Raph and Max only kill bad guys, and only after their boss Sam, a high-powered attorney, has cashed a nice paycheck for getting her sleazy clients off the hook. When Sam sends our heroes on a routine hit, they find themselves caught up in a conspiracy they never imagined. But whatever trouble they've gotten themselves into is nothing compared to the wrath of Raph's wife if he doesn't make it home in time for his son's birthday party. Being a good hit man is tough; being a good dad is killer!
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Best movie of this year hands down!
The Age of Commercialism
This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
I wouldn't normally call myself fortunate for getting to preview a new independent film, but I was recently asked to preview Overtime and "fortunate" is exactly what I am. Overtime, written and directed by Louisville, Ky native Matt Niehoff, sets a new standard for independent films everywhere. The bar has been raised, not only for the courageous and beautifully balanced cinematography, nor for the skillful editing alone, but, just as rare in most indie films, it's been raised for the talent owned by several of these mainly untried cast members.The primary cast has a chemistry that sizzles, giving me the same feeling I had watching the brat pack perform together in the 80s. Thankfully, Overtime is no John Hughs film. Instead, the main cast manages to balance the absurdity in and around them with realism, and thus create believability. John Wells is perfectly cast as the ego-centric Max, and his intentionally over-the-top performance shines when countered with Al Snow's convincingly real portrayal of the more reasonable Raeff. Special kudos go, too, to actress Sebrina Siegel, who managed to bring a greater credibility to the film with her very natural delivery of some very un-natural dialogue, and who's impressive performance and genuine movements helped eliminate the possibility of a "comic book" feeling to the movie.It wouldn't feel right without also crediting the soundtrack chosen to accompany this fun-filled ride. Simply well done. Even the highest budget indie films will have difficulty stretching to reach the bars of Overtime.
Overtime (the movie) is like the Hangover on steroids. It is a non-stop, action packed, punch in the face comedy with smartly sophomoric humor. Al Snow and John Wells carry this buddy/action film on capable shoulders. Overtime is well shot, well acted, well edited, well choreographed, and well directed and completely satiates the pallet. It tickles the same funny bone that made us want to play cops and robbers as kids. After the premiere at the Fright Night/Fandomfest Film Festival the audience gave the film a standing ovation that last for well over 15 minutes. A must see for any action film fan!
This movie had a great sense of humor and was very well done. It's nice to see a horror movie that can provide some good laughs. I had much the same feeling when I saw Sean of the Dead and From Dusk to Dawn. The movie is well paced, and at the screening I attended, the audience had a great time. The editing was crisp, and the cinematography and color grading was quite engaging. Brian Cunningham and Matt Niehoff wore many hats in this production, and I think they did a great job covering a lot of bases. Many times things suffer when resources are stretched too thin, but it was obvious that a lot of time, effort, and attention to detail was expended to make sure that this was not the case in this instance. The music was also well done, and really added to the dynamic of the film. While my guess is there wasn't a very large budget for the film, I think it holds it's own with many other movies in this genre that cost a lot more to produce. I think these guys are going to be people to keep your eyes on. They definitely show a passion and talent for movie making.
This is one hell of a fun ride!!! From the start, it digs in, stays constant and exciting and is just a fun and thrilling ride!!! There are no "lulls" or "lagging" parts to it. There is no tedious sub-plot that seems to stay unresolved--it starts with a bang (literally)and continues to thrill, amuse and entertain until the very end!!! The makeup effects are wonderful!! This movie does not rely on excessive gore and mirror-tricks to keep the viewer from noticing a weak plot...this is a new and interesting plot that I've not seen before!!! It is appropriately and excitingly done with cool, creepy and action- enhancing effects. And the make-up is just really COOL!!!! The soundtrack is appropriately sequenced and diverse and well-assigned to each scene--special props to Amy Poole's haunting and lovely vocals in the closing song!!This is just a great thrill of a movie...treat yourselves to a fun evening of entertainment, GO SEE THIS MOVIE!!!!!