Pretty Good

The acting in this movie is really good.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

Bandini is a masterpiece for its cinematography and shrewd plot. While most of us YOLO generation teens would have thought of a rather cheeky climax, Bimal Roy brings us the genuine ending based on 40s' & 50s' India.It talks about the life of a woman which enters bedlam after she meets a freedom fighter. It talks about how she braves all those hard things life puts in front of her. As the second half starts, the plot increases in pace and the story reaches crescendo revealing shocking points. The last fifteen-minute-part is pure classic which also manages a song.Performance given out by Nutan & Ashok Kumar is exceptional. Supporting cast and the characters involved are truly magnetic. They will stay with you years.BOTTOM LINE: A classic not to be missed. 8.1/10.Can be watched with a typical Indian family? YES

Directed and produced by Bimal Roy, the genius who brought out such masterpieces as Do bigha zameen and Devdas, Bandini explores the human conflicts of love and hate intertwined in the mind of Kalyani (Nutan). The movie tells the story of Kalyani, the all suffering, selfless, sacrificing, and strong yet week Indian woman. She must make a choice between two very different men.A female role centric movie, Bandini revolves around Kalyani or Bandini (meaning imprisoned). How could she commit a crime? We learn the circumstances in flashback. Kalyani falls in love with a freedom fighter/anarchist - Bikash (Ashok Kumar) during the British Raj, who latter leaves her in the village promising to come back but never does. The society treats them the best way it could in the situation, the family is the butt of mockery. Broken by her father's misery and that of her own, Kalyani moves to the city, to the singing of the "O jaanewale ho sake to laut ke aana". In the city she works as a caretaker of an almost insane woman, who is also the wife of Bikash. When Kalyani is told her father came to the city looking for her and died in an accident she decides to poison her lover's wife, identifying her as the cause of her miseries. Bimalda captures her emotions with light and darkness falling on her face due to a welder's torch and the thumping of Iron in the background.In the jail Deven (Dharmandra) the jail doctor falls in love with her. Kalyani is not ready for it and starts to stay away from him. They are always shown with a partition in between after Deven proposes her. Another symbolism used in the movie is the occasional shouting of "All is well" by the prison guard when nothing in the movie is. The lines "Main Bandini Hoon Piya ki, Main Sangini Hoon Saajan ki" in the end score of the movie tells us that Kalyani is imprisoned by her love. "Mere saajan hain us paar" is sung by the musician S D Burman himself. The climactic song, it beautifully expresses Kalyani's dilemma of having to choose between Bikash & Deven. Though the movie features excellent songs they all depict the situation like nothing else could. This should not be looked upon as the traditional dance and sing Indian style of cinema. Without wanting to add more spoilers in my comments I will give some little details.The character of Kalyani gets lifted from that of a woman who is a prisoner of destiny to one who defines her own freedomNutan is considered the finest actor in Indian Cinema. Nutan is strongly supported by Ashok Kumar, whose flawless performance matches Nutan scene for scene and Dharmendra, just beginning to make an impact in the film industry. Bimal Roy is another one of the best. He won eight filmfare awards in his career the last one for Bandini and the first one for "Do Bigha Zameen" (which incedently was the first filmfair award). S D Burman is another one of the best. The songs are sung by Mukesh, Lata Mangeshkar, Asha bhosle, Manna Dey and S D Burman again all of them are either the best or one of the best singers. Bandini is brilliantly photographed by Kamal Bose with its rich tonal quality and evocative framing.

If you are a woman in India, it is a punishment. Your own life as such does not exist. You are bound by society and customs even after your death. But Bimalda focuses on that small bright light at the end of the this dark tunnel. He tests the extents of the words ‘redemption' and ‘freedom'. Because if they are truly what they mean, then they have no limit. The choice should be completely of the individual.

A perfect commercial film made in the 'art film' genre. One of Bimal Roy's best films. Cinematography by Kamal Bose is superb. And performance by Nutan in the role of Kalyani is one of the best ever performances by any heroine on the Indian screen. Musical score by S. D. Burman is unforgettable and shall always remain so. Two songs by Asha Bhosle viz., "Ab ke baras bhej, Bhaiya ko Babul" and "O' panchhi pyare, sanjh sakale" are among her best. Again both the songs sung by Lata Mangeshkar, viz., 'Mera gora ang laile, mohe shaam rang daide' and 'Jogi jab se too aya mere dware" are again superb. And a song each by Mukesh (O' jaane wale ho sake to laut ke aana), and Burman dada himself (O' re maanjhi) are again among their best ever. Manna Dey's (Mat ro Maata), a patriotic song, is also a soul stirring number.In short, a classic of Indian Cinema.