everything you have heard about this movie is true.

it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

The film makes a home in your brain and the only cure is to see it again.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

. . . THE PROJECTIONIST is the sort of hit-and-miss, brilliant-one-minute\mediocre-the-next, "all over the map" mash-up that every Tom, Dick, and Harry is doing on the internet nowadays. Chunky Chuck McCann as the title character has an (on-screen) imagination filled with Nazis, war, Ku Kluxers, riots, science fiction horror, lynchings, assassinations, machine-gun fire, Busby Berkeley female kaleidoscopic formations, gang fights, dinosaurs, explosions, cavalry charges, burning dirigibles, concentration camp carnage, super heroes, arch villains, crackpot evangelists, and nude chicks on bearskin rugs. Adolph Hitler features most prominently. References to actual movies are everywhere--on projectionist Fred C. Dobbs' big screen at the Palace Theater, on his film poster-papered apartment walls, and on the marquees of the sidewalks he haunts while off-duty. His brain is filled with snippets from dozens of movies sampled here (director Harry Hurwitz sometimes needs to split the screen five ways to cram everything in). McCann as Dobbs "does" Humphrey Bogart, John Wayne, and James Stewart, among others. Did this obscure flick "inspire" Monty Python, Benny Hill, Laugh-In, That was the Week That Was, Mystery Science Theater 3000, and BE KIND, REWIND? Who is to know?

When I played this movie on VHS and the first thing that appeared was the cartoon Gerald McBoing Boing's Symphony (which I reviewed here last year), I actually thought this short was going to be played in full before the feature. Instead, it turns out the title character whose name is the same as the person playing him, Chuck McCann, is playing it at the New York theatre he works at and has to fix it when it tears on the projector it's on. And so begins this fascinating film as we follow Chuck as he talks to one of the ushers, Harry (writer/director Harry Hurwitz), who gets shooed away by manager Renaldi (Rodney Dangerfield in his film debut) who warns Chuck not to communicate with his other employees on company time of which another one of those Chuck's friendly with is the candy man played by Jara Kohout. During some downtime, Chuck imagines-in silent black and white-he's superhero Captain Flash who has to defeat Dangerfield's The Bat from Kohout's Scientist and his daughter who's played by 60's leading lady Ina Balin. These sequences are quite hilarious what with the sound effects and physical movements. Ms. Balin is also in another dream sequence-also in silent black and white-with Chuck whenever he tells Harry about his dates with her. Since we never see her in the real-life color sequences, we don't know if she really exists here. Oh, and the Captain Flash music sounds like stock melodies from the '30s-'40s serials while the ones with just Chuck and Ina have the more Easy Listening '60s vibe. There's also some creatively amusing mix of various newsreel/classic feature/new footage meant to convey just how immersed in movie lore Chuck really is that provide some bizarre juxtapositions like when JFK's "Ask not what your country can do for you, ask what you can do for your country" seems to come out of Adolf Hitler's mouth! There's also a touching moment between Kohout and McCann when the latter asks about the former's experience in silent movies in his home country of Czechoslovakia as well as his escape from the Communist country during the intermission of a theatrical revue he performed in. McCann himself has one good scene by himself when he impersonates some of the famous movie stars like his idols Laurel & Hardy not to mention Rodney himself on another occasion! Oh, and while Dangerfield provides some lines that could have been funny if he delivered them in his stand-up voice, here they're just said in a solemn tone that only brought a slight smile on my face. When he's in the bw footage, however, his bug eyes can still highly amuse. And one more thing: if you're familiar with movie names from a certain era, then you could tell what year this movie was filmed in when titles like Barbarella and Star! appear on marquees though one more that's displayed is the one you're reading about right now...

When not goofing off, the titular yutz daydreams of being a silent film superhero. Parts of the score are cribbed from old serials, and scenes are lifted from features of the 20's thru 50's. One wonders how John Wayne and Humphrey Bogart would react to seeing their work intermingled with clips of war atrocities and grindhouse dancers. Chuck McCann's character is immensely likeable when he dwells in the present, but his superhero mugs like the class clown you always despised. Released on VHS in 1986 to capitalize on Rodney Dangerfield's (straight) supporting role.

"The Projectionist" is a witty, clever, creative fantasy that deserves a large underground following. The simple tale tells of Chuck McCann (played by, er, Chuck McCann) who is the projectionist at the local uniplex. His life is pretty uneventful, and most of his time is spent watching, quoting, and generally living deep, deep inside movies.His boring every day life gives way to wonderfully shot black and white fantasy sequences in which Chuck becomes Captain Flash, super superhero and all around nice guy, who must save the world from the Bat (Rodney Dangerfield) and his army of Nazi stock footage.The fantasy sequences look great, really capturing the look of a silent movie serial. The scenes mix real old movie footage with the new stuff seamlessly, looking fantastic. There is another fantasy sequence, in which Chuck tells about a women he met & fell in love with, also shot in black and white, that is sweet and very reminiscent of Woody Allen's "Stardust Memories".McCann is a wonderful talent, mixing impersonations, physical comedy, and a surprising tenderness that would almost be heart-breaking if the movie didn't remain upbeat. Rodney Dangerfield is superb also. He doubles as McCann's boss in the "real" world as well as the villainous Bat in Captain Flash's world. Dangerfield's character is a miserly control freak, and Dangerfield never breaks character to crack a joke or anything- he remains slimy and unlikable in a professional performance altogether missing from his starring roles (not to undermine the subtle nuances of "Meet Wally Sparks").My only complaint is that the color reality sequences don't live up to the day-dream scenes, but they too look great and gritty, a real great contrast to the fantasy scenes.I whole-heatedly endorse "The Projectionist" as a fine, entertaining art film disguised as a comedy that makes few mistakes in it's character study of a lonely, good natured man mired in pop culture.