Such a frustrating disappointment

Good movie but grossly overrated

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

Overall I think the film justifies the mixed reaction it has had here. I agree with one of the posters that if you are going to set a film in Paris and SELL it on the basis that it IS set in Paris then the least you can do is to CONVINCE us that we ARE in Paris; I think the poster in question was perfectly correct to state that we might be anywhere given that roughly 90 per cent of the action occurs in the dismal, grey eponymous boarding house. That same poster speculated on what an attractive and wealthy young American would see in Shaun Dingwall's Grunewald, I would go even farther and ask what ANY woman would see in such a colorless character let alone Julie Delpy who, against all the Laws of Reason, falls madly in love with him. Life at the Villa is hardly a million laffs so that my allusion to The Lower Depths is not that far out. On the positive side the acting is uniformly excellent but the overriding impression is of Julie Delpy's fragile Dresden Sheperdess presiding over a gallery of grotesques. Maybe you should see it once for the experience.

I think Frank Van Passel and Christophe Dirickx have succeeded beautifuly in capturing the essence of Elschot's classic novel. Sure, the other characters may have been minimised in the plot, but by doing so, the bulk of the story is allowed to breathe. You can only get so much of a large novel into 2hrs of screentime.As for continually asking the question "why?", I have a question: Why is this a problem? I found it very stimulating to question throughout this film- I don't like to be spoon-fed answers. It kept me thinking. Not a bad thing.By the end of the film, I was very glad of the ambiguity. I think it captured the ambiguity of love, lust and ambition. It didn't try to tie everything up in a ribbon- a bit like life itself really.Beautifully written, directed and performed.

In the world of Belgian cinema, Frank Van Passel has been more than just a name for quite some years now. Both 'Manneke Pis' and 'Terug naar Oosterdonk' made an unforgettable impression and made him perhaps the most important Belgian director to walk the face of the earth. Recently, though, things grew a bit quiet around Frank Van Passel, but let there be no mistake about it: he is back. And how! A firm script by Christophe Dirickx, years of hard work by Frank Van Passel and a for a Belgian movie most extraodrinary cast (Julie Delpy, Shaun Dingwell, Hariet Walter, Jan Decleir, Dora Van der Groen and Frank Vercruysse), all these ingredients make 'Villa Des Roses' an incredible and unforgettable cinematographic experience. Though I was fairly sceptic about the mix of ingredients, the result is more than convincing. Each character receives a well-balanced attention. 'Villa Des Roses' is a must-see and I hope that audiences abroad as well as distributors worldwide will acknowledge, through this sutble masterpiece, that Belgium is more than capable of producing great cinema.

Frank Van Passel proves again he is one of Belgiums leading directors. Once again, the crew he uses is very talented, he has some big international stars in the film (some), and the film is an adaptation of Willem Elschot classic novel. You can understand, we have been waiting for it. But Frank van Passel fails in this adaptation (or is it screenwriter Christophe Dirickx, who hasn't been very impressionating any more for some years).The novel is a tipical multi plot story about the guests of an old pension in Paris. Christophe Dirickx and Frank Van Passel choosed to pick out one story line, and to minimize or forget the others. They tri to tell a little and painfull love story about a young servant and a german guest in an old paris hotel in 1913. Sure the story is painfull, but not always as it was ment to be. They meet, the seem to fall in love, 3 minutes later Grunewald (the german guest) seems to have lost his interest in the girl, they have some emotional conflict (Grunewald still loves her?) and the world war one begins and ends the story.During this film you keep on asking the question why. Why do they fall in love in the first place? Why does she has to give up her father and son for grunewald? Why does grunewald believes they can't live together when they love eachother so much? You don't get any answer, and as a result of this, you lose interest in the story.Maybe, Villa des Roses just doesn't work as a movie, maybe some novels can't be translated to the screen. But I lost the trust I had in Christophe Dirickx since Manneke Pis, Frank Van Passels debut. There are just to many holes in this script. To many personages disapear before they are properly introduced, like the abandond girlfriend of one of the guest, who we see for the first time the moment she has to leave the pension. Or the "nurse" who "helpes" the couple with an abortion, and then seems to live in the pension?Not a bad film after all, thanks to the talent of Frank Van Passel and dop Jan van Caille. But after Manneke Pis and Terug naar Oosterdonk, never the less a disapointment. 7 out of 10