One of my all time favorites.

Absolutely the worst movie.

Pretty good movie overall. First half was nothing special but it got better as it went along.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

The rustling of wild horses being tamed for use in the fight for freedom is the subject of this way above average modern western. Roy Rogers and the Sons of the Pioneers get a bunch of upbeat numbers as Rogers tries to find who is stealing the horses trained by William "Buzz" Henry and romances Henry's pretty sister, Linda Hates. Don't make the same mistake I did. Upon hearing the name of Henry's character (Bobby Blake), I assumed that the future Baretta was playing the part, being under contract at the same time to MGM. One of the key songs is "In a Little Spanish Town" which was sung comically in different films by Buster Keaton and Virginia O'Brien. George "Gabby" Hayes gets lots of laughs, especially when he pulls off a car steering wheel to presumably let it drive itself. Everything works just fine here, one of the better B westerns I've seen, and that's been quite a few of them.

If you've seen many Roy Rogers films, you probably noticed that many of them involve kids. This was an image Republic Pictures cultivated--and over the years, his films became more and more kids-oriented. For me, this is a problem. His earlier films seemed less schmaltzy and I really didn't like the cute kids and schmaltzy plots (such as one where he stops bad guys from stealing Christmas trees!). However, "Ridin' Down the Canyon" managed to have a very kids-oriented plot but it still worked very well. I think one of the big reason was that the music was much better than usual--with Roy's Sons of the Pioneers at their very best.The plot involves a boy, Bobby, and his sister. Their horses keep getting rustled (a VERY common plot in the Rogers films) and the boy sneaks off to find Roy because he KNOWS Roy can help him. However, in an odd case where art and real life converge, in this one Roy is a movie and radio star and because it's NOT the old west, he's not sure what he and his band can do. Will Roy just give up on the kid or will he somehow find a way to restore the child's faith in the wonderfulness of the Rogers mystique? So, the film has great music, great support from Gabby Hayes and it's fun. So, even with the cutesy kid, it's still among the better films of the genre.

When one of his young fans, Bobby Blake and his sister Alice's horses are stolen, (Buzz Henry and Linda Hayes) Roy and the Son's of the Pioneers become entangled in a horse rustling operation. While on his way to a singing engagement at the area dude ranch, The Lariat Lodge, Roy encounters young Blake and self-proclaimed "rustler catcher" Gabby Whitaker (Gabby Hayes) tussling with horse thieves. Roy becomes suspicious when later that evening he finds local rancher Burt Wooster (James Seay) at the scene of the rustling. Roy then sets out to find if Wooster might be involved and how this ties to the Lariat Lodge and it's owner Gus Jordan and his hostess Barbara Joyce (Addison Richards and Lorna Gray).This one is a treat for any Roy Roger's fan, there's action to keep the story moving along with thoughtfully placed songs including the title track "Ridin' Down the Canyon" and "Blue Prairie" from Roy and the Son's of the Pioneers. Comedic relief is furnished via Pat Brady and Gabby Hayes with a running gag where each is told the other one is deaf. It's as much what this movie doesn't have as what it does have. No lavish costumed musical sets with orchestras and no action stopping slapstick comedy. If you want to know why Gabby Hayes is considered the iconic western sidekick watch this movie. A lot of the credit has to go to the dialog and screenplay by Republic Studios veteran Albert DeMond and Norman Houston. The script seems like it could have been custom written for Gabby who is almost a second lead in this one giving Roy the opportunity to what he does best, just be Roy.After watching "Ridin Down the Canyon" it's hard to figure out why Republic Studios decided to tamper with such a successful format. After this movie and for the next several years Roy's simple, straight-forward westerns ever increasingly became theatrical musicals that bore less and less resemblance to his earlier releases. This movie is a perfect example of if ain't broke don't fix it. Top flight Roy Rogers B-western 9 out of 10 *

I got a kick out of this Roy Rogers film, and mostly for elements not even connected to the story per se. For example, the name of Buzz Henry's character in the picture goes by Bobby Blake, and I thought to myself, wouldn't it have been cool if the REAL Bobby Blake (Robert Blake, that is) was cast as a character with his own name? It would have been possible too, since the young Buzz Henry was eleven years old when he appeared in the picture. At the time, Blake (the real one) would have been nine, so it probably wouldn't have been too much of a stretch to make that happen. Instead, Blake (the real one) made his mark in Westerns as Red Ryder's sidekick in the series of movies that started with "Riders of Death Valley" in 1944; Blake was Ryder's sidekick Little Beaver.Then there's Roy Rogers' title song that's first heard as a recording when Bobby spins a couple of tunes on his record player. I thought that was pretty unique, at least it was the first time I'd seen that done to introduce the lead player. Rogers himself doesn't appear for a few more scenes, so that was a cool way to get his presence into the movie a bit earlier.A good deal of the fun in this one is provided by a running feud between Gabby Hayes and Pat Brady as a member of the Sons of the Pioneers. Each believes the other is deaf based on false information intentionally planted by Roy and Bob Nolan, so they go through the picture shouting at each other in comic fashion. Brady provides some more merriment when he gets to sing lead in a jail house tune later in the story. As for Gabby, he tries hard to build on his reputation as a 'professional rustler catcher', even if one wonders how many rustlers there might have been in that hazy modern Western era where 1880's sensibility collides with such technology as automobiles, radio and electrical appliances. The 1940's was a curious time for Westerns as this stuff pops up all the time in the films of Roy Rogers and Gene Autry, but it usually turns out fairly entertaining as it does here.If you hadn't figured it out by now (unless you've seen the film), the story involves a gang of rustlers operating in a milieu where wild herds are being rounded up on reservations and bred with ranch thoroughbreds as part of a government experiment. The rustlers spring into action whenever a particular song is played during the Lariat Lodge entertainment broadcast. Inadvertently, the Pioneers are drawn into this ruse when they perform "Blue Prairie" during a one night stand at the Lodge. That actually rounds out another interesting point about the movie's principal players - when introduced, the singing group is introduced as Roy Rogers and the Sons of The Pioneers. I hope Bob Nolan didn't feel too bad about that one!