Redundant and unnecessary.

People are voting emotionally.

Best movie of this year hands down!

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Death Has A Soul ! by Samuel E. Warren Jr.Death ! The Big D ! This TV movie gives "Death" a body and a face. American Actor Monte Markham is the global immortal entity of "Death", who is "Joe Average Citizen" off the streets of America with a need to satisfy his curiosity."Why do people 'Fear Death ? ! ' " When "Death" stands, in front of you, in your face and stares into your eyes, then, you always realize that someday -- Death -- He or She -- will look into Your Eyes for the Final Time.Critics always "Trash" this movie because they wanted,yet, another lame "Love Story." Critics miss "The Point Of This Movie : Life Through Death's Eyes." I give this movie a rating of 10 stars because it is a memorable TV Movie of my youth. I have never forgot this movie. When I think of "Death", I always see Monte Markham as a stylish, young James Bond, who grins his wry smile.I remember this movie, when "Death" comes to a family member or loved one.The script might of originally intended to be a re-write of or a re-make of the 1934 movie, but, "Death Takes A Holiday -- 1971" is an infant born to grow up in the world with a different life.This movie demands you remember "The Time Period" to appreciate and understand it.In 1971, Americans were up to their necks in the bleeding corpses of "The Vietnam War." The American Civil Rights Movement of the late 1950s lingered like a hangover, which lacked the political and financial courage to become a full blown domestic "Race War." In 1971, American Women were tired of life in the shadows. American Women were intent on their refusal to quit being treated as creatures only one brain cell smarter than livestock.In 1971, Americans were fed up with "The Cold War", "The Iron Curtain," "The Berlin Wall", "Civil Defense Paranoia", bomb shelters and Geiger counter nightmares. The never ending Communism Versus Democracy Political Olympics ate away at your nerves.In 1971,The American Bicentennial Celebration on the horizon had thrust open Pandora's Box. The Gates Of Hell flew open and all of America's social ills raged like the Mississippi River on fire across America."Zombie" movies took off like wildfire in America in the 1960s. Alas, What Is A Zombie ? The Walking Dead.The United States Of America in the 1960s was "Earth's Cemetery where humans lived as corpses who feared they would stumble and fall into their own open grave and be unable to rise and crawl back out." "The Vietnam War" became "Hell On Earth" for "All" Americans. We were reminded "Life Is Uncertain." You can perish in a heartbeat day or night. Americans are mortal. Americans can "Die" in countless numbers on a daily basis, for no logical reason, other than a perverted old politician's ego.In 1971, God, Yahweh, Jehovah and Allah were all drunks passed out on bar stools. Religion In America ended up in the toilet.The Reverend Billy Graham, Garner Ted Armstrong and others "Preached" their hearts out. Yet, the flag draped steel caskets from Vietnam were the last remains of real people killed by the real War.Every confidence artist in America donned the title "Reverend" and hung out a shingle to open their own compound as a religious cult.Crime in America in the 1970s went "Off The Charts." President Lyndon Baines Johnson had a reputation as a "Thug." President Richard M. Nixon had a reputation "As Crooked As A Dog's Hind Leg." Even a presidential pardon, does not restore a politician's reputation.The Boston Strangler and The Zodiac Killer shared newspaper headlines and created nightmares in America in the 1960s and 1970s.The word, "Mafia" was whispered or carefully and cautiously spoken across America in the 1970s because these criminals were suspected of being everywhere from government to your next door neighbor.I came into my teenage years in the early 1970s. I had the annoying lustful, sinful hormones of a teenage boy. My real "Fear" was that the next birthday would make me old enough for "The Draft" and certain "Death" in "The Vietnam War" before I ever had a chance to be intimate with a woman.In the 1970s in America, the reality of Hamburger Hill replaced The Holy Land.Death In America In The 1970s had a name : "The Vietnam War." No one knows what "Death" really is.Every Religion on the planet attempts to filter Death.Movie studios in Hollywood kept "Censors" on the payroll until around the 1980s. The "Censors" were legendary for their editing of movie, TV scripts and films.It is no surprise "Death Takes A Holiday" in 1971 was vague on Death's dialogue. Movie studios wanted profits not controversy. America's "Religious Right" never hesitated to wield power in the 1960s and 1970s.The actors and actresses in this movie earned their paychecks. It is no stretch of the imagination to suspect that Hollywood immortalized "America's Gods And Goddesses"-- the powerful, youthful, wealthy and political Kennedy Family.Monte Markham gives "Life" to "Death" -- a body and a face. Mr. Markham eases his emotions into the role and "Death Has Feelings." Mr. Markham's portrayal of "Death" gives the universal, mystical entity a "Sense Of Style." If you watch, "Death Takes A Holiday -- 1971", as a Love Story, you "Cheat Yourself."Teach a maggot to write and before it becomes a housefly, it will give you a Love Story.Death Is A Reality. "Death Takes A Holiday -- 1971" gives "Death" a "Life" to satisfy "Curiosity" and stand in the shoes of a human.I applaud Monte Markham's performance as "Death." Monte Markham gave "Death's Curiosity" the answer : Death Has A Soul.

