Macabre Serenade

January. 01,1972      
Rating:
3.7
Trailer Synopsis Cast

Relatives of a recently deceased man meet at his eerie castle for a reading of the will. They encounter a sinister piano player who turns out to be a toy maker, and his toys are imbued with murderous intentions.

Boris Karloff as  Matthias Morteval
Julissa as  Lucy Durant
Andrés García as  Charles Beasley
José Ángel Espinosa 'Ferrusquilla' as  Dr. Emery Horvath (as Ángel Espinoza)
Quintín Bulnes as  Ivar Morteval
Arturo Fernández as  Fodor

Reviews

BootDigest
1972/01/01

Such a frustrating disappointment

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Vashirdfel
1972/01/02

Simply A Masterpiece

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Glimmerubro
1972/01/03

It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.

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Lela
1972/01/04

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

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utgard14
1972/01/05

One of those cheap low budget horror films Boris Karloff made late in his career. Stinks in every possible way. Even Boris can't save it and, frankly, he doesn't seem to try. I'm sure this was just a paycheck to him. It's a boring, talky movie that looks so ugly that it made my eyes hurt. Avoid this unless you absolutely have to see every movie Boris Karloff made. There's really nothing to recommend about this mess.

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Leofwine_draca
1972/01/06

One of the four Mexican horrors that Boris Karloff made in the year that he died; all of them are pretty bad but Karloff's presence at least means that they deserve a cursory glance from the horror fan. DANCE OF DEATH is a muddled movie which has, as its basis, one of those clichéd "reading of the will" type plots, set in a typically spooky old mansion, but which also throws in about half a dozen other plot elements as well to try and keep things interesting. However, it doesn't really work.Things kick off with the discovery of an eyeless corpse - ie. an actress with a bit of blood splashed on her face. This is as gory as the film gets, by the way. Via a quick jump-cut we are immediately introduced to Boris Karloff, who soon snuffs it - or so it seems. It's actually quite sad to watch an obviously close to death Karloff in this film, to see how frail and ill-looking he looked at the very end. By this time he was half-dead anyway and apparently one of his lungs had collapsed, but like a trooper he kept on working till the (bitter end). Still, it's pleasing to watch Karloff in a movie again and he's invariably the best actor of the bunch.The rest of the cast are instantly forgettable Mexican faces, forgettable due to their amateurish and wooden acting skills. The only one of any note is a woman called Julissa (just one name), who is at least partially memorable but only for her good looks. She was also in two other Karloff films of this time. Also it's rather obvious that Karloff's scenes were actually filmed in America while the rest were in Mexico due to the difference of film clarity and the sets used.After Karloff's death, his sinister goateed doctor makes everybody wait before they hear the reading of the will. It is at this moment that people begin to die, killed by Karloff's apparently animated toys. One woman is brutally stabbed by the figure of a dancer, another man throttled by a knight, an obese victim shot in the eyes by two miniature cannons. All deaths are executed clumsily so they don't have much impact. While this is going on, the young police inspector hero is lying around somewhere sleeping while his girlfriend is in peril! The influences on this movie are clear. They're obviously trying to emulate some of Corman's Poe films starring Vincent Price, with less impressive effects, it has to be said. This led to the credit "based on a story by Edgar Allen Poe" appearing on the video box I have. At other times we see Karloff playing the organ, scenes which resemble THE BLACK CAT made 33 years earlier. Except there, the music was haunting and mournful, and here, it's screeching and awful! This is a very low budget movie, with the direction on the amateurish side. The camera-work is boring and inept (at one point the cameraman's shadow appears on a table) and the editing particularly confusing; scenes jump from one to another directly after a line of dialogue has just been said; no pauses or dissolves, just a sudden new scene. The same can be said of the abrupt ending. However, there are some atmospheric moments set in cobwebby corridors and a crypt, and one frightening scene sees our hero besieged by killer mechanical soldiers in a museum. The themes of killer toys would further be explored in plus countless cheapie '80s and 90's straight-to-video flicks. DANCE OF DEATH is a poorly-made film, but the sheer quantity of bizarrely-mixed elements make it watchable, if a bit dull.

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Michael_Elliott
1972/01/07

House of Evil (1968) * 1/2 (out of 4) One of the four Mexican films Boris Karloff made at the end of his career, this one here being the first to get released. In the film Karloff plays an rich, if eccentric man who calls his family together for a will reading. He ends up dying and his fears of a maniac stalking the house taking out eyeballs appears to be coming true as the family members start dropping dead one by one. Okay, there's certainly a bit of sadness seeing Karloff go out with these Mexican films but at the same time you have to respect his wishes to continue working. From what I've read, he didn't need money so apparently these movies were made simply so he could continue to act. I hadn't seen this film, also known as DANCE OF DEATH, since I was very young and I remember it being quite bad but this repeat viewing shows that it is bad but certainly not as horrible as THE FEAR CHAMBER or SNAKE PEOPLE. I think Karloff turns in a pretty good performance here, which also includes him not being forced to use a wheelchair throughout the production. I think he manages to be quite believable as the mean old man who certainly doesn't have any love for his greedy family. The supporting players are all fairly forgettable as they add nothing to the film although sex pot Julissa, who appeared in three of the four Karloff films, comes off mildly entertaining and apparently is still working today. One thing that does benefit this film is that it actually makes sense. The other three films in the series all have plots that make no sense and the scenes with Karloff appear to have been shot without too much thought going into them as they really don't mix too well with the "other" footage. That's not the case here as everything flows pretty smoothly together. The death scenes are all silly looking but that's to be expected I guess. Karloff fans might want to check this notorious films out but others should certainly stay clear.

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wdbasinger
1972/01/08

This tale based on two Edgar Allen Poe pieces ("The Fall of the House of Usher", "Dance of Death" (poem) ) is actually quite creepy from beginning to end. It is similar to some of the old black-and-white movies about people that meet in an old decrepit house (for example, "The Cat and the Canary", "The Old Dark House", "Night of Terror" and so on). Boris Karloff plays a demented inventor of life-size dolls that terrorize the guests. He dies early in the film (or does he ? ) and the residents of the house are subjected to a number of terrifying experiences. I won't go into too much detail here, but it is definitely a must-see for fans of old dark house mysteries.Watch it with plenty of popcorn and soda in a darkened room.Dan Basinger 8/10

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