I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

Simple and well acted, it has tension enough to knot the stomach.

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Boat is a short film from David Lynch. I have to first say that I am a huge fan of Lynch's feature film work where I have found he has often displayed a touch of genius. However, I cannot unfortunately say the same thing with regard to his post Mulholland Drive (2001) output which mainly has consisted of short films. Boat is quite honestly a fairly typical example where there is nothing more than a specific tone and little beyond that. The content of this one has Lynch himself at the controls of a small boat while a female voice-over relates her connection with it. It really isn't very interesting at all with little to recommend it in any way. It also suffers visually from the digital video on which it was shot on. Lynch became entranced with this format as it allowed him to make films more easily himself with no need for much money or extra personnel. Which is all well and good, the unfortunate thing about this though is that the films are almost all universally uninteresting and lacking; and Boat is sadly another example.

More David Lynch video art! Yeah?There is no denying that some of Lynch's later short film projects are among his most divisive work yet, and it isn't very hard to see why this is. "Boat" is among many an avant garde short film in the Lynch cannon and it can be interpreted as either meaningful and beautifully enigmatic art or as pretentious drivel; personally, I rather enjoyed "Boat". I find this brief, self described "journey into the night" to be a haunting and poetic work with some very fascinating visuals in the mix. As the film rows onward (see what I did there?!), Lynch's boat moves faster and faster, splashing and speeding into darkness, and the visuals that ensue pertain a beautiful magic. Water sprints and dances in front of the camera so swiftly it no longer looks like water but rather like...I don't even know what...it's surreal, as expected from Lynch.

I hate David Lynch too. He killed John F. Kennedy. He was the man on the grassy knoll. He references in all of his films. Why do you think his first long magnum puissant crappie delicti was Eraserhead. He rubs people out.My best friend is David Foster Wallace. We're going to get him. David Foster Wallace is the best lover in the whole world (barring Casanova, but he's in his 300s these days.) Grindhouse is the best movie ever made. Tarantino is getting back at Lynch for banging him in the butt. Don't go on the boat. It's the Titanic. It's a death trap. Cou-RAGE, handsome sailor. (Big Wet Sloppy German Kiss). I love you all.P.S. You can't say the "F" word on this site. They love free speech.

I watched BOAT in the small theatre at the Fondation Cartier pour l'art contemporain, the gallery in Paris which is currently hosting Lynch's art retrospective, "The Air is on Fire." The film is also available on DYNAMIC #1: The short is narrated by a confused- sounding young woman, who pronounces statements along the lines of "I was so tired" and "There was a man there," while narrating what's happening on-screen. Although very short, this film contains a great deal of wit and visual beauty. Shots of the boat's wake and the lake itself interact well with the young woman's dreamy voice-over. I found BOAT to be a singularly transcendent short, even sort of sexy in a way. "I think I slept," the woman says. "I wanted to tell you I dreamt of you."