Captivating movie !

A lot more amusing than I thought it would be.

To all those who have watched it: I hope you enjoyed it as much as I do.

It's easily one of the freshest, sharpest and most enjoyable films of this year.

Gerald Fitzgerald (Edward Burns, who also wrote, directed and produced this gem) has been the family peacemaker and caretaker for a long time. As the eldest of seven siblings, Gerry took over the role of parent when the father took off twenty years ago. Mother Rosie (Anita Gillette) was devastated and still very bitter. Although all of the kids are now adults, there has never been a family dinner that includes both natural parents. Rosie won't hear of it. So, for two decades, the Fitzgerald clan of three sons and four daughters has seen Dad on and off but always have Holiday celebrations with Rosie. Now, this year is different. Father Skip-out has terminal cancer and he wants Gerald to arrange for the whole family to be together for the Christmas meal. Gerry hoped to talk to the sibs at their mother's birthday dinner, on the 23rd. But, the brothers and sisters started canceling out. One just got out of rehab, one has an abusive husband, one is married to a Jewish man who wants his wife to spend time with HIS family and so on. However, once the kids know about their Dad's condition, they join forces to convince Mother to forgive her ex, at least for a day. Also chiming in are the family priest and a close neighbor lady. Meanwhile, Gerry has met a nice home health aide, Nora (Connie Britton) who is the first woman he has really connected to since the death of his fiancé. Will this be the season of the true spirit of Christ's love? This sharp, insightful movie has its funny moments but deals more often with very serious subjects. What else would anyone expect from the terrific writer/director Edward Burns? The cast is quite large and does fine work, including Burns himself in a pivotal role. The setting in and around Manhattan are Burns' favorites as well. Here is a flick that would set the stage for a family gathering of peace and love, even if your family is enduring quite a bit of upheaval. Isn't that what most long for at holiday times?

This story had great potential, but was butchered in the way in which it was told. A father coming home for Christmas could make a great, feel-good movie, but it should be the story of the family's amazing reunion, not the story about a family's fight about whether or not he should be allowed at Christmas dinner. Maybe choose ONE character or couple to follow more closely instead of splitting it up into 7 different mini-stories, each which should have its own movie all its own. You have the central character(s) and supporting roles. This was just CHAOS; most of the kids had their own separate story lines, and none of them had complete, satisfying closure. What happened with Connie and the baby? Where's the justice for her husband? What about Gerry and Nora? Did they make it to their happily ever after? In the beginning of the movie, all of the siblings, save Gerry, let on that they did not like or have much respect for their mother, grasping at straws to find any excuse to avoid spending her birthday with her. The reason, one sister said, was that Gerry didn't know how their mom was to the rest of them....which provided no actual explanation, and gave the appearance that very little thought was given into the movie's back story. I felt it was a weak movie with a lot of vague, suggestive lines leading you to assume (or guess at) things that have happened. Isn't the purpose of a movie to SHOW you things instead of TELL you things? Mainly, I saw a bunch of people going back and forth to each others' houses, arguing about whether or not Dad deserved to come to Christmas. The transitions were awful and there was no rhyme or reason to why they were at one place or another; it just felt like they were changing settings just to change settings. Another thing: where was the grand apology? Where was the sweeping her (and the family) off their feet and MAKING them believe that he was truly sorry? A movie like that is supposed to make you feel GOOD about the ending. This just made me feel like the mom was grudgingly allowing him into her house, the kids had a sudden change of heart, but no real apology, healing or growing was done as a family (or by any family member individually). That's what is supposed to happen at the end of a movie like this. Don't get me wrong, I love movies that don't end traditionally, but this movie made me FEEL nothing. I was severely disappointed.

The many talent's of Edward Burns as screenwriter, director and actor were abundantly evident in this film. Everything from the cast of characters, choice of location, simple but powerful lighting and suburb directing makes this a memorable "family relationship" Christmas classic.The script was written, and intended, as adult entertainment due to the use of language not appropriate for children. But, by doing that Mr. Burns was able to avoid the classic failure of your typical family Christmas film that often ends up as either "sugar mush" or absurd comedy. You know the ones I referring to, they're often found on the Hallmark Chanel at Christmas time.I take my hat off to Edward Burns this film "The Fitzgerald family Christmas" is among my favorite Holiday movies of all times along with the "Christmas Story" and "It's a wonderful Life" All three rate 10 out of 10.

A big family is a catalog of problems, a big family at the holidays is a catalog of problems reaching its boiling point. If you've lived in a big family you know it, if you've seen one or two films about big families, you probably know it too. Here lies the failure of this nice little film. Don't get me wrong, it's fairly well acted, the director choosing a low key approach that suits the genre well, so it's not a catastrophe, in fact it might be a good pastime if you can relate. Thing is the plot is not only loaded with cliché, it's devoid of any refreshing surprise or plot twist. And it tends to solve most of the problems it's looking into in a superficial almost casual manner. An abusive husband, falling for a creepy old man, falling for a girl who's too young for you, everything solved nice and easy, like it was no more than a ploy to cover a few more minutes on screen. It's not a good feeling to end with after a film with which we're suppose to relate.