Very well executed

Strong and Moving!

People are voting emotionally.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

THE HOUSE OF HIM is a very low budget Scottish slasher movie that takes place in a single house and has just two main actors. The plot is about about a killer in a cheap mask whose threatening demeanour is ruined every time he opens his mouth to speak in a soft Scots burr. His victim is a woman who decides to fight back, and there's a supernatural twist in the tale to boot. The film has lots of interaction between killer and victim, some of it violent, but it also feels endlessly padded and very little happens.

The House of Him is a well thought out, claustrophobic, suspenseful & at times downright creepy piece of filmmaking. The 2 leads provide excellent foils for each other, with the supporting cast adding to the confusion and creepiness of the situation. The bold, tea-drinking villain, essentially holding the fantastic female lead captive by his very presence in the room, lends real weight to the plight of women trapped in abusive relationships. Seeing a way out, but too afraid to move/leave, in case they get caught in the act... I'd highly recommend going to Vimeo and renting, or buying this film, if you're a fan of suspenseful thrillers. You can thank me later.

... rather than relying on overly-graphic visuals.This horror mystery opens up with a killing ... and ends with the audience being allowed to look into the mind of a misogynistic killer as an intended victim (and past victims) play with that mind. How refreshing to actually draw the audience in to help bring about fair-play and consequences for the actions of a killer. In today's society, that has grown so dependent on "instant gratification" and not used to "exercising" one's own mind in solving a mystery, I can see where most viewers would think this film was "cheap" and without any virtuous qualities. More is the pity, as this film is definitely worth viewing numerous times to pick up any and all nuances and teasing clues.

Masked killer traps a victim in his home and plays with her. Suddenly ... a knock at the door.This is real low budget, and I did struggle with it up to the half hour stage. Once they took tea, the story settled into a rhythm and the early head-scratchiness of the set-up went away.Acting was good, but I thought the lead actress was given a few unnecessary reaction lines and overall her predicament was so mysterious it must have been hard to play.Music very good, and some creepy disembodied voices. Photography and editing mixed, although it was impressive toward the end, with some nice weird-out scenes. The scene with the biochem suit reminded me of Under the Skin - dunnoes why I felt that, maybe the overall feel from the music.In the end just too conservative for me - I prefer to remain unsettled by a horror, and messages and metaphors feel false. And once again a British horror that's coy about sex, and light on the justifiable gore.But this one did use the supernatural element just right - unlike, say, The Babadook - so it's well worth watching.