![](https://image.chilimovie.com/public/en/300px/20210130/pCI0yWynKoQGh68jSCJ1iykjWfs.jpg)
A blind young suicide-hotline operator descends into a night of unrelenting terror when an obsessive caller turns out to be a serial killer.
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Thanks for the memories!
Plenty to Like, Plenty to Dislike
Absolutely brilliant
The film makes a home in your brain and the only cure is to see it again.
So, this was just a bad film all around. Literally the only redeeming thing about this movie, the lead, she was at least a decent actress. That said, there are a few points I would like to bring up to the film's director that may help in future endeavors: 1) When crafting a film that features a killer played by one of the potentially most scary people in the business, it helps to create an air of mystery around his character. This adds menace and anticipation to the role and makes for a much more suspenseful film. The problems became apparent in the opening scene. The first mistake, showing the antagonist's face in the opening scene, by doing this, you immediately erase any possible buildup of menace. If this character has been murdering women for who knows how long, rather than showing his face, perhaps, while the phone call is progressing, show missing persons flyers of his victims while obscuring his face.2) Showing his face in the opening, then inexplicably going into first person from his view made no sense. If you're going to have a fully visible and known killer, stick to third person, low angles, all of the high angles of the killer and first person killed the purpose of the film.3) In the office confrontation scene, why was the main character crawling on hands and knees through glass WHILE calling out the killer's name? If she wanted to confront him, she could have easily just stood up rather than unnecessarily ran her hands over broken glass...4) Finally, continuity is the key to good film making. Once the power is out and the characters use the stairs to go fix the power box, the elevator working made no sense. I understand that it was the central point of that scene, but even mentioning that it was on backup would have alleviated any issues I had.
DEVIL MAY CALL is another entry in the long-running sub-genre of "blind women in peril" movies. Highlights of this sub-genre include the likes of WAIT UNTIL DARK, BLIND TERROR, and many others, but this insipid piece is even worse than the recent cheese of PENTHOUSE NORTH. The grey, washed-out cinematography is the perfect accompaniment to the blandest of story lines. A hotline operator finds herself stalked by one of her clients, a deeply disturbed guy with murder in mind. He turns up at her place of work one night, and murders ensue...Where to start with this film? Everything's wrong about it, from the forgettable acting to the one-dimensional characters (including much of the 'cannon fodder' supporting cast), poor script, silly kill scenes, and an almost entire lack of menace throughout. Corri English is acceptable in the central role - playing a blind character is never easy - but everyone else is poor. This includes B-movie starlet Traci Lords and Tyler Mane (X-MEN), the latter playing the rather uninteresting killer. Despite the short running time, this goes on and on for what seems like an age, until an ending which cuts things off abruptly just when it was getting interesting.
The nice thing about Devil May Call is that its a compact story that packs a lot of punch. I was on the edge of my seat, and the nice thing about it was that I could watch it with just about anyone... without feeling the need to cover their or my eyes (or ears).Corri English is fantastic and so is queen Traci Lords! She definitely stole the show.Though I would have liked to see her in the film more. I think the casting was done well, because not one star takes over the story. I was able to believe all of the actors in their characters. The story flowed really well, I didn't have much to catch up with and I didn't get left behind by the story going too quickly. I like that the gore wasn't excessive and I was never grossed out. A great thriller nonetheless!
If you're looking for a movie to make you jump out of your seat this is it. The setting in a dilapidated building at night really adds to the creepy factor. Corri English is really convincing in her portrayal of a blind woman and her confidence while roaming around alone makes for a terrifying movie. I wanted to yell at her to be careful - a lot. Van Hansis is great as Jess. He's the typical sensitive insightful guy in a helping profession who you'd want on your side against a killer. There is one scene when he talks about being a bully and, in my opinion, it was the best "non-scary" scene in the film. Tyler Mane is his usual scary self and the stunt work in the scene with him and Van is pretty great. Check this one out if you want to be creeped out.
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