For all the hype it got I was expecting a lot more!

A different way of telling a story

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

This is a gorgeous movie made by a gorgeous spirit.

I will say the same here that I have said every time I have ever watched a movie with Hedy Lamarr -- I just don't get it. Yes, I know, she was quite beautiful. But as an actress...well, frankly, I'd rather watch Marjorie Main! Her choice as one of the female leads here is one of the two things wrong with this movie, although she is adequate.The second relates to the college scenes. What a bunch of buffoons! Were they supposed to all be buffoons? Didn't college guys have any sophistication back then at all? Was there no substance at all? Now, beyond those two points, this is a decent movie, although I'm surprised that here it has a rating of above 7. Robert Young (Pulham) is a typical Bostonian businessman, who lives a very ordered life. His wife (Ruth Hussey) also lives a very ordered life. As one source related it -- passionless. Young is handed the job of organizing a college reunion, which leads to flashbacks of his earlier life. After WWI, he joins a New York City advertising agency, where he falls in love coworker Marvin Miles (Hedy Lamarr, and yes, the name Marvin is correct). Some of the scenes with the father (Charles Coburn) are quite touching, and I think rather realistic. Over time it becomes clear that Young is staid and Lamarr is flamboyant. Not a match. So, Young marries a woman from his own social set (Ruth Hussey). Then, Lamarr and Young have a chance at a personal reunion. Both are married, but will they run away together? That is the question.As much as many of us loved Robert Young in his television roles, many of his screen roles were less impressive (though there were a few notable exceptions, this being one, another being "Enchanted Cottage"). Another of our reviewers wrote that Young was too bland for his role here. Actually, no, a bit of blandness is just what this role was really about. Young does very well here.Ruth Hussey, perhaps a bit of an underrated actress does nicely here. As does Charles Coburn, Van Heflin (as an old college friend), and Fay Holden (as the mother).It's a good, though not great film. There are times the music seems a little out of place, and times when director King Vidor seemed to almost try to make this a comedy, which it is not. But, despite a few faults, it gets the job done and is worth watching...though it probably hasn't found a place on many DVD shelves.

For me, this movie was like a box of chocolates, where some will be fabulous, some will be okay, and lots will be like tolerable filler, or worse. The good: Hedy lamarr. Never a fan of hers, she was my favorite element of the movie. Just interesting to watch, quirkily acted with a very unique personal style as she played a free-thinking, smart, independent, playful, cautious, fearful, fearless, ambitious, grounded character. I found her fascinating, which isn't surprising considering how smart she is alleged to have been in real life. It's the first time I've seen her on screen where her skill matched want I had read about her. The good: The elements of the plot line that challenged the formula, whether it's girl marries to access wealth, or that people live happily ever after. There were little bits of iconoclasm, like Hedy's character wanting a scotch without feeling the need to hide it. The bad: Sorry, Robert Young lovers. Look, I like Robert Young, too, as a person. He's a nice guy, warm , likable, but he was better for TV because he was so bland. He can't carry a movie, and certainly not one like that, that requires simultaneous layers of compromise, pain, frustration, ardor, denial, anger, honor. He's the principal reason the film is dull. When I read that Vidor wanted Jimmy Stewart or Gary Cooper it so made sense, and that Young was a compromise. Stewart would have brought the angst and layers to it that he brought to It's a Wnderful Life. The Gregory Peck of Valley of Decision had the power and range and internal drama to prople this movie. (he wasn't a star yet, or known). The good: Ruth Hussey. Underrated actress. She really shines in this movie, and I've never seen her so luminous, war, beautiful. She was usually cast more unidimensionally brittle. The so-so: Charles Coburn. Been there, done that. The so-so: Bonita Granville. Same part, different movie.

H.M. Pulham, Esq. comes from a novel by John P. Marquand, the same man who wrote The Late George Apley. This man definitely knew his Boston and apparently was of the opinion that it was indeed the most civilized place on the globe or at least in the Western Hemisphere.The title character is played by Robert Young whom we meet on the eve of World War II a seemingly content and successful businessman who gets a pair of calls that set him thinking about his life. The first is from a former Harvard classmate Leif Erickson who is organizing a class reunion. The second is from a woman whom he had a fling with back in the day before he married Ruth Hussey. That would be the drop dead gorgeous Hedy Lamarr.This sets Young to thinking about what might have been and we got back to the days before, during, and after World War I when Young was much younger and unattached. After service in the Great War as they called it back then, he's decided that there is more to the world than the confines of Back Bay Boston. He decides to go to work for an advertising agency in New York. It's there that he meets Lamarr.Hedy's a free spirit, not at all like the girls back home like Ruth Hussey. She's in fact being courted by Van Heflin who is another of Young's Harvard crowd and who's a odd fish in that crowd as well. The mores of Beacon Hill are just not Hedy's style and Young has to face that.The film version of The Late George Apley ends before World War I and that was an event that impacted nearly all on the globe, one way or another. The Pulhams were probably just like the Apleys before the war. In fact Marquand had George Apley describing a youthful indiscretion with an Irish girl, definitely not of their crowd. If you know what happened there, you know how H.M. Pulham, Esq. resolved things and answered his own questions.Even in Boston there's such a thing as a midlife crisis which is what Young is going through. H.M. Pulham, Esq. is a really cute film with a gorgeous Hedy Lamarr and a stalwart Robert Young. Leif Erickson got one of his best parts in film as the overage college jock whose high point in life was playing football for Harvard. Phil Brown is also good as Young's friend from childhood who went to Harvard with him, but is very clueless about anything that's not got the Boston seal of approval.H.M. Pulham, Esq. ought to be seen back to back with The Late George Apley, it's like watching Apley in a different generation in many respects.

Right from the beginning, one might mistake this film for a comedy. In fact, the artistic opening sequences make H. M. Pulham (Robert Young) out to be a rather eccentric man. But as the film goes on, we learn that his is a complex and likable man with a life relateable to anyone at anytime. He is notified of a Harvard class reunion and for the event, he must write a personal biography. Writing it turns out to be difficult, and we journey through memories in search of the ones to include.As a young boy, Pulham was brought up in a highly educated and somewhat rigid environment. His mother (Fay Holden), father (Charles Coburn), and sister (Bonita Granville) loved him and accepted his friends willingly, especially Bill King (Van Heflin). They even arranged for a girl to be nearby at all times (Ruth Hussey); he even eventually married her. However, the one aspect of his life that was not planned was his love affair with an advertiser named Marvin (Hedy Lamarr). Thinking about her brings back all of the passion they had for each other, and he begins to wonder why they never ended up together when they were in love.This movie is sentimental and entertaining. Each of the actors is excellent in his part, especially Lamarr who exercises a new part of her personality. In most of her films, she plays a seductive and somewhat distant woman. Here, she is warm and inviting, much more like an ideal wife and mother. One could easily imagine her sitting by the fire mending socks or cooking over a hot stove and all the while remaining radiantly beautiful.