Good movie but grossly overrated

Absolutely Fantastic

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

By the time the dramatic fireworks start popping off, each one feels earned.

Based on the memoirs of her character Ann Dunning Barringer, June Allyson gets to play a woman doctor at a time when there weren't too many. The time of the turn of the last century is captured very well.Her own role model is that of Mildred Dunnock also a physician of the female gender who has had to be most discreet in order to earn a living in the medical profession. Allyson is not about discretion.In fact as Allyson becomes a hero to the nurses in and around 1900 it wasn't that long ago that Florence Nightingale and Clara Barton opened the nursing profession for women. For them Allyson is dreaming the impossible dream.The men in her life include Arthur Kennedy whom she breaks things off with because he a doctor wants his woman home with supper on the table and her supervisor Gary Merrill who also thinks there are men doctors and women nurses and the twain shall not meet. A man who believes in specific gender roles.The Girl In White has a fine ensemble cast who give great support to Allyson who must have been grateful to get away from girl next door roles.

Not sure why, but I didn't have high hopes for this film, even though June Allyson is the star. But, to my pleasant surprise, it was quite good and -- I thought -- gave one a good sense of hospital care in turn of the century New York City. It's the relatively true story of the first female doctor to serve in a NYC hospital.June Allyson really shines in this role...just perfect for it. This is the second film I've seen recently where Arthur Kennedy is NOT playing a fairly cynical character (or downright "bad" guy); and guess what -- he was very good both times...guess he got typecast in negative roles at some point. Character actress Mildred Dunnock is very good as an older female doctor with no hospital experience until later in the film. Gary Merrill also does nicely as the director of the hospital, and Jesse White is entertainingly pleasant as a horse-driven ambulance driver.A great film? No. But very good and rather serious on its topic.

What can I say about June Allyson, that hasn't been said, not much. I have enjoyed here work for many many years, when ever I see her photo I think to myself "high bar-ber-ree," and Van Johnson. This movies tells the story of a Woman's struggle to be a doctor in a male dominated field, but she handles herself very well, and truly makes her point. No, no, no, no blood, not a drop, and you can use the four letter words in this movie, in church, but it is not dry, no, no, no. Have to mention the scenes of the good doctor and the nurses trying to sober up a man who has a little too much of the creature, it is funny. Young Women, from pre-teens up, can get a boost from this movie, and have them feeling like they can make it, which ain't bad. Don't kiss of this movie guys, you may like it as much as I, she is very cute, and the way she works around things is masterful at times.Well worth the price of rental/buy, give it a chance.

The Girl in White might be seen as a feminist drama by some. It concerns a woman at the turn of the century who wants to become a doctor (June Allyson) who faced adversity when the men around her try to squash her dreams. She prevails and wins their respect including that of the man who wants to marry her (Arthur Kennedy). The reason this movie works is that the message isn't pushed upon the audience the way it would be if the film were remade today. It is somewhat inspirational, but mostly it just tells a story.Allyson is great as always and very sweet. A line from the movie describes her well, "You just make people feel good so that they forget themselves, their own troubles. Sometimes that means more than any medicine." The man who speaks the lines, Kennedy, is excellent in this film. He has mastered the art of showing emotions without verbally referencing them first.