everything you have heard about this movie is true.

Although it has its amusing moments, in eneral the plot does not convince.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

To call this quirky, brooding film a western is a failure of imagination since it is nothing less than a classical tragedy, a sort of Hamlet set in the American west circa 1875. "Silent Tongue" is a Sam Sheppard film with a stout cast and ambitious themes. It is helped toward that end by the venerable talents of Alan Bates as a drunken Irish thespian and snake oil salesman (what a great archetype) along with Richard Harris as the desperate father of a young man lost in madness from grieving the death of his Indian wife. It does not hurt that the screenplay's characters sometimes speak with the cadence and tone of formal 17th Century English mixed with a touch of cowboy colloquy. It helps even more that there are murderous ghosts and allusions to suicide. After about 30 minutes of trying to get a peg to hang my movie genre hat on, I was left with a question. "WTF is going on here?" That is why eventually I gave up and accepted it for what it was--a Shakespearian western. Aside from that, its a slow stroll with lots of dramatic flourishes and an unexpected touch of Grand Guignol. Dermott Mulroney and River Phoenix are evident in support. Native American actress Sheila Tousey is absolutely terrific. Watch it but in the right mood.

A friend told me this was a must see because I was a River Phoenix fan. Yuuucccckkkkk!! What a stupid film!! It really made no sense at all.He loses his love (a beautiful Indian girl) and instead of burying her, he keeps her and stays with her body. Through baking heat of the sun, through rainstorms, day, night, day, night, day, night,.....GROSS! He doesn't say a word through it all. No real emotion. FINALLY at the end of the film, an Indian spirit persuades him to let her go. This is a horrible last role for him to have. Also, I can't believe that Sam Shepard actually wanted this to be his directing debut! All I can say is what a waste of talent in this load of c**p. Stay far away from this one!!

Silent Tongue looks and feels like a great lost 60s spaghetti oater crossed with a Japanese ghost story. Richard Harris is excellent (and restrained!) as the father of River Phoenix, who is haunted by the less than ethereal remains of his late wife, a half breed purchased from traveling huckster Alan Bates (over-the-top but enjoyable!). Give playwright Sam Shepard his props for some outstanding direction: this man understands how to frame a shot better than 90% of the Hollywood hacks making big budget crapola. Strongly recommended.

Silent Tongue is a western about a disturbed young man (River Phoenix) who grows increasingly distraught over the death of his white/Amer. Indian wife. His father (Richard Harris) attempts to purchase the dead woman's sister, with the hope that she will be a consolation to his son.What a peculiar movie! I can't say I liked it because there was nothing enjoyable about it ... on the other hand, I didn't hate it because it had some redeeming qualities. For example, Richard Harris (whom you may, perhaps, remember as English Bob in 'Unforgiven') was quite excellent, and director Shepard certainly had some vision for this picture; however, I can't say with any certainty what that vision was.The film struck me as being about the desperation of grief and rage, and how both manifest themselves when they are not addressed or dealt with. The main characters all want to reverse something that has happened, yet the past cannot be changed. The wrongs they perceive were done against them can never be righted. What can they do with their pain except suffer it? They communicate not so much in words as in hurtful behaviors.The film is not pretty to look at: the landscape is dry and yellow; the characters are begrimed and weary. The things they do and ultimately say are just ... ugly. It's an ugly, disheartening picture in which boorish people are motivated by the simplest of emotions to do base things because they cannot cope with reality.