Fresh and Exciting

In truth, there is barely enough story here to make a film.

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

What's with the bullfighting footage, Umberto? Even when not making cannibal films, he throws in some real animal violence. What did he have against animals? This giallo has a few different twists on the formula, and although it's okay, it doesn't quite have enough insanity in it either. It involves Ida Galli returning to the family home to meet her family, including a mute Carroll Baker (nice turn from her in this film). Everyone's happy to see her, but this also seems to trigger a series of killings which may or may not have something to do with a local Satanic cult.Knife of Ice looks great and sounds great, but it's also kind of tame and treading the same ground at the same time. It's almost as if Umberto is kind of stuck in the late sixties way of making gialli.

Apart from good photography in nice locations this is rather dull. It has the usual giallo touches but halfway through it was easy to work who was the killer. Having the leading player not able to speak because of a childhood trauma does get wearing after a while though that's no fault of Carroll Baker, looking gorgeous as usual. The murders are tame and the music score by Marcello Giombini is forgettable.Near the climax there is a bit where a Donald Duck toy is kicked down some stairs. It is a toy that moves on its own and it tumbles down the stairs, lands upright and carries on moving and I thought, I wonder how many takes that took to get it right? So basically the film wasn't engaging one in the right way even so near the denouement. Umberto Lenzi directed all kinds of films, some good, some bad, some indifferent, some striking. This one's passable.

Knife of Ice is quite a strange movie in some respects. Released in 1972 at the tail end of the giallo craze, it could be expected that this would be an entry in the sub-genre that emphasised the sex and violence like most other entries from that year. When you also consider that its director is Umberto Lenzi who was responsible for several highly exploitative movies and who is to subtlety what Mr T is to Shakespearean acting, you would be forgiven for thinking Knife of Ice would be a classic style bloody and sleazy murder mystery. Well, as anyone who has seen this film can confirm that simply is not the case. This is a giallo in the late 60's style. All of the murders are committed off screen and there is no nudity whatsoever. The only bit of outrage is the opening credit sequence which shows a fairly graphic bull fight, so Umberto did at least incorporate one of his more notorious traits – animal slaughter - into this one at least.The film seems to be a reworking of the 1946 chiller The Spiral Staircase. It has a fairly similar basic plot-line. The central character is a mute woman who lives in a large affluent family home. There is a serial killer on the loose and a cast of red herrings to complicate matters. Caroll Baker (So Sweet, So Perverse) stars as the mute, while Evelyn Stewart (The Case of the Scorpion's Tail) appears too in a role that sadly has little screen-time. It's certainly a professional enough effort with some suspenseful moments but on the whole it is a little too restrained for its own good and it pales in comparison with other gialli released around the same time.

This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.