Waste of time

Powerful

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

Producer: Herman Schlom. Copyright 26 May 1944 by RKO Radio Pictures, Inc. No recorded New York opening. U.S. release: no official release date. The movie was block booked. Australian release: 12 October 1944. 5,831 feet. 64 minutes. SYNOPSIS: Gildersleeve doesn't actually tangle with the ghosts (there are two of them), but he does dance a merry jive with both a now-you-see-her, now-you-don't showgirl and a not-so-tame but definitely dysfunctional gorilla. NOTES: Fourth and last of the Gildersleeve movie series. COMMENT: It's almost inevitable that every series character will meet a ghost at some time or other in their film careers. This of course is the Gildersleeve entry and a riot of fun this clever little spoof is too. Oddly, however, most of the amusement is not delivered by Gildersleeve. True, he's in the movie, in triplicate in fact, but he's only tolerably diverting. (He also looks different too. Less presentable, less debonair. Same director as before, so it must be the photographer's less indulgent lighting). Oddly, all the best bits of business are handed to Marion Martin, and all the funniest comebacks are delivered by Nick Stewart. Now I'm certainly not complaining. I love Marion Martin. She's a real dish, and here, for once, she has a major role. As for Nick Stewart, he is one of the most adept (yet unappreciated) comedians in the business. Not that the movie is lacking in expert farceurs: Richard LeGrand, Emory Parnell, Lillian Randolph, Marie Blake, for instance. (Reicher is great too. The way he keeps a straight face in the midst of all this gorilla-swapping and visible-in/visible-out bedlam is amazing). But Stewart easily tops them all. The Forrester kids have less footage in this movie. Margie Stewart makes an extremely indifferent Marjorie anyway. Before I conclude, I must mention Amelita Ward. She's a knock-out! I must also pay tribute to Vernon L. Walker' marvelous special effects. I'm amazed this entertaining entry received such bad reviews. Robert E. Kent's risible script takes the mickey out of several horror sub- genres, including the invisible woman, the mad scientist, the haunted house, plus real and fake gorillas on the rampage. My only complaint is that it all ends somewhat abruptly. But that's life!

The final Great Gildersleeve picture from RKO is a weird one but entertaining. The plot this time is that Gildersleeve (Harold Peary) is running for police commissioner. The ghosts of two of his ancestors (both also played by Peary) decide to help him but only get him involved with a mad scientist, an invisible woman, and a gorilla! They are Gildersleeves, after all.This one's fun. I've enjoyed all of the Gildersleeve movies but this one appeals to me especially as I'm a big fan of old horror/sci-fi movies. Harold Peary is great in this one playing three separate roles. Frank Reicher is appropriately sinister as the mad scientist. Beauties Marion Martin and Amelita Ward pretty things up as the invisible woman and French maid respectively. Martin is also very funny. Love her scenes with Gildersleeve. Richard LeGrand, Emory Parnell, Lillian Randolph, Margie Stewart, and Freddie Mercer all offer good support. Marie Blake is the lady in love with Gildersleeve. Every movie in the series had to have one. Nick Stewart is hilarious as a cowardly chauffeur. It's a stereotypical role but he does a lot with it. The 'old dark house' touches are very nice. The guy in the gorilla suit may not be convincing but that's part of the charm of it. Every scene with the gorilla is great. The scene where Gildersleeve threatens to spank the gorilla, believing it to be his nephew Leroy in a costume, is priceless. I can understand it not appealing to everyone but if you enjoy old-school horror comedies with a little atmosphere and a lot of laughs, you'll probably like this.

"The Great Gildersleeve" is my favorite old time radio show, but I can't necessarily say this is this big-screen version is the best example of what made the show work so well.Running for police commissioner, Throckmorton P. Gildersleeve is caught up in a whirlwind affair involving an escaped gorilla, an invisible woman and a mad scientist lurking in a mysterious mansion near Summerfield. The chain of events is set in motion by two ghosts from the Gildersleeve family tree (played by Harold Perry, in addition to his work as our favorite Uncle Mort). Of course, only Gildy sees the gorilla, the ghost girl and other mysterious goings- on, leading everyone to believe he's probably going a bit mad. Lots of the humor comes from misunderstanding or conveniently placed trap doors and invisible girls vanishing at just the right moment. Plot threads are brought up and then dropped just as quickly (once the ghosts vanish in the first reel, they're not heard from again, despite claims they want to help our hero). As a fan of the radio program, it's fun to see various cast members from the show on screen, playing their familiar roles. Marjorie and Leroy are played by different actors (a necessity since both roles were played by older actors than the characters they played) however. Mr. Peavey and Judge Hooker are on hand, with Mr. Peavey playing the foil to Gildy throughout the film. (You may become weary of his famous line, "Well now, I wouldn't say that" before the final reel). At just over an hour, the movie doesn't overstay its welcome, but it's not necessarily anything to write home about either. If you're a big fan of the radio show, give it a try. If you've not heard of Gildersleeve, find some of the radio programs first to get a better feel of why the show was so popular.

Gildersleeve's Ghost (1944) *** (out of 4) Gildersleeve (Harold Peary) is in the middle of a heated election but soon gets caught up with a mad scientist, a mean gorilla and an invisible woman. Here's yet another horror comedy that takes place in a spooky house with a killer gorilla running around. This has been the plot for countless movies but I found this film to be one of the best of the genre with non-stop laughs and some pretty good special effects. I'd call this film better than any of Universal's "Invisible" films of the 40s and it also ranks as one of the better horror comedies of the era. The supporting cast is full of terrific comic actors who really add a lot of laughs to the film. Marion Martin, Richard LeGrand, Emory Parnell and Frank Reicher all do nice work in support of Peary. Black actor Nick Stewart gets a terrific role here and gets to show off his comic talent, which is very rare for a black actor in a Hollywood film from this period.