, the film is very interesting though. There are some very creative shots which help in creating a moody, Gothic atmosphere. The cast are capable enough, with particular mention to the husband's lawyer. But it is Barbara Steele who is the big name here; her at once vulnerable beauty and femme fatale guile give her such charisma, her on- screen presence lend as much to her performance as any of her acting skills do. However, in this film, I felt she could have did better in that department.This murder mystery blends in to many of the others of the day and has nothing to offer of considerable value that makes it stand out from the rest. Not that it is a bad film though, rather it is a tame and vaguely entertaining piece which will do nothing more than amuse for 90 odd minutes.
The Ghost finds Barbara Steele and Peter Baldwin as the lady of the house and the live in physician doing a whole lot of kanoodling right under the nose of husband Elio Jotte. The husband has been lingering on death's door for some time and Steele and Baldwin would just like it if were to go just do it quickly so they can start spending the fortune Jotte's alleged to have left.There does come a point when the two decide to hurry things a long and even raise a few eyebrows among the neighborhood when Baldwin continues to live at the estate. But when all kinds of things start to go bump in the night the relationship starts to come apart at the seams. Housekeeper Harriet Medin who is the only other person living in the estate is loyal to her late master and makes no attempt to conceal her disgust with Steele and Baldwin.The Ghost is an Italian production with foreign players from the USA and UK and is not too bad in the thrill department. It won't give any competition to Alfred Hitchcock. Might however for William Caste.
I remember getting my drivers' license. It allowed me to travel to towns a few miles from mine and see movies (only one was shown at a time in those days) at small local theaters. In the sixties we had Vincent Price, Peter Lorre, Sebastian Cabot, and others entertaining us with lightweight, scary little films. Many were based loosely on the works of Poe. Though I never saw this until a few minutes ago, it fits in with that genre. It has wonderful atmosphere. The heroine is not blameless, but has a case for murdering the old meany. Of course, she's going to pay a price, as is her doctor lover, when the old guy comes back to haunt her. There's a little Rebecca and Gaslight here, but it all works nicely to a satisfying conclusion. He who laughs last, of course. The performances are good and the atmosphere of the castle and its bleak goings on is a lot of fun. There is an intensity at work here that build, till people become paranoid and suspicious. See this. It's not a bad ghost story.