Good start, but then it gets ruined

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Blistering performances.

Finally someone has the cajones to put werewolves in a castle and initiate murder mystery slasher mode. My god, how did it take till 1989 to kick this into gear? And what fun we have here!At least in terms of a C-movie eclectic character cast and some cool castle cinematography. This is a murder mystery where you don't really care about the reveal, and you know it's a werewolf anyway so the why isn't important. It's also a slasher where there's not much bloodletting or fun. It lies somewhere flatly in-between these two genres that share so much in common and yet can't meet a happy middle ground.

The howling 5 1989Well this is like the Halloween 3 of this series , as there are only two/there brief moments of seeing werewolf in this movieThe opening scene was intruding , a couple who kill them self for some reason but you can here av baby crying in the back ground in the castle then the movie fast forwards , I forget how many yearsA number of stranger end up into same castle and there are picked of one by one by a werewolf. We don't get to see much of attack , only the aftermath of the death , so this did not much werewolf or even that gore.they later then sooner figure out that one of them is the werewolf. soon people start to kill each other, thinking they are the werewolf and the never actually tell you or show who actually werewolf but they do Seem to imply who it was the whole timeMore of a who done it movie then werewolf movie and the acting in the movie was some of the worst in the series3/10

HOWLING V: THE REBIRTH (1989, 96 minutes) Shot in an actual Hungarian castle, the plot is borrowed from "The Beast Must Die" (1974) wherein a group of people spend the night in a huge European estate while one of the party, a werewolf, systematically butchers the guests. It's basically a whodunit a la Agatha Christie's "And Then There Were None." It's also reminiscent of the underrated "Devil's Nightmare" aka "The Devil Walks at Midnight" (1971), albeit not as good.Still, it comes close, and although the werewolf is barely seen I found this a solid low-budget mystery flick with a werewolf. Besides, Elizabeth Shé (Marylou) has an exceptional scene and there's a superb Gothic score. But gorehounds who want to see loads of bloody werewolf action should pass (there's a little, but not enough to appease modern gorehounds).GRADE: B-

The Howling series doesn't have much of a great reputation, each one being different in style and tone with no real connection to each other. Although the second film does touch upon the original in some sort plot tie. I never been a huge fan of the original and the sequels that I've seen (2, 3 and 4) are simply inferior. So I went into the filth venture (another straight-to-video fare) expecting less, but actually came away mildly enjoying it. In some regards I enjoyed it more than the original… that's not to say it's better than that film. But I was pleasantly surprised by it.A group of strangers selected from around the world are invited by an aristocratic count to the re-opening of a castle in Budapest that hasn't seen light for over 500 years due to its terrible past. Unknowingly to them everyone in the group bears an identical birthmark that links them to the castle's terrible past.The low-budget, but sturdy "The Howling V: The Re-Birth" plays around with the ten little Indians murder mystery formula, but the killer is no ordinary being but actually a werewolf. The revelation might not come as a surprise, as there are certain clues scattered about pointing to the one in question, but it still remains cleverly penned (it elaborately plotted) and unpredictable in what order the guests become fresh meat. The performances are down-to-earth by the likes of Stephanie Faulkner, Mark Sivertsen and William Shockley, as there is an odd assortment of characters where a lot of time can be spent on trivial dialogue exchanges. However it stays gripping, crowned with mystery and danger where the remote Gothic castle setting (modern day Budapest) is dark and dank. The ominously gloomy and taut atmosphere works, as they keep to what its budget allows it and this means making sure the beast mostly stays in the shadows. Lurking or stalking its prey. Director Neal Sundstrom favours suggestively brooding handling. We don't get much of a real look, as there's plenty of rapid moving POV shots, minor flashes and off-screen attacks. What we did see of it didn't look the greatest, but it's acceptable. Moments do strike up some eerie spells and suspenseful build-ups before it deliver the shocks. It's helped by competently sweeping camera-work and a foreboding music score.Entertaining superstitious whodunit b-grade hokum