While snorkeling in the ocean, "Peggy Chapman" (Yvette Mimieux) gets tangled up in some underwater kelp. She wakes up on the beach and sees a man sitting next to her named "David Smith" (Monte Markham) who she thanks for saving her life. He is then invited to spend the weekend with her family and it becomes obvious that there is something different about him. Not only that, but the elderly patriarch of the family named "Judge Earl Chapman" (Melvyn Douglas) feels extremely uneasy in his presence. Coincidently, nobody in the entire world dies during the time he is a guest at the house. Anyway, rather than divulge the rest of the story and risk spoiling it for those who haven't seen it, I will just say that this wasn't bad for a made-for-television movie. I enjoyed the performance of Melvyn Douglas who seemed to harbor a genuine fear of death. Likewise, Yvette Mimieux seemed tailor made for the part of the rich and attractive young woman who lives life to the utmost. On the other hand, while Monte Markham's performance was adequate, I thought his image could have used a couple of scenes where he inspired a bit more horror. Additionally, while there was certainly quite a few conversations about death and dying, I felt that most of them were empty and vague when they should have been richer and more meaningful. In other words, it seemed that deep philosophical or religious topics were glossed over or not fully addressed. Be that as it may, this was a decent film which I rate as slightly above average.

This was an updating of the classic play and film from the early 1930s, with a good cast including Monty Markham, Yvette Mimieux, Melvin Douglas and Myrna Loy. It was certainly above average as a made for television film, and was in color. However, Mitchell Leisin's black and white movie still looks quite striking today, and the addition of color was hardly necessary for the story line.The only points I wanted to add to discussing this particular version was that they added an element not in the original. Albert Casella's play was set in his native Italy, and Leisin had kept that in his film version. But in this update, it was set in the U.S., in modern times (since it was shot in 1970 let us say the 1970s). But Duke Lambert's family is now the Chapman family. The Chapmans are a wealthy and politically active family, with Douglas and Loy as Patriarch and Matriarch (and son Kerwin Matthews is a U.S. Senator) who have had serious losses and tragedies over the years. In fact, one of the early sequences (where two grandsons are on a boat that looks like it is going to be hit by an out-of-control speedboat) is typical of the type of family tragedies they have suffered. As Death (Markham) is now taking his holiday, the disaster is averted. Of course, the idea behind this change was based on the number one political/wealthy family in America: the Kennedys. It was a curious, and I would say unnecessary change, but I suspect that the teleplay writers felt that it would help bring home the message more if we were thinking of American wealth and privilege at stake instead of old European aristocracy.

This has to be my all-time favorite movie. Perhaps it appeals more as a Romance with supernatural undertones. The acting alone is not exceptional, but when you combine the story, actors, set and filming techniques....it's a winner.I remember seeing it on television in 1971 and then again in the late 90's. It's really a shame that this movie does not get more air play or that it has never been released on VHS or DVD. With the release of "Meet Joe Black," the story line was somewhat resurrected. However, this remake doesn't compare with the 1971 version.The original black and white version may appeal to some, but I really enjoyed the color version more. In fact, it wasn't until I saw the 1971 made for TV movie that I even heard about the book/play. The story really makes you wonder, not so much about the romance, but what WOULD really happen if "Death" took a holiday.