Redundant and unnecessary.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

The film never slows down or bores, plunging from one harrowing sequence to the next.

This film is a delight from start to finish. The lead is one of France's greatest actors who has made many films and who is as delightful as ever. In fact, the entire cast is just wonderful. The story is classic farce in the Noel Coward tradition with sharp and funny dialogue and delightful characters. Even the bad guys in this film are likable. Astonishingly, there is not even a moment of sex which for a French film is really something. But you never miss it, the story is going so fast and the twists and turns never stop. Everything about the film is first rate. There is not a sour note in the entire story. The script is an absolute gem and the actors take advantage of every nuance.

Even though it is about an old gay guy which even gay guys think that it is not attractive, but this movie is very fun and entertaining to watch. The music is well composed, fits with the scenes very well.I like the "wife" because she is a good actor. She is just so dramatic. I especially like that scene when she had to change from smiling face to instant sad face, very authentic.I also like that moment when the young guy was playing the piano, he winked at the guest. And you can hear that special "ding" sound correlated with his winking, quite fresh to watch.This movie reminds me of the Birdcage, I wonder if Hollywood will ever make a movie from this one.

'Le Hasard Fait Bien Les Choses' (AS LUCK WOULD HAVE IT) is a thoroughly surprising film. The marketing ploy makes this very well written (Julie Gilbert and Philippe Le Dem) and well directed (Lorenzo Gabriele) seem to be something it is not - a flashy fleshy gay flick from France. But what the viewer discovers soon after the film begins is a very tender story about the conflicts older gay men face in attempting to manage professional lives with personal lives.Jean-Pierre Muller (the gifted Jean-Claude Brialy) is a highly respected professor in his late 50s who is about to be honored for his achievements in teaching by the University. He is a proper gentleman and kind human being who hides his personal life: he is gay and has a quasi live-in lover Armando (Antonio Interlandi) in a very successful though closeted relationship for appearance's sake (even his longtime housekeeper Ana - Elena Noverraz - apparently doesn't know)! All is smooth until a handsome young lad Antoine (Julien Bravo) is put before the court system as a minor who has lost his parents and needs an assigned guardian. In a strange law the judge (Anne Kreis) selects a random name (Jean-Pierre, of course) to be the guardian. Though Jean-Pierre is reluctant to accept guardianship for the somewhat feisty lad (who is encouraged by his girlfriend Samantha - Lorriane Cherpillod - to try to get some cash from the court order), he discovers that he cannot appeal the decision for three months time. Desperate to continue his progress towards his desired honorary degree AND to keep his sexuality secret form the courts fearing they may hamper his chances, Jean-Pierre calls his 'arranged wife' Alice (Sabine Haudepin), whom he married to aid Alice's immigration status years ago, to be his 'front'. Alice, just dumped by her lover Grégoire (Juan-Antonio Crespillo) agrees, moves in much to Armando's chagrin, and the facade is in place. What occurs in this 'arrangement' is the resolution of each of the individual components in a manner that shows us that dignity, love, self-respect, and honesty are infectious and benefit all of us.The cast is uniformly excellent without a weak link. Jean-Claude Brialy is superb as the self-conscious but loving centerpiece, and the air of comedy and sensitivity conveyed by Sabine Haudepin, Antonio Interlandi, Elena Noverraz, newcomer and very promising Julien Bravo, and Anne Kreis are pitch perfect without ever stooping to stereotypes. This is a film for both gay and straight audiences who appreciate the manifestations of love, healthy relationships, caring, social problems, and understanding would enjoy. In French with English subtitles and unfortunately no extras on the DVD. Recommended. Grady Harp

I enjoyed As Luck Would Have It (Le Hasard Fait Bien Les Choses) so much, I watched it two days in a row. It's that lovely a film, and hard to believe that it was made for TV, though from a few other French TV movies I've seen, I shouldn't be surprised.Jean-Claude Brialy (a French actor with a superb resume dating back to the 50s) portrays Jean-Pierre, a university professor of a generation for whom being gay had to remain a deep dark secret. Brialy would seem to have everything, a satisfying and prestigious job, a luxurious apartment, a caring housekeeper, and a very handsome and much younger Cuban boyfriend Armando, played by dancer Antonio Interlandi. But rather than be proud of this relationship, he hides it from the world, to the consternation of Armando.Fate (Le Hasard) intervenes when Jean-Pierre is obligated by law to take charge of Antoine, a musically talented 17 year old orphan, played by Julien Bravo. In order to squirm out of this obligation, Jean-Pierre asks his long absent wife (yes, he married 10 years ago to satisfy his mother and to give Alice (Sabine Haudepin) Swiss citizenship) to help convince the judge that his is not a proper home for Antoine.At times this film reminded me of The Birdcage (because as in that film, Jean-Pierre must hide his gay relationship from a world he fears will not understand it). The resemblance is only superficial, though, as As Luck Would Have It never allows its characters to become stereotypes.I did wonder for a minute if an overweight 60ish closeted professor could possibly have such a handsome and well-built 30something boyfriend in the real world, however casting that doubt aside (Brialy has been a movie star leading man for well over 40 years, after all), the film won me over with its warmth and humor.Besides Brialy, who is excellent as one would imagine, there is also Interlandi, who creates a truly believable gay character, never overplaying Armando's gayness (I'd be surprised if the actor turned out to be straight, he's that spot on perfect). Haudepin, who apparently began her career as a child actress, is a wonderful comedienne; Elena Noverraz has lovely moments as Jean-Pierre's Portuguese maid, who suspects a lot more than J-P could imagine; and young Julien Bravo, in his first film, shows both talent and movie star looks (the camera loves him) as the initially rebellious Antoine.There are many comic moments in this movie, but ultimately it was the heart-warming ones that truly got to me. Get your handkerchiefs ready for the last 20 minutes of the film! This is a great film for gay and straight audiences alike, with a wonderful message of love and acceptance, and a film that gives hope that yes, things are actually changing for the better, at least in certain parts of the world.