One of the worst movies I've ever seen

Memorable, crazy movie

It is a performances centric movie

This film is so real. It treats its characters with so much care and sensitivity.

Directed by Gary Graver, whose IMDb page is veritably packed with films like Sorceress, Sorceress II: The Temptress, Mortuary and Femalien II, this film concerns a babysitter, who is stuck watching a kid on Halloween while her boyfriend is in a play. Christopher, the babysittee, is a total asshole. I mean that — in a world of annoying horror movie children, he may be the most horrible ever. He keeps acting like he's cut himself or killed himself and she keeps finding him, cries and then he yells "trick or treat" and runs away.Meanwhile, the kid's dad, Malcolm (Peter Jason from They Live, In the Mouths of Madness and Prince of Darkness) was put into a mental asylum by the mother (Carrie Snodgrass, who allowed the production to use her home) years ago. He's broken out and is coming home to kill her. Except she's out with her new husband, Richard (David Carradine!) and only checking in via phone calls.Speaking of phone calls, Malcolm keeps calling home with threats.Oh yeah. Steve Railsback is the boyfriend. Paul Bartel shows up as a bum and literally chews up the entire scene that he is in. There's a movie within a movie that the babysitter's friend is editing. And Orson Welles is credited as the magic consultant.There is not a single likable person in this film. I wanted the kid to die literally from the minute he appeared on screen. The killer isn't particularly fearsome. And the tagline "…when Halloween night stopped being fun!" doesn't promise much.But I still find stuff to love in it, like the interstitial answering of the trick or treat door, hoping that something big is going to happen. And the movie within a movie's speech about transcendental meditation made me laugh.Read more at https://bandsaboutmovies.com/2017/10/12/trick-or-treats-1982/

Seriously????? I had to look at the IMDb category to make sure this wasn't a comedy. It's billed as horror. I knew from the opening scenes this one was gonna be an eye roller.The problem is that it isn't funny in a good way. The movie suffers from bad acting (with no exceptions), too much padding, a bad script and bad lighting. Nuff said.The babysitter is the worst case of a caretaker I've ever seen and the charge she's watching will start running your nerves in short order. She's quite inept for an older babysitter and its hard to feel anything for her but contempt. Would I recommend? Nope.

this film is about linda an aspiring actress who goes to babysit on halloween night to babysit the kid is named chris who keeps pulling dark disturbing pranks on her a killer named malcom who is christophers real father comes over and terror happens the film is basically a clumsy mash up of fright 1971 halloween 1978 with a dash of nightmare 1981 i don't hate it but i don't love it either pros the final girl is likable even if she is dumb the acting is good halloween 1978 was good but it didn't feel like halloween this film has the halloween feel that film didn't have humorous at times cons poor lighting weak killer more comedy than horror low body count too many pranks and false scares i didn't like the end over oll you could at least see it once then buy a good movie but have this for a laugh at how chessy it is

It is unlikely there has ever been a horror film less effective than Trick or Treats. The killer is more annoying than scary, and the final girl is unlikeable. The film has little suspense, gore, or plot. The shots are badly lit, and mainly focus on the final girl's ass. The story takes place in Los Angeles, where a man is taken to an asylum by his wife so she get his money. Seven years later he breaks free to get revenge. However, the wife's away at a party in Las Vegas with her new husband and has left their son with a babysitter. The son is an amateur magician, and he proceeds to play tricks on the babysitter, until eventually the father breaks in and the babysitter thinks the strange calls and noises are the son's doing. The film was directed by Gary Graver, a cinematographer who worked with Orson Welles on many films and was apparently good friends with him. Welles is credited in the film as "Magic Consultant".