Why so much hype?

Sadly Over-hyped

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

One of the worst ways to make a cult movie is to set out to make a cult movie.

Reed Diamond plays a man suffering from amnesia who's been in a mental asylum for over a decade after he was found wondering the back roads with blood on his hands. The doctors want to test out an experimental new drug that'll return his lost memories if it works. But when the drugs give him hallucinations of a demon, he chooses to escape instead. While outside he befriends a young boy whose stepfather (Greg Grunberg) mistreats his mother, won't let her near the darkroom in his basement & acts suspicious in general.While the general 'mystery' of the film is a tad easy to identify way before it's revealed, I found Mr. Diamond's acting to be enthralling enough to keep my attention throughout. (In the interest of full disclosure, I've been a huge fan of his since Homicide and his brief, but extremely pivotal, role in The Shield up through Journeyman & Dollhouse) Not a great film nor a good one, but serviceable enough. Although I did like it better than the previous films that I've seen from Director/writer Michael Hurst (Room 6, Pumkinhead 4, Mansquito)Eye Candy: one fleeting pair of boobs in a hallucinationMy Grade: C-

The Darkroom starts in a hospital where an amnesia suffer (Reed Diamond) has spent the last 15 years, he was found wandering on a forest road covered in mud & blood & nobody has any idea who he is least of all himself. However a Dr. Allen (Ellie Cornall) who works for a private company has developed a new drug designed to help people remember & it's currently going through clinical trials & this guy has been chosen as a human Guinea pig, Dr. Allen administers the drug & the man has violent convulsions. When he recovers he claims not to remember anything & is taken back to his room, however on the way another patient attacks some members of staff & in the confusion he manages to escape the hospital. Once outside in L.A. he befriends a young boy named Stanley (Shawn Pyform), the more time he spends around Stanley the more he remembers as if Stanley was once part of his life all those years ago...Co-written & directed by Michael Hurst I actually thought The Darkroom was a pretty decent time waster, sure it ain't going to make anyone's top ten best films anytime soon but it's perfectly watchable in it's own right. The script by Hurst & producer Mark A. Altman which takes itself extremely seriously is basically one long build up to it's twist ending & not much more, I have to say I thought the ending was pretty good as it wasn't too over-the-top or silly & is pretty cool. I personally didn't see it coming until late in the film & I don't think it's twist which is too predictable either. I'm sure if you sit down & pick the film apart then you could probably find all sorts of plot holes but as an immediate out the blue twist I thought it worked very well. However, the film is maybe a touch on the slow side & the impatient among you may not last the ride, several things aren't exactly explained clearly & it tries too hard at the end to tie everything up together & give itself a feel good happy ending. I thought the character's were good as was the dialogue without being outstanding, I thought it was something just that bit different & overall I was pleasantly surprised at how much I liked The Darkroom, I also thought the mystery elements were pretty engaging & they at least kept me watching.Director Hurst does alright, the film doesn't have much style but it's well made at least. I'm not really sure who the target audience for The Darkroom is as it's not really a horror film, I would struggle to call it a thriller as well so I'm not sure. This is a hard one to categorise as it has elements of both. This contains quite a few gory blood spurting slit throats which are quite graphic although they occur mostly during dream sequences & there's also a mud monster thing as well that turns up every so often. The special effects are fine with the slit throats looking particularly good & I'm pleased to report I didn't notice any awful CGI computer effects.Technically the film is good & a hell of a lot better made than many recent straight-to-video low budget horror themed junk out there, it's well made throughout with decent production values & it actually looks like a proper film. The acting is OK, Xena: Warrior Princess (1995 - 2001) star Lucy Lawless is the only recognisable cast member as far as I was concerned.The Darkroom is a good attempt at a psychological horror film with a twist & in that regard it's a watchable effort, it's nothing that will change your life but you could do a lot worse that's for sure.

This was such a waste of time. Danger: If you watch it you will be tempted to tear your DVD out of the wall and heave it thru the window.An amateur production: terrible, repetitive, vacuous dialog; paper-thin plot line; wooden performances; Lucy Lawless was pathetically hackneyed.Seriously flawed story, completely unbelievable characters. The two worst concepts in film and t.v. are: (1) the evil twin, (2) amnesia. There are no twins.The plot "twist"? Outrageously simplistic and obvious - like watching a train coming down the track in the middle of the day on the prairies. It doesn't even resolve properly. The evil is not punished for the original crime.Please, please, please - don't watch this even if its free and your only other choice is to go to a synagogue.

Dark Room features an excellent cast, that hit all the right notes. Reed Diamond, Shawn Pyfrom, Lucy Lawless and Greg Grunberg of Heroes fame should be commended on a job well done. I did have one major issue with this film, however they made up for it in the end, with a very satisfying, and surprisingly happy ending. I definitely agree with the previous reviewer, that this is not really a horror movie. I was expecting something along the lines of Hostel, or other recent examples in the extreme horror revival, looking at the cover, but you certainly do not get that here. Other then some bloody trippy flashback moments, this is really more a mystery/thriller/drama about a man trying to recover his identity. The issue I speak of is what I was gearing up to slam this movie for, and thats the cop out ending. I won't reveal it here, but it's a classic example of recent genre features overdoing the twist, at expense of the majority of the film, leading up to it. It worked in the past with efforts like Sixth Sense, but it's becoming quite tiresome now. However Dark Room doesn't end on that note, and goes on to deliver a satisfying ending, that came full circle, and overall left me satisfied. I love extreme horror, but I'll judge this for what it truly is, a slightly above average mystery/thriller, with an A list cast, of extraordinary actors'.