Tish Gray had a baby and gave it up for adoption. She is contacted by a second childless couple who want her to have the husband's baby because of the wife's inability to have children. She accepts but finds that knowing the parents, and developing a relationship with them for the entire pregnancy complicates the simple arrangement.
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Reviews
People are voting emotionally.
This is a must-see and one of the best documentaries - and films - of this year.
A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
I admit, I ordered the DVD of this film because it starred the young Barbara Hershey. Okay, sure, she is stunningly beautiful; but as we know, she is also a stunning actress. I'd never seen this film before last night......unless I've forgotten viewing it in the theater upon its release.Overall, what a lovely film. I'm an old softy, so a story like this would tend to get me; but as other reviewers have said, the stars made this story.In my opinion, it would be a mistake to fault the film because of a few things that, now, seem rather dated. The characters are subdued with their emotions (for the most part); and that they can pull it off is a sign of the actor's talents.But really, what else can I say other than: what a lovely tale, lovingly told.
An excellent, if greatly underrated film. Philosophical author Thaddeus Golas, who lived with a hippie commune for several years in San Francisco in the '60s and 70s, pointed out that The Baby Maker wonderfully captured the spirit of youth in the '60s, far better than Hollywood caricatures like The Trip or Easy Rider. This is true, of course. This film is about the clash of worlds and paradigms. Like most films of the 1970s, it's true themes are hidden under layers, and the title gives few clues as to what the story is truly pointing at. Worth a viewing!
People didn't want to THINK about this movie at the time it first came out. The idea that a childless couple, so desperate to have a baby, would have the husband meet a young surrogate at a hotel room to "make a baby" while the wife sits nervously at home, looking at the clock, anticipating his return home. That was too much for people. It was titillating and had a sleaziness to it.Sex can do a lot of things. Barbara Hershey was very good in her part and started to have "feelings" for the husband (this often happens after sex). She has a boyfriend (Scott Glenn), whom she catches in bed with another woman, which sends her over the edge.I don't remember the end, but I used to have this on tape. I wouldn't mind seeing it again.
Barbara Hershey plays a hippie girl who is hired to have the baby of a middle class couple (Collin Wilcox-Horne & Sam Groom). The film deals with the clash of values between Hershey, along with her boyfriend (Scott Glenn), and the couple. It also deals honestly and surprisingly fairly with the emotional turmoil all four characters go through. Supposedly the film was dismissed upon its released because of the way it depicted hippie culture, but it is much more positive than a good amount of the films of the day (see Joe, for instance). It neither accepts nor dismisses either of the two classes, but instead deals with the four principals as individuals. The four characters are sensitively written (director Bridges, most famous for writing and directing The China Syndrome, wrote the script here, as well). Hershey, Wilcox-Horne (AKA Wilcox Paxton), Groom, and Glenn all give exceptional performances.